Christopher Loar News

NEW YORK NEO-FUTURISTS are pleased to bring back the most acclaimed plays of 2010 from their ongoing award-winning show Too Much Light Makes The Baby Go Blind in Best Of 2010. Best Of 2010 will be presented at their home in the East Village, the Kraine Theater (85 East 4th St).

NEW YORK NEO-FUTURISTS are pleased to bring back the most acclaimed plays of 2010 from their ongoing award-winning show Too Much Light Makes The Baby Go Blind in Best Of 2010. Best Of 2010 will be presented at their home in the East Village, the Kraine Theater (85 East 4th St).

NEW YORK NEO-FUTURISTS are pleased to bring back the most acclaimed plays of 2010 from their ongoing award-winning show Too Much Light Makes The Baby Go Blind in Best Of 2010. Best Of 2010 will be presented at their home in the East Village, the Kraine Theater (85 East 4th St).

NEW YORK NEO-FUTURISTS are pleased to present their final prime-time show of the season, (un)afraid, written and performed by Jill Beckman, Cara Francis, Ricardo Gamboa & Dan McCoy, directed by Rob Neill. (un)afraid will be presented at the historic Living Theater (21 Clinton St, NY 10002).

NEW YORK NEO-FUTURISTS are pleased to present their final prime-time show of the season, (un)afraid, written and performed by Jill Beckman, Cara Francis, Ricardo Gamboa & Dan McCoy, directed by Rob Neill. (un)afraid will be presented at the historic Living Theater (21 Clinton St, NY 10002).

NEW YORK NEO-FUTURISTS are pleased to present their final prime-time show of the season, (un)afraid, written and performed by Jill Beckman, Cara Francis, Ricardo Gamboa & Dan McCoy, directed by Rob Neill. (un)afraid will be presented at the historic Living Theater (21 Clinton St, NY 10002).

NEW YORK NEO-FUTURISTS are pleased to present their final prime-time show of the season, (un)afraid, written and performed by Jill Beckman, Cara Francis, Ricardo Gamboa & Dan McCoy, directed by Rob Neill. (un)afraid will be presented at the historic Living Theater (21 Clinton St, NY 10002).

Reid Farrington returns to Performance Space 122 with Gin & 'It.' His principle source is Alfred Hitchcock's film Rope, a film based the Leopold and Loeb murder. As he did with THE PASSION PROJECT, Farrington collaborates with film historians and archivists to bring a classic film to life on stage with his own boundary-pushing melding of video and live drama.

Reid Farrington returns to Performance Space 122 with Gin & 'It.' His principle source is Alfred Hitchcock's film Rope, a film based the Leopold and Loeb murder. As he did with THE PASSION PROJECT, Farrington collaborates with film historians and archivists to bring a classic film to life on stage with his own boundary-pushing melding of video and live drama.

Reid Farrington returns to Performance Space 122 with Gin & 'It.' His principle source is Alfred Hitchcock's film Rope, a film based the Leopold and Loeb murder. As he did with THE PASSION PROJECT, Farrington collaborates with film historians and archivists to bring a classic film to life on stage with his own boundary-pushing melding of video and live drama.