James Levine News

Soprano Susanna Phillips - winner of the Metropolitan Opera's Beverly Sills Artist Award in 2010 - is a singer who 'demonstrates rare stylistic fluency, canny pathos and dynamic finesse,' according to the Financial Times, which added: 'Susanna Phillips - remember the name.' The Alabama-born soprano has a higher profile than ever during 2013-14, including her sixth consecutive season at the Metropolitan Opera. Phillips starts her Met season tonight, portraying Fiordiligi in Mozart's Così fan tutte under the baton of music director James Levine in his long-awaited return to the podium. The Dallas Morning News declared her to be 'a glorious Fiordiligi, her soprano honeyed and agile.' This Così runs until October 5, with a return in the spring; the final performance, onApril 26, will be transmitted to audiences worldwide in the Met's ever-popular Live in HD series. Phillips will also sing the role of Rosalinde in a new staging of Johann Strauss's Die Fledermaus by two-time Tony Award-winner Jeremy Sams as part of the Met's New Year's Eve gala, with performances until February 22. At the Met again in April, she plays Musetta in Puccini's La bohème, reprising the role in which she made her house debut in 2008. After a recent Met performance, the New York Times said: 'Phillips sparkled as the sassy Musetta, her bright, nimble soprano tinged with a coquettish flair.' The April 5 La bohème will be her first Live in HD broadcast of the season. Phillips has been praised by the Aspen Times for her 'heart-tugging phrasing' in the role of Ellen Orford in Britten's Peter Grimes; she takes up the role again in a concert performance of Peter Grimes with David Robertson and the St. Louis Symphony, in Missouri and at Carnegie Hall on the composer's 100th birthday (Nov 22).

Tenor Matthew Polenzani, who has been praised as "perhaps the finest tenor voice of his generation" (Boston Phoenix), and fast-rising young star soprano Corinne Winters will launch the 2013-14 season of events of The George London Foundation for Singers with a recital at The Morgan Library and Museum on Sunday, October 20, 2013, at 4:30 PM. The George London Foundation Recital Series presents pairs of outstanding opera singers, many of whom were winners of a George London prize early in their careers or are recent George London Award recipients. Mr. Polenzani is a 1998 George London Award winner, and Ms. Winters won a George London Award in 2012 (watch Corinne Winters's George London Award-winning performance of Meyerbeer's "Robert, toi que j'aime"here).

AOP (American Opera Projects) and The Phoenix Concerts will co-produce 'AOP25: Celebrating Composers & the Voice,' a concert featuring the work of composers and librettists from AOP's C&V (Composers & the Voice) program, an annual fellowship that trains composers to write for the operatic voice. The concert will take place Friday, October 11 at 8PM at the Church of Saint Matthew and Saint Timothy: 26 West 84th Street, New York City.

Under the direction of Gerard Mortier, the Teatro Real is fast becoming one of the world's most innovative and exciting opera houses. With eight performances scheduled for early 2014-January 29 to February 11-Teatro Real will mount the first-ever production of Charles Wuorinen and Annie Proulx's BROKEBACK MOUNTAIN.

Under the direction of Gerard Mortier, the Teatro Real is fast becoming one of the world's most innovative and exciting opera houses. With eight performances scheduled for early 2014—January 29 to February 11—Teatro Real will mount the first-ever production of Charles Wuorinen and Annie Proulx's BROKEBACK MOUNTAIN.

The editors of Opera News are pleased to announce the honorees for the ninth annual Opera News Awards, paying tribute to five superb artists who have made invaluable contributions to the art form: director Patrice Chéreau, tenor Juan Diego Flórez, mezzo-soprano Christa Ludwig, bass-baritone James Morris and soprano Nina Stemme. The Opera News Awards ceremonywill take place on Sunday, April 13 at the Plaza Hotel in New York City. All the winners - and a host of the city's cultural, civic, and social luminaries - will be present at the gala awards dinner, which will feature celebrity presenters speaking about the awardees and introducing video performance clips.

The Milwaukee Symphony Orchestra presents Concertos for Orchestra on October 4-5, 2013 at the Marcus Center for the Performing Arts. Guest conductor Asher Fisch leads Bartók's Concerto for Orchestra, the overture to Wagner's The Flying Dutchman, and Mozart's Clarinet Concerto in A major featuring Principal Clarinet Todd Levy.

The Metropolitan Opera will open its 2013-14 season on September 23 at 6:30 p.m. with a new production of Tchaikovsky's romantic tragedy Eugene Onegin, directed by Deborah Warner in her Met debut. Valery Gergiev returns to the Met for the first time since 2010 to conduct the performance, which will feature Anna Netrebko-the first soprano in Met history to star in three consecutive opening night performances-in her first company performances as the naive heroine Tatiana, whose infatuation with the title character has tragic repercussions. Mariusz Kwiecien brings his acclaimed interpretation of Onegin to the Met for the first time, opposite Piotr Beczala, who reprises his celebrated portrayal of Lenski. Oksana Volkova sings the role of Tatiana's sister, Olga, and Alexei Tanovitski sings Prince Gremin, the older man who offers Tatiana security. This cast sings eight performances of the opera through October 19, with the October 5 matinee performance transmitted live to more than 1,900 movie theaters in 64 countries around the world as part of The Met: Live in HD series. Due to an unexpected surgical procedure, Warner was unable to travel to the Met to stage Eugene Onegin, which is being directed here by her longtime collaborator Fiona Shaw.

