John Rubinstein News

Voting has opened for the 2015 BroadwayWorld Washington, DC Regional Awards! Check out the latest live stats as of November 27th. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.

Voting has opened for the 2015 BroadwayWorld Seattle Regional Awards! Check out the latest live stats as of November 27th. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.

Voting has opened for the 2015 BroadwayWorld Washington, DC Regional Awards! Check out the latest live stats as of November 27th. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.

Voting has opened for the 2015 BroadwayWorld Seattle Regional Awards! Check out the latest live stats as of November 27th. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.

Voting has opened for the 2015 BroadwayWorld Los Angeles Regional Awards! Check out the latest live stats as of November 27th. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.

There are the warhorse musicals of Rodgers and Hammerstein, Cole Porter, and Irving Berlin; there are the lavish productions befitting Phantoms in opera houses and French revolutionaries and revisionist fairy tales (and you know the ones I mean); there are the Disney powerhouses; and . . . there are musicals of a quaint, mind-nudging nature that don't quite fit into any category. Certainly THE FANTASTICKS comes to mind, and -- at least in the previous productions I have seen -- Stephen Schwartz's PIPPIN. Somewhere in my video collection is a filmed version of the musical with William Katt, and just a few years ago PIPPIN was the first musical staged at the shiny, new Playhouse on the Square (with Alvaro Francisco stepping in for a sidelined Jordan Nichols). I sometimes think that small-scale musicals are better suited to venues less grand than the Orpheum; I needn't have worried, however, as PIPPIN has acquired the kind of theatrical, Cirque du Soleil-style atmosphere that perfectly suits the show's opening number, 'Magic to Do.'

The circus is in town and I ain't talking about Barnum & Bailey! The national tour of the 2013 revival of PIPPIN made its way to the Bayou City and I'm hippopotamusly happy to see this tour! When creative geniuses such as Bob Fosse and Stephen Schwartz are at the helm of the original material, there's no denying that a musical theatre maven such as myself would be overzealous.

Today in 1972, Pippin opened at the Imperial Theatre, where it ran for 1944 performances. Pippin is a musical with music and lyrics by Stephen Schwartz and a book by Roger O. Hirson. Bob Fosse, who directed the original Broadway production, also contributed to the libretto. The musical uses the premise of a mysterious acting troupe, led by a Leading Player, to tell the story of Pippin, a young prince on his search for meaning and significance. The original cast included: Eric Berry, Jill Clayburgh, Leland Palmer, Irene Ryan, Ben Vereen, and John Rubinstein.

Pippin brings the audience into a traveling circus who are performing a tale of Pippen a prince of a land who is struggling with finding himself. Pippen believes he is extraordinary and wants an extraordinary life but find out that an ordinary life may actually be the thing he has been looking for. The same can be said for this production. Pippin the musical really wants to be extraordinary when in fact it is just ordinary. The plot is just so so and none of the musical numbers are catching. There was one very big bright spot however and that was the circus acts.

PIPPIN is playing at the San Diego Civic Theatre through Sunday, August 30th. For shoetimes and ticket information go to www.Broadwaysd.com

Executive producer Tim Dietlein and the Glendale Centre Theatre continue their exciting 68th season with the Broadway classic, GUYS AND DOLLS. Performances are August 28th - October 10th.

Stephen Schwartz's "Pippin" is one of those under appreciated musicals. It definitely has its problems but if done well it can deliver the goods. Well, the current tour of the recent Broadway run certainly delivers those goods. Not only does it retain the dark edginess of the story but it's also infused with thrilling circus routines that make it a crowd pleaser on many levels.

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. 'Pippin' performs at the Cadillac Palace and Sidetrack, dueling showtune concerts on August 17, and a summer 'Altar Boyz.' Plus local premieres of 'The Boy From Oz,' 'American Idiot' and 'Dogfight,' 'Gypsy' in Lake County, and 'The Producers' in true rep with 'Victor/Victoria!'

Like most theatre enthusiasts, I've always enjoyed Stephen Schwartz's score for PIPPIN, with "Magic To Do" and "Corner Of The Sky" easily being my favorite songs. That being said, the original production of the show (which, admittedly, I knew only from the VHS recording of the original Broadway cast, and a low-budget college production I saw) never resonated with me. While the opening of the show was always exciting, the show lost its glitter after the first few scenes. Then, in 2013, when I took a front-row seat at New York's Music Box Theatre to catch the celebrated Broadway revival, I found myself lost in this version's newly polished magic. The revival had won me over, and eventually I made two more trips back to New York (to the same seats) for two additional performances.

This evening, Dallas Summer Musicals hosted an exclusive press event, featuring John Rubinstein and Sasha Allen answering questions from the Dallas/Fort Worth media representatives. Members of the press were also invited to attend warm-up rehearsal onstage before the show. Check out our exclusive photos below! PIPPIN appears onstage at Music Hall at Fair Park from July 7th-July 19th, and at Bass Performance Hall from July 21st-July 26th. For tickets and more information, visit http://www.pippinthemusical.com.

PIPPIN does what musical theatre ought to do: hooks you with a great opening number, gives you characters to love and hate, treats your senses with song, dance, costuming, sets and lights and offers fresh perspective on a timeless theme.

'What is my purpose in life?' is a question asked by many people as they ponder the reasons for their existence. Finding one's raison d'etre could be the ever-elusive challenge, and should you never discover it, you are in good company. It is an existential question that lingers eternally for people who really want to have a life that matters. Now on stage at The Fisher Theatre is the musical PIPPIN, the tale of existential woe.

Today in 1977, Pippin closed at the Minskoff Theatre, after having played 1944 performances. Pippin is a musical with music and lyrics by Stephen Schwartz and a book by Roger O. Hirson. Bob Fosse, who directed the original Broadway production, also contributed to the libretto. The musical uses the premise of a mysterious acting troupe, led by a Leading Player, to tell the story of Pippin, a young prince on his search for meaning and significance. The original cast included: Eric Berry, Jill Clayburgh, Leland Palmer, Irene Ryan, Ben Vereen, and John Rubinstein.

All of PIPPIN'S performers bring energy, extraordinary ability and talent to this revival!

Loosely based on the fictitious life of Pippin the Hunchback, this musical tells the story of the young prince Pippin, Heir to the Frankish throne, who is in search of the secret to true happiness and fulfillment. He seeks it in the glories of the battlefield, the temptations of the flesh and the intrigues of political power (after disposing of his father King Charlemagne the Great). In the end, though, Pippin finds that happiness lies not in extraordinary endeavors, but rather in the un-extraordinary moments that happen every day.