Gustav Mahler News

Boston Ballet presents Mirrors: a diverse selection of thought-provoking works that reflect the many facets of contemporary ballet, featuring two eagerly anticipated world premieres by Karole Armitage and Yury Yanowsky.

Alan Gilbert conducts the New York Philharmonic in Mahler's Das Lied von der Erde, featuring baritone Thomas Hampson and tenor Stefan Vinke, in his Philharmonic debut, and Sibelius's Symphony No. 7, beginning today, April 20, 2016, at 7:30 p.m.; Thursday, April 21 at 7:30 p.m.; and Friday, April 22 at 11:00 a.m.

Carnegie Hall presents the Baltimore Symphony Orchestra (BSO) -- currently celebrating its centennial season -- in Stern Auditorium / Perelman Stage today, April 16 at 8:00 p.m.

Boston Ballet's spring season kicks off with Mikko Nissinen's Swan Lake, back by popular demand after a record-breaking world premiere in October 2014.

The recording, a hybrid SACD is out today, Friday, April 8, 2016, is the second in an ongoing series by Music Director Thierry Fischer and the Utah Symphony for Reference Recordings. It follows the release of Gustav Mahler's Symphony No. 1 'Titan,' recorded live by the Utah Symphony and Mr. Fischer, issued in September 2015. DAWN TO DUST will be available from iTunes, Amazon.com, and other music retailers.

Manfred Honeck will return to the New York Philharmonic to conduct Richard Strauss's Oboe Concerto, with Principal Oboe Liang Wang as soloist; Beethoven's Symphony No. 6, Pastoral; and Suppe?'s Poet and Peasant Overture, Today, April 7, 2016, at 7:30 p.m.; Friday, April 8 at 2:00 p.m.; Saturday, April 9 at 8:00 p.m.; and Tuesday, April 12 at 7:30 p.m. 

On April 9th, an orchestra more than 80 musicians strong takes the stage for the Brevard Symphony Orchestra's 2015-2016 season finale.  Music Director and Principal Conductor Christopher Confessore leads the BSO for the sixth subscription of the season. 

Carnegie Hall presents the Baltimore Symphony Orchestra (BSO) -- currently celebrating its centennial season -- in Stern Auditorium / Perelman Stage on Saturday, April 16 at 8:00 p.m.

Alan Gilbert will conduct the New York Philharmonic in Mahler's Das Lied von der Erde, featuring baritone Thomas Hampson and tenor Stefan Vinke, in his Philharmonic debut, and Sibelius's Symphony No. 7, Wednesday, April 20, 2016, at 7:30 p.m.; Thursday, April 21 at 7:30 p.m.; and Friday, April 22 at 11:00 a.m.

March 4, 2016 (BOSTON, MA)—Boston Ballet's 52nd season continues with Kaleidoscope, a vibrant fusion of works by the most influential choreographic voices of the 20th century. The first of four works presented in this dynamic program is George Balanchine's Kammermusik No. 2, a “fascinating” and “unremitting” ballet, followed by the dazzling and technically demanding The Vertiginous Thrill of Exactitude by William Forsythe that returns to Boston Ballet after a critically acclaimed Company premiere last season (Brian Seibert, The New York Times). Adding to the evening's exceptional program is the graceful Pas de Quatre by unsung choreographer Leonid Yakobson, a classically romantic work noted for its “distinctive movement sensibility” (Roslyn Sulcas,The New York Times). Concluding the program is Léonide Massine's colorful Gaîté Parisienne, an effervescent ballet that evokes Moulin Rouge and Paris in the early 1900s, and ends with an unforgettable can-can.  Kaleidoscope will run March 17–26, 2016 at the Boston Opera House. 

Mesmerizing virtuoso, former child prodigy and so famous she goes by one name—Midori—joins Pacific Symphony to perform Erich Korngold's achingly beautiful Violin Concerto, which the composer reimagined from four of his acclaimed film scores. The exquisite program is led by Grammy and Juno award-winning music director of the Vancouver Symphony Orchestra, Bramwell Tovey, of whom Musical America has called: “One of the most versatile and charismatic musicians in the world.” Tovey also leads the orchestra in grand and thrilling music inspired by the galaxy—Gustav Holst's dramatic interpretation of the cosmos, “The Planets,” enhanced by the voices of the women of Pacific Chorale (John Alexander, artistic director); plus, Debussy's luminous piano piece, “Clair de Lune,” orchestrated by the legendary Leopold Stokowski. 

Bernard Haitink will return to the New York Philharmonic to conduct Mahler's Symphony No. 9, Thursday, April 14, 2016, at 7:30 p.m.; Friday, April 15 at 8:00 p.m.; Saturday, April 16 at 8:00 p.m.; and Tuesday, April 19 at 7:30 p.m.