Peter Gelb, general manager of the Metropolitan Opera, discusses the future of opera. In an article posted today in Bloomberg, he says, 'Today the notion that high art can also be entertainment is anathema to those who think that genius is not suited to accessibility and that opera presentations should be a Spartan exercise. This concept has potentially threatened opera's very existence, resulting in the staging of some operas over the last several decades that misguidedly deconstruct familiar plots, thereby depriving audiences -- particularly new ones -- of the satisfaction of being able to follow the original storylines.'

The Metropolitan Opera and Le Poisson Rouge announced details for "An Evening of Britten and Muhly," two concerts at Le Poisson Rouge on Thursday, October 17 at 7:30 p.m. and 10 p.m. Metropolitan Opera stars Patricia Racette, Kathleen Kim, and Iestyn Davies will perform at the event. Composer Nico Muhly will host and perform on piano.

James Levine and The MET Orchestra return for their annual series at Carnegie Hall with three concerts this season in Stern Auditorium / Perelman Stage. The series launches onSunday, October 13 at 3:00 p.m. with mezzo-soprano Joyce DiDonato singing Rossini'sGiovanna d'Arco as well as arias from Mozart'sLa clemenza di Tito. Also on the program are Verdi's Overture to I vespri Siciliani, Beethoven's Symphony No. 7 in A Major, and Elliott Carter's Variations for Orchestra. This marks Maestro Levine's first performance at Carnegie Hall since his triumphant return to the podium on May 19.

The new season sees Thomas Hampson – “America's foremost baritone” (International Herald Tribune) – return to the world's greatest opera houses and festivals, including London's Royal Opera House, the Vienna State Opera, Deutsche Oper Berlin, theBavarian State Opera, the Salzburg Festival, Lyric Opera of Chicago, and New York's Metropolitan Opera, where he will make hisrole debut as the eponymous antihero of Berg's Wozzeck. Equally active on the concert stage, Hampson looks forward to collaborations with such top international orchestras as Washington's National Symphony, the BBC Scottish Symphony, the Staatskapelle Dresden, and the Amsterdam Sinfonietta, which he will join for a twelve-stop European tour. Having been hailed as “an artist fully in control of a remarkable instrument” (Los Angeles Times), the baritone will take his celebrated lieder recitals to London's Wigmore Hall, the Leipzig Gewandhaus, and to Coburg, Heidelberg, Brussels, and Berne. In the wake of his recent induction into the Gramophone Hall of Fame, the baritone's star turn in the title role of Verdi's Simon Boccanegra – recorded live at the Vienna Konzerthaus – is due for September release on the Decca label.

The Met's Summer HD Festival returns for its fifth year today, August 24, with ten free outdoor screenings of popular performances from the Met's award-winning Live in HD series.

Jeffrey Siegel's unique 'concerts with commentary' are a joy for both the piano aficionado and novice alike with exciting explorations of some of the best-loved works in the classical canon. Returning for the 2013-2014 season--his fourth such engagement with Harris Center/Three Stages-- with four programs of Keyboard Conversations, beginning with Bach and the Romantics tonight, August 23rd.

Carnegie Hall has announced its October 2013 calendar updates. Details below!

The Met: Live in HD, the Metropolitan Opera's award-winning series of live transmissions to movie theaters, will reach its widest-ever global audience in its eighth season, which begins on October 5 with a new production of Tchaikovsky's Eugene Onegin. Met Music Director James Levine makes his highly-anticipated return to the screen with Verdi's Falstaff on December 14 and the first Live in HD performance of Mozart's Cosi fan tutte on April 26. The Live in HD series, the world's largest provider of alternative content, reaches more than 1,900 theaters in 64 countries, and offers subtitles in nine languages, including Swedish for the first time this season. To accommodate audience demand in Europe, more than 85 cinemas have been added to the HD network in Germany, Sweden, and the United Kingdom.

CARNEGIE HALL DECEMBER 2013 CALENDAR

Jeffrey Siegel's unique 'concerts with commentary' are a joy for both the piano aficionado and novice alike with exciting explorations of some of the best-loved works in the classical canon. Returning for the 2013-2014 season--his fourth such engagement with Harris Center/Three Stages-- with four programs of Keyboard Conversations, beginning with Bach and the Romantics on August 23rd.

Star tenor Jonas Kaufmann sings the title role in a new production of Wagner's final masterpiece Parsifal, staged by acclaimed French Canadian director Francois Girard in his Met debut, on Great Performances at the Met Today, July 28 at 12 noon on PBS (check local listings). (In New York, THIRTEEN will air the opera in two parts: Friday, August 16 at 9 p.m. and Friday, August 23 at 9 p.m.)