Edith Decker

Before the clones attacked, before the Na'vi Hometree was destroyed, before Buzz Lightyear went to infinity and beyond, avant-garde film and video pioneers were expanding the bounds of the moving image by harnessing computer technology to create radical new ways of seeing. Museum of the Moving Image will present a weekend program devoted to exploring early works of computer animation, organized by guest curators Leo Goldsmith and Gregory Zinman. This series of screenings and conversations, Computer Age: Early Computer Movies, 1952-1987, will take place today, November 15 through 17, 2013. Screenings include avant-garde works ranging from oscilloscope experiments to computer-assisted psychedelia; formative digital advertising and music videos; as well as feature films that incorporated these techniques into the mainstream.

Before the clones attacked, before the Na'vi Hometree was destroyed, before Buzz Lightyear went to infinity and beyond, avant-garde film and video pioneers were expanding the bounds of the moving image by harnessing computer technology to create radical new ways of seeing. Museum of the Moving Image will present a weekend program devoted to exploring early works of computer animation, organized by guest curators Leo Goldsmith and Gregory Zinman. This series of screenings and conversations, Computer Age: Early Computer Movies, 1952-1987, will take place November 15 through 17, 2013. Screenings include avant-garde works ranging from oscilloscope experiments to computer-assisted psychedelia; formative digital advertising and music videos; as well as feature films that incorporated these techniques into the mainstream.