Brian Rivera News

American Conservatory Theater (A.C.T.) presents the U.S. premiere of James Fenton's acclaimed adaptation of The Orphan of Zhao, a classic Chinese legend that has its roots in the fourth century BCE.

In advance of American Conservatory Theater's (A.C.T.) upcoming U.S. premiere of James Fenton's acclaimed adaptation of The Orphan of Zhao, a classic Chinese legend that has its roots in the fourth century BCE, A.C.T. and the Commonwealth Club of California are proud to present BD Wong and A.C.T. Artistic Director Carey Perloff in Conversation for one-night-only - Monday, May 19 at 7:30 p.m. at A.C.T.'s Geary Theater (415 Geary St., San Francisco).

A VIP screening of the new American Masters documentary, Marvin Hamlisch: What He Did For Love is set for The Paley Center for Media today, December 9th at 6:15 PM. The new documentary is the American Masters series' Season 27 finale, premiering nationally Friday, December 27, 2013, 9-10:30 p.m. on PBS (check local listings) and available on DVD January 14, 2014 via PBS Distribution.

A VIP screening of the new American Masters documentary, Marvin Hamlisch: What He Did For Love is set for The Paley Center for Media on Monday, December 9th at 6:15 PM. The new documentary is the American Masters series' Season 27 finale, premiering nationally Friday, December 27, 2013, 9-10:30 p.m. on PBS (check local listings) and available on DVD January 14, 2014 via PBS Distribution.

After 16 years, George Bernard Shaw returns to the American Conservatory Theater (A.C.T.) stage in a sumptuous production of one of his most witty and richly invigorating works - Major Barbara. Salvation Army officer Major Barbara gets in an intriguing tangle of morality and religion when her church accepts money from her estranged father-a wealthy armaments manufacturer. If the price of supporting the poor is complicity with the country's most successful gun factory, who has the right to be righteous about saving the poor? Timely and topical, Major Barbara is a devilishly funny satire exploring themes of business, faith, family, and philanthropy. In the wake of highly successful Canadian productions, including No Exit, The Overcoat and Vigil, Major Barbara is co-produced with one of A.C.T.'s favorite Canadian collaborators, Theatre Calgary, which hosted A.C.T.'s visionary Tosca Project during its 2011 tour. Directed by Theatre Calgary Artistic Director Dennis Garnhum, Major Barbara features an international cast of both Canadian and American actors. This is the first staging of Major Barbara during A.C.T.'s tenure at The Geary Theater. Major Barbara runs January 8-February 2, 2014, at A.C.T.'s Geary Theater (415 Geary Street, San Francisco). Press night is Wednesday, January 15, 2014. Tickets ($20 -$140) are on sale now and may be purchased online at act-sf.org or by calling 415.749.2228.

Intersection for the Arts and the California Shakespeare Theater come together this fall to co-produce the Califas Festival, a six week-long immersive, story-filled play yard of music, visual art, performance, and more in the area in and around Intersection's headquarters. The Festival is the culminating event of the Califas Project, a year of multimedia creative exploration in communities around the state including productions of Richard Montoya's The River at Campo Santo this past March, and American Night at Cal Shakes in June.

California Shakespeare Theater today announced the cast of its season-opening production, American Night: The Ballad of Juan Jose, by Richard Montoya and developed by Culture Clash and Jo Bonney. Helmed by Cal Shakes Artistic Director Jonathan Moscone, the production will run at the Bruns Amphitheater from May 29 through June 23. The 2010 world premiere of American Night: The Ballad of Juan Jose at Oregon Shakespeare Festival was the first show in the company's history to be extended due to popular demand; the New York Times deemed the play (In its recent Yale Rep production), "a lovable hodgepodge of references, historical and pop-cultural, with a deadly serious message at its heart."

The Tony Award-winning San Francisco Mime Troupe opens its 51st season with POSIBILIDAD, or Death of the Worker.

The Tony Award-winning San Francisco Mime Troupe opens its 51st season with POSIBILIDAD, or Death of the Worker.

The Tony Award-winning San Francisco Mime Troupe opens its 51st season with POSIBILIDAD, or Death of the Worker.

The Tony Award-winning San Francisco Mime Troupe opens its 51st season with POSIBILIDAD, or Death of the Worker.

The Tony Award-winning San Francisco Mime Troupe opens its 51st season with POSIBILIDAD, or Death of the Worker. A small U.S. factory is shutting down. All of the workers are losing their jobs, and to add insult to injury, they have also lost their last two weeks of pay and retirement funds, which were raided over the years to pay stock dividends. They are despondent, but feel there is nothing they can do, so they put in their last shift and raise a glass to their years together. As they leave the Factory for the last time, one of the older Workers gets snagged on a machine. Interpreting this as an act of defiance, The Boss calls security. The situation escalates and before anyone has a chance to think, the Workers have accidentally occupied the Factory!

The Tony Award-winning San Francisco Mime Troupe opens its 51st season with POSIBILIDAD, or Death of the Worker. A small U.S. factory is shutting down. All of the workers are losing their jobs, and to add insult to injury, they have also lost their last two weeks of pay and retirement funds, which were raided over the years to pay stock dividends

The Tony Award-winning San Francisco Mime Troupe opens its 51st season with POSIBILIDAD, or Death of the Worker.

The Tony Award-winning San Francisco Mime Troupe opens its 51st season with POSIBILIDAD, or Death of the Worker. A small U.S. factory is shutting down. All of the workers are losing their jobs, and to add insult to injury, they have also lost their last two weeks of pay and retirement funds, which were raided over the years to pay stock dividends. They are despondent, but feel there is nothing they can do, so they put in their last shift and raise a glass to their years together. As they leave the Factory for the last time, one of the older Workers gets snagged on a machine. Interpreting this as an act of defiance, The Boss calls security. The situation escalates and before anyone has a chance to think, the Workers have accidentally occupied the Factory!

The Tony Award-winning San Francisco Mime Troupe opens its 51st season with POSIBILIDAD, or Death of the Worker.

The Tony Award-winning San Francisco Mime Troupe opens its 51st season with POSIBILIDAD, or Death of the Worker. A small U.S. factory is shutting down. All of the workers are losing their jobs, and to add insult to injury, they have also lost their last two weeks of pay and retirement funds, which were raided over the years to pay stock dividends

Berkeley Repertory Theatre kicks off its 2008/09 Season with the world premiere of a provocative new play set in Berkeley and written by a Berkeley native: renowned playwright Itamar Moses returns to his hometown with Yellowjackets, a script set just around the corner in the halls of his alma mater

Berkeley Repertory Theatre kicks off its 2008/09 Season with the world premiere of a provocative new play set in Berkeley and written by a Berkeley native: renowned playwright Itamar Moses returns to his hometown with Yellowjackets, a script set just around the corner in the halls of his alma mater.

Berkeley Repertory Theatre kicks off its 2008/09 Season with the world premiere of a provocative new play set in Berkeley and written by a Berkeley native: renowned playwright Itamar Moses returns to his hometown with Yellowjackets, a script set just around the corner in the halls of his alma mater.