SCENES FROM AN EXECUTION, 'JUDITH' and VINEGAR TOM Set for PTP/NYC This Summer
by BWW News Desk
- Apr 17, 2015
PTP/NYC (Potomac Theatre Project), in association with Middlebury College, proudly presents its 29th repertory season, its 9th consecutive in New York City, running from July 7 - August 9, 2015 in a limited 5-week Off-Broadway engagement at The Atlantic Stage 2, located at 330 West 16th Street between 8th & 9th Avenues.
CROUCH, TOUCH, PAUSE, ENGAGE Coming to Arcola Theatre
by Tyler Peterson
- Apr 16, 2015
Crouch, Touch, Pause, Engage - the critically-acclaimed play about Gareth Thomas, the first professional rugby player to come out while still playing - comes to Arcola Theatre this spring (20 May - 20 June 2015) following its current tour. Directed by Max Stafford-Clark, and written by Robin Soans, the play is a co-production by Out of Joint, National Theatre Wales and Arcola Theatre.
Pi Theatre Presents Western Canadian Premiere of Sarah Kane's BLASTED, Now thru 4/25
by BWW News Desk
- Apr 10, 2015
Pi Theatre presents Sarah Kane's highly-provocative and overtly shocking play Blasted - an incendiary, visceral portrayal of a world where private and public violation collide - at Granville Island's Performance Works (1218 Cartwright Street), tonight, April 10 - 25, 2015. Directed by Richard Wolfe, this uncompromising work, which was met with hostile critical reaction following its controversial 1995 London premiere, has now cemented Kane's legacy as the most provocative and influential British playwright of her generation.
Kwame Kwei-Armah's LET THERE BE LOVE Begins at A.C.T. Today
by BWW News Desk
- Apr 8, 2015
Continuing its 2014-15 season, American Conservatory Theater (A.C.T.) presents Let There Be Love, an intimate and disarmingly honest play from Kwame Kwei-Armah, one of England's most distinguished contemporary playwrights.
The Grappler Presents 'GATEKEEPERS' Panel at The Healy Theatre Tonight
by BWW News Desk
- Apr 7, 2015
Where does art belong and who gets to make it? Acclaimed playwright Idris Goodwin and Louder Than a Bomb creator Kevin Coval asked these questions in Steppenwolf for Young Adult's recent production of This is Modern Art (Based on True Events). This is Modern Art represents the true story of Chicago graffiti crew MUL, depicting the events leading up to and following their decision to carry out the biggest graffiti bomb of their career on the modern wing of the Art Institute of Chicago. This is Modern Art asked audiences to start a revolution, and the Chicago theatre community did- more than anyone expected.
BWW Exclusive: 15 Hours to Stage a Scene at the National Theater Institute
by National Theater Institute
- Apr 6, 2015
A signature feature of the National Theater Institute, weekly Theater Labs challenge students to put all the skills gained in classes into practice. When given just 15 hours to stage a scene, students learn to trust their creative instincts. Under the mentorship of a professional director, NTI students gain practical experience with a wealth of classical and contemporary texts as well as have the opportunity to work as actor, director, designer, and/or dramaturge each week.
InDepth InterView: Beowulf Boritt - Part 2: CLINTON: THE MUSICAL, PRINCE OF BROADWAY, New JOSEPH & ANNIE Tours & Much More
by Pat Cerasaro
- Apr 7, 2015
Today we are continuing our expansive ongoing discussion with Tony Award-winning scenic design visionary Beowulf Boritt. Continuing the exhaustive discussion of this week's spectacular one night only concert event PARADE, Boritt outlines the visual high-points of the evening as well as offers an explanation of the impetus for many of the ideas behind the inventive design for the unique event. Additionally, Boritt opens up about his other work at Lincoln Center over the years, including Manhattan Concert Productions presentation of RAGTIME and his Tony Award-winning work on the Moss Hart drama ACT ONE, which will be shown on PBS as part of LIVE FROM LINCOLN CENTER later this year. Furthermore, Boritt shines a light on his multiple other current musicals running or opening soon - the revival of ON THE TOWN on Broadway, plus HAND TO GOD opening soon and Off-Broadway's CLINTON: THE MUSICAL. Plus, Boritt details his work on a dizzying array of current tours and recent mainstage mountings of musicals ranging from the national tours of ANNIE and JOSEPH & THE AMAZING TECHNICOLOR DREAMCOAT to his work on LITTLE MISS SUNSHINE, LITTLE DANCER, THE SCOTTSBORO BOYS in the West End and far beyond. As if all that were not enough, Boritt also looks ahead to the 2016 Tokyo production of the Harold Prince revue PRINCE OF BROADWAY and comments on rumors of an impending New York return of THE TOXIC AVENGER while sharing first news on his involvement with a number of new productions including the Keira Knightley-led revival of THERESE RAQUIN and the forthcoming revival of A BRONX TALE. All of that and much, much more in this concluding portion of our extended chat with one of Broadway's best visual artists.
The Grappler to Present 'GATEKEEPERS' Panel at The Healy Theatre, 4/7
by BWW News Desk
- Apr 3, 2015
Where does art belong and who gets to make it? Acclaimed playwright Idris Goodwin and Louder Than a Bomb creator Kevin Coval asked these questions in Steppenwolf for Young Adult's recent production of This is Modern Art (Based on True Events). This is Modern Art represents the true story of Chicago graffiti crew MUL, depicting the events leading up to and following their decision to carry out the biggest graffiti bomb of their career on the modern wing of the Art Institute of Chicago. This is Modern Art asked audiences to start a revolution, and the Chicago theatre community did- more than anyone expected.
COD's College Theater to Present THE SKRIKER at the MAC, 4/16-26
by BWW News Desk
- Mar 31, 2015
College of DuPage (COD) College Theater presents Caryl Churchill's "The Skriker," directed by COD Professor of Theater Amelia Barrett at the McAninch Arts Center's Playhouse Theatre, April 16 to 26. Preview is Thursday, April 16. This show contains strong language and subject matter that may not be suitable for younger or more sensitive theatergoers.
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