David Rosenmeyer News

The Oratorio Society of New York (OSNY), New York's standard for grand choral performance, will mark its 2016-17 season with performances of symphonic choral masterworks of Handel, Mozart, Bruckner, and Britten, ending with Bach's monumental Mass in B Minor. Leading the OSNY for its 144th season will be Kent Tritle, in his 12th year as Music Director.

The Oratorio Society of New York (OSNY), New York's standard for grand choral performance, will mark its 2016-17 season with performances of symphonic choral masterworks of Handel, Mozart, Bruckner, and Britten, ending with Bach's monumental Mass in B Minor. Leading the OSNY for its 144th season will be Kent Tritle, in his 12th year as Music Director.

The Oratorio Society of New York is in its 142nd season as the city's standard for grand choral performance, and its tenth with its current music director, Kent Tritle. Celebrating the culmination of their landmark season together and, as it happens, emergence from a frigid and stormy winter, Tritle and the OSNY will present two life-affirming works for their spring concert: the ardent, hopeful Chichester Psalms of Leonard Bernstein, which will be conducted by the OSNY's associate conductor, David Rosenmeyer (also marking his tenth season with the group), and Carl Orff's spirited, bawdy Carmina Burana. Soloists Jennifer Zetlan, soprano; Peter Tantsits, tenor; Takaoki Onishi, baritone, and the Choristers of the Cathedral of St. John the Divine join the OSNY on Tuesday, May 5, 2015, at 8:00 pm, at Carnegie Hall.

'Annual performances of Handel's Messiah have been a New York tradition from the time New York culture began to assert itself,' says Oratorio Society of New York Music Director Kent Tritle. English choral societies, inspired by grand performances of Messiah at Westminster Abbey at the turn of the 19th century, would perform the work periodically, but the Oratorio Society of New York made it an annual tradition in New York City - in 1874, the year after the Society was founded.

A performance of Verdi's Requiem that is a tripartite collaboration highlights the 2014-15 season of Kent Tritle, called 'New York's reigning choral conductor' by The New York Times. In an event emblematic of Kent's multiple roles in the city's choral life, he will conduct a performance of the massive work by the Oratorio Society of New York, of which he is Music Director, and the Symphony and Symphonic Chorus of the Manhattan School of Music, where he is Director of Choral Activities, in the grand space of the Cathedral of St. John the Divine, where he is Director of Cathedral Music and Organist -- with a new choral configuration that features the more-than-250 singers on risers in the cathedral's Great Choir space.

Haydn's oratorio The Creation (Die Schopfung) depicts nothing less than the creation of the world, based on the Bible's Book of Genesis and Book of Psalms, and Milton's Paradise Lost. It is the work with which the Oratorio Society of New York (OSNY), New York's standard for grand choral performance, will open its 2014-15 season at Carnegie Hall on Monday, November 3, 2014, at 8:00 PM. OSNY Music Director Kent Tritle will conduct The Creation in its German language version, and the three soloists - representing the archangels Gabriel, Uriel, and Raphael - are Susanna Phillips, soprano; Aaron Blake, tenor; and Sidney Outlaw, baritone.

A performance of Verdi's Requiem that is a tripartite collaboration highlights the 2014-15 season of Kent Tritle, called 'New York's reigning choral conductor' by The New York Times. In an event emblematic of Kent's multiple roles in the city's choral life, he will conduct a performance of the massive work by the Oratorio Society of New York, of which he is Music Director, and the Symphony and Symphonic Chorus of the Manhattan School of Music, where he is Director of Choral Activities, in the grand space of the Cathedral of St. John the Divine, where he is Director of Cathedral Music and Organist -- with a new choral configuration that features the more-than-250 singers on risers in the cathedral's Great Choir space.