Isham Jones

En el marco del programa Música Inbal en los museos, dentro del ciclo Jazz y algo más…, organizado por la Secretaría de Cultura federal y el Instituto Nacional de Bellas Artes y Literatura (Inbal), se llevará a cabo el concierto Unforgettable, Recordando a Tony Bennett, el domingo 28 de abril, a las 13:30 h, en el Museo José Luis Cuevas.

This March, Sarasota Orchestra's Pops and Great Escapes series feature many different flavors of American music, from swing to hip hop and from Dvořák's “New World” to Copland's “Simple Gifts.”

The Rochester Philharmonic Orchestra (RPO) kicks off the new year with four wonderful concerts, starting with Juliana Plays Mendelssohn on Thursday, January 12 at 7:30 PM and Saturday, January 14, 2023, at 8 PM in Kodak Hall at Eastman Theatre (pre-concert talks begin one hour prior to performance).

For Canfield and Kelly's From Broadway to Survivor cabaret, the charming couple shared with audiences their New York experiences, love story, and their vibrant talents. This made for a fun night of Broadway showmanship that amused the collected audience.

I was just a little more than a year into my new side career as a cabaret show reviewer when I first saw a Karen Oberlin show. It was Valentine's Day night 2012 and Oberlin—with guitarist Sean Harkness and guest violinist Aaron Weinstein—would be performing her romance-laced set, Stringing Along With Love, at the Metropolitan Room. At the time, all I knew about Oberlin was that she was considered among New York's best female cabaret singers, and I hadn't researched her performing history pre-show. About a third of the way into her set I leaned over to my wife (it was Valentine's Day after all) and whispered, “You know, she has a real Doris Day quality in her voice and in the way she delivers some lyrics.” This immediately ratcheted up my appreciation for Oberlin since there are four passions I inherited from my Dad—baseball, reading the morning papers, sports writing and Doris Day (well, also Sophia Loren, but that's for another column). Since Dad had grown up during the prime of the Big Band Era of the 1940s, I heard the sultry sounds of a young Doris Day singing songs like “Sentimental Journey” on the family stereo more than a few times. Once I saw Day's strikingly adorable blondness on a record cover and her rocking body in one of her films, I knew what Dad was talking about. As popular, famous, and near iconic as Doris Day became, in my book, as a singer and screen beauty she's always been vastly underrated. Little did I know that Karen Oberlin had been doing a Doris Day tribute show so since 2001 at places like Firebird, Iridium, and the late Danny's Skylight Room, and produced a CD, Secret Love: The Music of Doris Day, in 2002. Karen Oberlin had instantly become my secret love.

Back in Pictures celebrates the songs that were originally written for the masterpieces of the Golden Age of Hollywood, featuring music from Casablanca, Easter Parade, A Star Is Born, Pennies From Heaven, Disney, Meet Me In St. Louis, Gentlemen Prefer Blonds, The Wizard of Oz and many more. Back in Pictures is showing at the Reprise Room, 245 West 54th Street, between Broadway and 8th Avenue, New York, from April 7, 2008 through January 5, 2009.

Back in Pictures celebrates the songs that were originally written for the masterpieces of the Golden Age of Hollywood, featuring music from Casablanca, Easter Parade, A Star Is Born, Pennies From Heaven, Disney, Meet Me In St. Louis, Gentlemen Prefer Blonds, The Wizard of Oz and many more. Back in Pictures is showing at the Reprise Room, 245 West 54th Street, between Broadway and 8th Avenue, New York, from April 7, 2008 through January 5, 2009.