Elliott Cunningham News

Camp Rock, The Musical could easily be dismissed as so much homogenized, Disneyfied, teenaged pablum - but, in reality, it's much more than that. It's a fast-moving, engaging love story set to music and is much more akin to all those Judy Garland/Mickey Rooney 'let's put on a show!' movies than you might expect.

Think about it: What if you were watching The King and I and when Anna and the King of Siam started to sing 'Shall We Dance' and they just stood there, it just wouldn't have much of an impact, would it? Or if all those budding chorus members in A Chorus Line just stood around and talked about dancing but never did even the most basic shuffle-ball-change...sounds pretty bleak, doesn't it? That's where choreographers come into the picture; they collaborate with the director, the music director and the cast members to create movement that elevates every musical comedy. Without them, the action remains stagebound and static. A choreographer allows your heart to soar along with the performers onstage, making musical comedy all the more compelling and transformative. These talented men and women created remarkable and memorable work in 2010 as First Night's Top Choreographers...

If theater audiences in Nashville and Middle Tennessee owe a huge debt of gratitude to the directors who helm the year's finest productions, you can only imagine how the actors lucky enough to work with those insightful, creative men and women must be! The Top Ten Directors of 2010 have resumes anyone would be proud to claim as their own and when you consider that they - year after year - excel at what they do, then you cannot help but be impressed by the breadth and depth of their abilities. Frankly, it boggles the mind. These are Nashville's best directors of 2010...

'There are no small parts, only small actors,' goes the old theatrical saw that's tossed about willy-nilly to encourage budding thespians to take on roles they suspect might be beneath them and their lofty stature. But, of course, there's much truth to be found in the axiom and you will certainly see it brought to life in the efforts of the members of many acting ensembles, particularly those considered among the best in Nashville's 2010 theater season:

Not all of the Top Ten Lists announced at Winter's First Night on Sunday, January 9, were serious, high-toned salutes to all that is special and spectacular about live theater in Nashville. Sure, most of them were heartfelt and memorable, but some were (how shall I put this?) off-kilter, tongue-in-cheek and just plain fun. And not all the lists were limited to only ten entries; in fact, some had many more than that. But, for your reading pleasure, we present them to you without any real explanation. You'll have to figure that all out for yourself!

Amid threatening weather forecasts and a winter storm bearing down on the South, more than 150 hardy souls gathered to celebrate live theatre in Nashville and Middle Tennessee with the presentation of the BroadwayWorld.com Nashville Theatre Awards and First Night's Top Ten of Twenty-Ten on Sunday night, January 9. Street Theatre Company's new venue at 1933 Elm Hill Pike was the setting for the event that featured performances by Joann Coleman, Ben Van Diepen, Ann Street Kavanaugh, Laura Matula, Michael Kitts and Bakari Jamal King.

Forget the Macy's Thanksgiving Day Parade or schlepping to the mall to shop 'til you drop on Black Friday, the best - and definitely the most joyous - way to welcome the holiday season is a trip to Crossville for Cumberland County Playhouse's gloriously rapturous production of She Loves Me, the lovely and lyrical musical from Joe Masteroff, Jerry Bock and Sheldon Harnick.