Lydia Lopokova

Guest Blog: Composer Susannah Pearse On HALL OF MIRRORS

My collaborator Robert Hudson and I first got interested in writing a musical about the Treaty of Versailles about five years ago. We’d toyed with the idea before, but the Brexit vote and the widening political divide within both the UK and America gave us the impetus we’d been missing, and we began to write the first draft of what eventually became Hall of Mirrors.