As part of its 75th-anniversary celebrations, the Utah Symphony releases Dawn to Dust, a new recording featuring live performances of orchestral works commissioned from three leading American composers: Augusta Read Thomas, Nico Muhly, and Andrew Norman.

?The Cathedral of St. John the Divine, in collaboration with the Manhattan School of Music and Oratorio Society of New York, presents the world premiere of a transcription for organ, vocal soloists, and choruses, of Gustav Mahler's Symphony No. 8, on Thursday, April 7th, at 7:30 p.m. at the Cathedral of St. John the Divine, 1047 Amsterdam Avenue (at 112th Street), Manhattan. This event follows the two performances of the symphony in its original orchestration at the Cathedral on February 24th and 25th.

March 4, 2016 (BOSTON, MA)—Boston Ballet's 52nd season continues with Kaleidoscope, a vibrant fusion of works by the most influential choreographic voices of the 20th century. The first of four works presented in this dynamic program is George Balanchine's Kammermusik No. 2, a “fascinating” and “unremitting” ballet, followed by the dazzling and technically demanding The Vertiginous Thrill of Exactitude by William Forsythe that returns to Boston Ballet after a critically acclaimed Company premiere last season (Brian Seibert, The New York Times). Adding to the evening's exceptional program is the graceful Pas de Quatre by unsung choreographer Leonid Yakobson, a classically romantic work noted for its “distinctive movement sensibility” (Roslyn Sulcas,The New York Times). Concluding the program is Léonide Massine's colorful Gaîté Parisienne, an effervescent ballet that evokes Moulin Rouge and Paris in the early 1900s, and ends with an unforgettable can-can.  Kaleidoscope will run March 17–26, 2016 at the Boston Opera House. 

Manfred Honeck will return to the New York Philharmonic to conduct Richard Strauss's Oboe Concerto, with Principal Oboe Liang Wang as soloist; Beethoven's Symphony No. 6, Pastoral; and Suppe?'s Poet and Peasant Overture, Thursday, April 7, 2016, at 7:30 p.m.; Friday, April 8 at 2:00 p.m.; Saturday, April 9 at 8:00 p.m.; and Tuesday, April 12 at 7:30 p.m. 

ANNAPOLIS, MD – World renowned cellist, Lynn Harrell, joins the Annapolis Symphony Orchestra in the next set of Lexus Classic Series concerts at Maryland Hall for the Creative Arts tonight, March 4 and tomorrow, March 5, 2016 at 8pm. 

The University of San Diego will host John Neumeier, the 2015 recipient of the Kyoto Prize in Arts and Philosophy for the annual Kyoto Prize Symposium, Thursday, March 17, 10:30 a.m. in Shiley Theatre. Mr. Neumeier is the preeminent artistic director and choreographer of Germany's Hamburg Ballet. He will share his choreographic approach with the San Diego community while leading four of the Hamburg Ballet's principal dancers through a demonstration of his unique artistic talents.

Boston Ballet's 52nd season continues with John Cranko's emotionally evocative love story Onegin. Returning to Boston Ballet after fourteen years, this passionate tale of unrequited love is based on Russian poet Alexander Pushkin's popular 19th century verse-novel. With all the heated romance and suspense of a classic melodrama, Onegin is set to the incomparable music of Tchaikovsky and has been hailed 'an undeniable masterpiece, both technically and artistically' (Theodore Bale, The Boston Herald). Onegin will run tonight, February 25-March 6, 2016, at the Boston Opera House.

Boston Ballet Artistic Director Mikko Nissinen announces the programming for the 2016-2017 season at the Boston Opera House, to begin in October. The 53rd season will launch with Le Corsaire, a historically significant work in the world of ballet that originally premiered in Paris in 1856, followed by Mikko Nissinen's "dazzling, dreamy" The Nutcracker (Karen Campbell, The Boston Globe). The season continues with the North American Company premiere of William Forsythe's ARTIFACT, "a work that definitely shows this choreographer as the most influential practitioner of the art form since Balanchine" (Roslyn Sulcas, The New York Times). In April 2017, Marius Petipa's quintessential The Sleeping Beauty will return with soaring music by Tchaikovsky. The season will also include two mixed repertory programs with works by George Balanchine, Jerome Robbins, Ji?i Kylian, and Alexander Ekman, as well as a world premiere by Resident Choreographer Jorma Elo. Additionally, Le Corsaire, The Nutcracker, and The Sleeping Beauty will offer Boston Ballet School students the unique opportunity to appear in Company productions.