Arthur Miller News

The Old Globe invites your participation and coverage as it begins presenting shows through an exciting new producing platform, Globe for All. This free-of-charge tour of a professional production of Shakespeare will allow the theatre to serve more communities throughout San Diego by collaborating with a diverse range of local organizations. Old Globe Artistic Director Barry Edelstein directs the first production, Shakespeare's fascinating romance All's Well That Ends Well. He has cast local professional actors, including recent graduates of the Old Globe/University of San Diego Graduate Theatre Program. The first Globe for All free Shakespeare tour will begin October 28 and will culminate in three low-cost performances on November 7 to 9 in the Globe's Hattox Hall, part of the Karen and Donald Cohn Education Center in the Conrad Prebys Theatre Center.

The Guthrie Theater held a cocktail party in New York City this week to celebrate Joe Dowling and his final season at the theater. He leaves in June 2015 after 20 years and as the longest Artistic Director in the theater's history. The party was held at the home of Frank and Frances Wilkinson, board members of the Guthrie Theater. BroadwayWorld has photos from the festivities below!

According to the Daily Mail, THE HISTORY BOYS stars Dominic Cooper, James Corden, Samuel Anderson and Frances de la Tour have signed on for the upcoming film adaptation of the West End's THE LADY IN THE VAN, starring Maggie Smith.

TACT/The Actors Company Theatre, the critically-acclaimed company that 'reveals, reclaims and reimagines great plays of literary merit,' and named '2012 Company of the Year' by Terry Teachout of The Wall Street Journal, has announced a series of post performance discussions to follow select performances of its production of The Killing of Sister George by Frank Marcus.

The truth can be explosive as Arthur Miller's adaptation of Ibsen's classic tale of truth vs. politics comes to the stage in the Berkshires with a brilliantly moving production of AN ENEMY OF THE PEOPLE directed by Julianne Boyd.

Rogue Machine presents the World Premiere of NICE THINGS by Vince Melocchi opening tonight, October 4, 2014 with reception to follow 8pm Fridays and Todays, 3pm on Sundays through November 23, 2014 5041 W. Pico Blvd., LA, CA 90019

Unbroken Circle a Family Drama and Instant Classic that is not to be missed

The Old Globe will present a one-night-only event, Barry Edelstein In Conversation with Nathan Englander, on Wednesday, Feb. 18, 2015 at 6:00 p.m. This special discussion will reunite Old Globe Artistic Director Barry Edelstein and award-winning playwright and novelist Nathan Englander, whose play The Twenty-seventh Man, about a group of writers imprisoned in Soviet Russia under mysterious circumstances, makes its West Coast premiere at The Old Globe in February, directed once again by Edelstein. The event will explore the evolution of the play; its fascinating historical setting; Englander's work in fiction versus theatre; and literature's place in modern American culture.

It's 1962. A white man has been murdered on a hot August night in a small town in the deep South, and the local police arrest a black stranger named Virgil Tibbs. L.A.

Steppenwolf Theatre Company Artistic Director Martha Lavey engages in conversation with John Lahr about his latest book, Tennessee Williams: Mad Pilgrimage of the Flesh in a special one-night-only event, Monday, October 13 at 7pm in the Downstairs Theatre. Lahr, who served as senior drama critic for The New Yorker for more than two decades, recently released his twentieth book, an authoritative, extraordinary biography on Tennessee Williams that invites intimate access into the mind of a playwright whose work reshaped the American theater. The conversation will include a Q&A, followed by a book signing in the lobby. Tickets are $10 and are available through Audience Services (1650 N Halsted), at 312-335-1650 or at steppenwolf.org.

On Thursday November 20, 2014 at 7pm, Producer Jason Samel of Movement Music Records in association with Love Revolution and Gold Coast Arts Center presents 'David Amram's 84th Birthday Concert: Remembering Pete Seeger' at The Hillwood Recital Hall At Tilles Center on campus at LIU Post, 720 Northern Blvd, Brookville, NY 11548. Net proceeds will benefit the 501 (c)(3) not for profit Gold Coast Arts Center, a not for profit organization dedicated to supporting and promoting the arts through education, exhibition, performance and outreach.

Arthur Miller's intense drama, raising questions of morality and the limits of family ties, promises to be a special opening production for Raven's 2014-2015 season. Headlining the cast will be Chuck Spencer and JoAnn Montemurro as Joe and Kate Keller. These two Raven ensemble members, who earned accolades for their work as Willy and Linda Loman in Miller's Death of a Salesman and as Victor and Esther Franz in his The Price, will play Joe and Kate Keller. Raven first produced All My Sons in 1990 and they appeared in that production as well, playing George Deever and Ann Deever.

TACT/The Actors Company Theatre, the critically-acclaimed company that 'reveals, reclaims and reimagines great plays of literary merit,' and named '2012 Company of the Year' by Terry Teachout of The Wall Street Journal, has announced a series of post performance discussions to follow select performances of its production of The Killing of Sister George by Frank Marcus.

GOODBYE MARILYN: A LOVE LETTER explores the last night of Marilyn Monroe's life. Essentially, the world premiere play written and directed by Michael Phillips, is a love letter to Marilyn, attempting to show her not as a celebrity, but as a person dealing with scattered memories from her life as the pills and booze overwhelm her senses just prior to her final moments on Earth.

Portland Stage opened its 2014-2015 season with a probing and poignant production of Neil Simon's Brighton Beach Memoirs, the first of Simon's so-called 'Eugene Trilogy.' The 1983 autobiographical reminiscence tells the story of a Jewish boy growing up in a colorful, often dysfunctional extended family in Brooklyn during the Depression. That Simon's play retains so much of its original impact is a tribute to his gifts as a playwright, especially his ability to mingle humor and pain in the crucible of memory. Portland Stage has mounted an attractive, atmospheric production which owes no small measure of its appeal to Brittany Vasta's sprawling, multi-tiered set, comprised of small eclectically cluttered cubbies evoking the straitened family circumstances. Director Samuel Buggeln makes imaginative use of the space as he draws taut, expressive performances from each of the seven actors, who are all virtually note perfect in capturing the Brooklyn accents.

Tanghalang Pilipino, the resident theater company of the Cultural Center of the Philippines (CCP), presents Arthur Miller's classic play DEATH OF SALESMAN ('Pahimakas Ng Isang Ahente'), translated into Filipino by National Artist for Theater and Literature Rolando Tinio, at Tanghalang Huseng Batute (Studio Theater) until Sunday, October 19.

Rehearsals are underway for Driving Miss Daisy, the second show of Dallas Theater Center's 2014-15 season. Joel Ferrell, director and choreographer of DTC's hot-ticket production of The Rocky Horror Show, directs Driving Miss Daisy, which marks DTC's return to the historic Kalita Humphreys Theater for the first time in one and a half years. Driving Miss Daisy begins previews on Thursday, October 16 with a Pay-What-You-Can performance and runs through Sunday, November 16. Tickets to Driving Miss Daisy are on sale now at www.DallasTheaterCenter.org and by phone at (214) 880-0202.

The Trap Door Theatre presents JOHN DOE, based on The Madman and the Nun by Stanislaw I. Witkiewicz and translated by Daniel Gerould. Adapted and directed by Andrzej St. Dziuk, with guest artists from the Teatr Witkacy in Zakopane, Poland.

On Monday, September 29 at 8 pm at 92Y, biographer John Lahr and lauded playwright Tony Kushner will host a discussion titled 'Tennessee Williams-Mad Pilgrimage of the Flesh.'