Gemma Jones News

The Old Vic today announces the full programme for the inaugural One Voice performance today 26 November.

The Old Vic today announces the full programme for the inaugural One Voice performance on Saturday 26 November.

Glenne Headly (Dirty Rotten Scoundrels, Dick Tracy, Mr. Holland's Opus), James Kyson (NBC's Heroes, voted one of "Hollywood's 25 Hottest" by TV Guide), Michael Yama (Betty White's Off Their Rockers) andRob Yang (The Americans, Twisted) join the cast when The Garage re-opens its acclaimed world premiere production of BLOOD. Written and directed by Obie and New York Outer Critics Circle Award-winner/ DGA Award, two-time Golden Globe and five-time Emmy Award nominee Robert Allan Ackerman, BLOOD returns to the The Complex in Hollywood beginning Oct. 28.

Glenne Headly (Dirty Rotten Scoundrels, Dick Tracy, Mr. Holland's Opus) and James Kyson (NBC's Heroes, voted one of "Hollywood's 25 Hottest" by TV Guide) join the cast when The Garage re-opens its acclaimed world premiere production of BLOOD. Written and directed by Obie and New York Outer Critics Circle Award-winner/ DGA Award, two-time Golden Globe and five-time Emmy Award nominee Robert Allan Ackerman, BLOOD returns to the The Complex in Hollywood beginning Oct. 14.

Glenne Headly (Dirty Rotten Scoundrels, Dick Tracy, Mr. Holland's Opus) and James Kyson (NBC's Heroes, voted one of "Hollywood's 25 Hottest" by TV Guide) join the cast when The Garage re-opens its acclaimed world premiere production of BLOOD. Written and directed by Obie and New York Outer Critics Circle Award-winner/ DGA Award, two-time Golden Globe and five-time Emmy Award nominee Robert Allan Ackerman, BLOOD returns to the The Complex in Hollywood beginning Oct. 14.

The British Academy of Film and Television Arts has announced that Barbara Broccoli OBE has been appointed Vice President for Film.

A Jewish-American reporter in Japan uncovers a conspiracy to cover up the government-sanctioned sale of HIV-contaminated blood products in a new political thriller with music inspired by true events.

Bridget Jones is having a baby, and the third film is set for its final push.

The Old Vic announces further performers at A Gala Celebration in Honour of Kevin Spacey, as well as host for live screening at BFI Southbank

Yesterday, the nominations for the House of Fraser British Academy Television Awards were announced at a press conference hosted by television stars Freddie Fox and Amanda Abbington.

At a ceremony at the Garrick Club today, John Lahr was awarded the Sheridan Morley Prize for Theatre Biography for Tennessee Williams: Mad Pilgrimage of the Flesh.

The shortlist is announced today for the eighth annual Sheridan Morley Prize for Theatre Biography - the nominees are Tennessee Williams: Mad Pilgrimage of the Flesh by John Lahr, Our Time of Day: My Life with Corin Redgrave by Kika Markham, What do I Know?: People, Politics and the Arts by Richard Eyre, Covering Shakespeare by David Weston and I Know Nothing: The Autobiography by Andrew Sachs.

The eighth annual Sheridan Morley Prize for Theatre Biography ceremony will be held on 19 March 2015 at The Garrick Club. The prize awarded for the best biography, autobiography or diary in theatre or show business was last year won by Michael Blakemore for Stage Blood.

Gary Naylor sees a classic of the English Stage delivered with verve and wit - he just hopes that the cast were enjoying it as much as they appeared to do!

Arcola Theatre presents THE RIVALS by Richard Brinsley Sheridan in a new production directed by Selina Cadell at Arcola Theatre from today 15 October to Saturday 15 November 2014.

Arcola Theatre presents THE RIVALS by Richard Brinsley Sheridan in a new production directed by Selina Cadell at Arcola Theatre from Wednesday 15 October to Saturday 15 November 2014.

Last night I had the particular privilege of discussing the intricacies and intrigue of William Shakespeare's legendary history play RICHARD III with one of the greatest actors of our age and a true patron of the arts - two-time Academy Award winner Kevin Spacey. Discussing the finer points of his characterization of the hunchback antihero, Spacey paints a vivid portrait of his experiences in reteaming with his AMERICAN BEAUTY collaborator, director Sam Mendes, on bringing a truly 21st century take on the classic play to the stage - and then bringing the production all the way from the hallowed ground of Spacey's own The Old Vic in London, to the Brooklyn Academy of Music in New York City to a whirlwind worldwide tour spanning the globe. NOW, a compelling new documentary following the project from rehearsal through to opening night and ensuing world tour is set to be released next month and is highlighted by the fly-on-the-wall intimacy and access it provides viewers, as well as offering copious performance footage of Spacey and company in action onstage. Additionally, Spacey and I address and analyze the undeniable connections between RICHARD III and his super-successful Netflix dramatic series HOUSE OF CARDS, touching upon not only the dramatic parallels, but the lucky sequence of events that made the entire endeavor possible in the first place. After all, Frank Underwood is the modern Richard III in many ways - bloodlust, ambition, ego, humor and darkness included; but, also, the humanity. Plus, Spacey expresses his enthusiasm for starting work on Season Three of the series now that they have been granted Maryland filming tax breaks once again, which was holding up production until this week. Besides all of that, Spacey also clues us in on his future endeavors of interest, mentioning his spate of recent musical performances and his desire to pursue a musical role once again sometime soon following his acclaimed turn as Bobby Darin in musical biopic BEYOND THE SEA. FOLLIES, perhaps?! A wide-ranging conversation with a stage and screen mega-star like none other awaits in today's special spotlight.

TWELFTH NIGHT and RICHARD III, starring the Tony-winning, incomparable Mark Rylance, have adopted a creative leniency with the characters' gender - though Shakespeare's staple to command his characters to don the garb of a member of the opposite sex, for reasons interwoven in love and lust, greed and vengeance, is a common thread running throughout his romantic repertoire.