Anne Allgood News

Anne Washburn's hit play "Mr. Burns, a post-electric play", currently playing at ACT, does a fine job at exploring the genesis of mythology and still keeps itself very funny. But that exploration tends to draw itself out a little too long with too little payoff for the time spent.

A Contemporary Theatre is thrilled to present the imaginative dark comedy of MR. BURNS, A POST-ELECTRIC PLAY by Anne Washburn (The Internationalist, A Devil At Noon, and The Small). Spanning several years to several decades after the end of the world, survivors must begin again to create a new society. As the survivors bond by recounting the popular 'Cape Feare' episode of The Simpsons, the story evolves into its own mythos.

A Contemporary Theatre is thrilled to present the imaginative dark comedy of MR. BURNS, A POST-ELECTRIC PLAY by Anne Washburn (The Internationalist, A Devil At Noon, and The Small). Spanning several years to several decades after the end of the world, survivors must begin again to create a new society. As the survivors bond by recounting the popular "Cape Feare" episode of The Simpsons, the story evolves into its own mythos.

I have to say that when it comes to Kander and Ebb's "Cabaret" I prefer my Kit Kat Club dirty, my Sally Bowles damaged and my Berlin dangerous. And while the current production at Village Theatre has all of those elements, they're all very safe versions of those elements. And while director Brian Yorkey attempted a very thoughtful telling of the story, often times the pacing was so deliberately slow as to lose any urgency of the moment.

I've never quite understood why Maury Yeston and Arthur Kopit's "Nine" is so under produced regionally. It's fun, flirty and sexy with some of the most stunningly beautiful songs that unfortunately too few are familiar with. It could be that in order to produce it correctly you need one killer ensemble of women (and Guido of course) who can handle the piece. Well, as is their way, Showtunes Theatre Company has taken this underdone gem and dusted it off and thankfully found that stellar ensemble to tackle it in their current concert version. Too bad it's only for two performances.

Seattle-based SHOWTUNES Theatre Company wraps their 15th year with a fun, sexy concert version of the Tony award winning musical Nine.

Seattle-based SHOWTUNES Theatre Company wraps their 15th year with a fun, sexy concert version of the Tony award winning musical Nine.

If you read my previous review, Dear Readers, of SMT's production of 'Sweet Charity' you'll know that I already had the occasion this weekend of a show where the leading lady just didn't connect for me. Well, that seems to be a trend as the 5th Avenue Theatre's current production of 'Carousel' also had a leading lady who was lacking. There's plenty of good things happening in the show but their Julie Jordan (Laura Griffith) came across as emotionless and stone faced making me wonder why or even if she was falling in love.

Under the direction of Producing Artistic Director Bill Berry, The 5th Avenue Theatre presents a fresh and exciting new take on the tempestuous romance, Rodgers & Hammerstein's Carousel. In its fourth major collaboration with Spectrum Dance Theater, The 5th is thrilled to welcome Tony Award-nominated choreographer Donald Byrd to the creative table, and a host of Seattle's theatrical royalty to its stage.

This exciting new staging will star the radiant Laura Griffith as Julie and 5th Avenue favorite Brandon O'Neill as Billy in his first Seattle production following his Broadway debut in Disney's Aladdin. The cast also includes local luminaries Anne Allgood, Eric Ankrim, Allen Fitzpatrick, Sean G. Griffin, Cynthia Jones, and Billie Wildrick, and marks The 5th Avenue debut of rising talent Joshua Downs.

It's your last week to vote for the 2014 BroadwayWorld Seattle Regional Awards! Check out the latest live stats as of December 26th. Voting closes at the end of the year, in under one week!

Time is ticking on your last chance to vote for the 2014 BroadwayWorld Seattle Regional Awards! Check out the latest live stats as of December 19th. Voting closes at the end of the year!

Voting has now opened for the 2014 BroadwayWorld Seattle Regional Awards! Check out the latest live stats as of December 4th.

Voting has now opened for the 2014 BroadwayWorld Seattle Regional Awards! Check out the latest live stats as of December 4th.

ACT and Director John Langs completely nailed it again and then some. I saw the production last year of ACT's Seattle tradition of "A Christmas Carol" and found myself struck by how well they conveyed this classic tale. And as much as I enjoyed it last year there was something even more magical and special in the air for this year's production (or they spiked my eggnog) as I completely found myself swept away by this incredible show and, yes, crying my eyes out.

Voting has now opened for the 2014 BroadwayWorld Seattle Regional Awards! Check out the latest live stats as of November 25th.

If you remember, Dear Readers, three weeks ago I said that Intiman's production of Part 1 of Tony Kushner's masterpiece, "Angels in America" still resonated through Kushner's script but the show felt under done and lacked focus. But I hoped it would settle into itself over time. I also hoped that the settling in to the characters would affect the power of the second part, "Angels in America Part 2: Perestroika". Alas, it did not. While it's still, again, Kushner's beautiful script, the show lacks the heart, punch and commitment to the piece to make it truly great. And while you may think that now this one needs to settle in, I think it stems from a larger issue.

20 Years ago a bright eyed theater nerd (as opposed to the bitter, jaded wretch I am today) was over the moon that the Intiman Theatre was able to get the rights to do one of the most exciting and talked about plays of the day, "Angels in America, Part 1: Millennium Approaches" so close on the heels of it's wowing Broadway and winning the Tony and Pulitzer. That fresh faced 25 year old was blown away by the artistry, language and sheer incredible storytelling prowess of author Tony Kushner and that amazing production solidified my love for this work. But can anything compare to your first time? Well the bloom may be a little off the rose and my cynical sensibilities of today may have missed some of the focus and wow factor of that original production in this current one being presented by Intiman Theatre, but the play still shows itself to be a masterwork and still deserves attention.

As the cornerstone of its annual theatre festival, Intiman Theatre presents Angels in America, Tony Kushner's epic masterpiece about finding hope in the face of crisis. One of the great plays of the 20th century, this two-play blockbuster explores gay culture, race, inequality, and the future of America through the lens of the AIDS crisis of the 1980s.

As the cornerstone of its annual theatre festival, Intiman Theatre presents Angels in America, Tony Kushner's epic masterpiece about finding hope in the face of crisis. One of the great plays of the 20th century, this two-play blockbuster explores gay culture, race, inequality, and the future of America through the lens of the AIDS crisis of the 1980s.