Jessica Jahn News

Yes, it's still the Leonard Bernstein centennial and what better way to celebrate than at the Glimmerglass Festival with WEST SIDE STORY. It remains a unique creation, the collaboration of four geniuses: Bernstein himself, of course, Jerome Robbins (choreographer-director), Arthur Laurents (book) and then-newcomer Stephen Sondheim (lyricist/co-lyricist). Directed here with a deft hand by Francesca Zambello, the Festival's Artistic & General Director, and choreographed by Julio Monge

Check out the new photos below of Charles Busch's sold-out return to Theater for the New City in his uproarious new comedy The Confession of Lily Dare, directed by Busch's longtime collaborator Carl Andress.

Performances begin this Wednesday for Charles Busch's return to Theater for the New City (Crystal Field, Executive Artistic Director) in his uproarious new comedy The Confession of Lily Dare, directed by Busch's longtime collaborator Carl Andress (The Tribute Artist, Judith of Bethulia, The Divine Sister).

As part of Pittsburgh Opera's commitment to bring new, American operas to the Benedum Center stage, we are very proud to announce the Pittsburgh premiere of Jake Heggie and Gene Scheer's critically acclaimed opera Moby-Dick.

Complete casting has been announced for Charles Busch's return to Theater for the New City (Crystal Field, Executive Artistic Director) in his uproarious new comedy The Confession of Lily Dare, directed by Busch's longtime collaborator Carl Andress (The Tribute Artist, Judith of Bethulia, The Divine Sister).

Charles Busch will return to Theater for the New City (Crystal Field, Executive Artistic Director) this spring in his uproarious new comedy The Confession of Lily Dare for a limited premiere showcase engagement. Directed by Busch's longtime collaborator Carl Andress (The Tribute Artist, Judith of Bethulia, The Divine Sister), The Confession of Lily Dare will play a limited engagement of 24 performances from Wednesday, April 4 to Sunday, April 29 at Theater for the New City's Johnson Theater (155 First Avenue).

Pittsburgh Opera will receive a $25,000 Art Works grant from the National Endowment for the Arts (NEA) to help support the new production of Moby-Dick by composer Jake Heggie and librettist Gene Scheer which will make its Pittsburgh debut March 17th.

A season filled with unforgettable music, thrilling singers from around the world, and stirring new productions goes on sale via subscription Wednesday, February 7 at 10am.  Seven new and new-to-Chicago productions, including four Lyric premieres, will engage and entertain audiences from October 2018 through June 2019. 

As part of Pittsburgh Opera's commitment to bring new, American operas to the Benedum Center stage, we are very proud to announce the Pittsburgh premiere of Jake Heggie and Gene Scheer's critically acclaimed opera Moby-Dick.  

Utah Opera's 40th anniversary season continues this month with an all-new production of American composer Jake Heggie and librettist Gene Scheer's opera adaptation of Melville's classic novel, Moby-Dick. This production, which features new sets and costumes by the Utah Opera Production Studios, uses traditional, theatrical staging designed to be economically viable and practical for a wide range of companies. Utah Opera will give five performances of Moby-Dick at the Janet Quinney Lawson Capitol Theatre on January 20, 22, 24, 26 at 7:30 PM, and January 28 at 2 PM. Tickets, priced from $15-$100, are available for purchase through utahopera.org or by calling (801) 533-6683.

Utah Opera's 40th anniversary season continues this January with an all-new production of American composer Jake Heggie and librettist Gene Scheer's innovative opera adaption of Melville's classic novel, Moby-Dick. Featuring new sets and costumes constructed by Utah Opera, Moby-Dick will be performed five times at the Janet Quinney Lawson Capitol Theatre on January 20, 22, 24, 26 at 7:30 PM, and January 28 at 2 PM. Tickets, priced from $15-$100, are available for purchase through www.utahopera.org or by calling (801) 533-6683.

Canadian Opera Company General Director Alexander Neef has signed a new contract with the COC that extends his tenure as General Director through the 2025/2026 season.

The Glimmerglass Festival has released the details of its 2018 schedule. For a second year, the Festival's programming will explore themes of home and country.

The 38th Annual Dora Mavor Moore Awards for the 2016-2017 season were handed out in a star-studded ceremony in Toronto on the evening of Monday, June 26 at the Elgin Theatre of the Elgin and Winter Garden Theatre Centre, hosted by acclaimed actor and musician Raoul Bhaneja, a Maple Blues Award winner and Gemini, Dora and Canadian Comedy Award nominee.

Rooted in the moral conflict between society's thirst for justice and Christianity's tenet of forgiveness, the modern American opera DEAD MAN WALKING is an apt selection for the Washington National Opera this season. With a moving score by Jake Heggie and an honest, straightforward libretto by Terrence McNally, it is based on Sister Helen Prejean's 1993 memoir of her work as a spiritual advisor to death row inmates, including one in particular, Joseph De Rocher. The Kennedy Center production directed by Francesca Zambello marks the 50th international production of DEAD MAN WALKING, and it's a bold and haunting one.

Utah Opera Artistic Director Christopher McBeth today announced Utah Opera's 2017-18 season in recognition of the company's 40th anniversary.

Washington National Opera (WNO) continues its 2016-2017 season with the company premieres of two modern American masterworks of opera: Jake Heggie and Terrence McNally's Dead Man Walking, February 25-March 11, 2017 in the Opera House, and Terence Blanchard and Michael Cristofer's Champion, March 4- 18, 2017 in the Opera House. Both operas explore the theme of social justice which is often associated with John F. Kennedy and are presented as part of JFKC, the Kennedy Center's season-long celebration of President Kennedy's centennial. Using many of the same designers and scenic elements, the directors of each opera have worked collaboratively to create two distinct worlds in each new production to showcase the issues of Justice, Courage, and Freedom at the heart of these two compelling stories. An additional special event will continue the exploration of these themes: Justice Ruth Bader Ginsburg will headline Justice at the Opera on Thursday, March 9, 2017 in the Opera House.

Lyric Opera of Chicago presents Bellini's riveting bel canto masterpiece Norma in a new-to-Chicago production. Vocal pyrotechnics and sumptuous music brilliantly tell the tale of forbidden passion, betrayal, revenge, and, ultimately, redemption.

Lyric Opera of Chicago presents Bellini's riveting bel canto masterpiece Norma in a new-to-Chicago production. Vocal pyrotechnics and sumptuous music brilliantly tell the tale of forbidden passion, betrayal, revenge, and, ultimately, redemption.

Searing drama and epic lyricism open the Canadian Opera Company's 2016/2017 season with a new production of Bellini's Norma.