Arlene Bozich

CRY WOLF, a new play, follows the story of Connor and Gwen Burns as they return home from their tour in Iraq. As they attempt to return to civilian life, neither can find a way to process their trauma without hurting the other. The lasting damage and the joys of being home mix together until they are unsure if they're actually helping each other or just lashing out to relieve their personal pain. When are they actually there for each other? Are they crying wolf? Will they make it through?

Chasing Jack is the new riveting drama from author John S. Anastasi, previously represented Off-Broadway with Would You Still Love Me If starring Kathleen Turner. Audience members can sit in the General Courtroom Gallery for $20 or be closer in the Jury Box for $25 and be part of the action!

Sardines. Slamming doors. Relationships budding (and burning) before your eyes. A farce within a farce. And laughter, so much laughter. Take all of this and mix it together and you get Michael Frayn's masterpiece of a comedy NOISES OFF, which is currently playing as the Connecticut Repertory Theatre's (CRT) second production of their Summer Nutmeg Series.

Connecticut Repertory Theatre (CRT) announces the casting for their second Summer Nutmeg Series production Noises Off by Michael Frayn onstage June 15-25, 2017. Subscriptions and single tickets are on sale at crt.uconn.edu or 860-486-2113.

Connecticut Repertory Theatre (CRT) presents their second Summer Nutmeg Series production Noises Off by Michael Frayn, onstage June 15-25, 2017. BroadwayWorld has a sneak peek at the company in character below!

Connecticut Repertory Theatre (CRT) announces the casting for their second Summer Nutmeg Series production Noises Off by Michael Frayn onstage June 15-25, 2017.

Connecticut Repertory Theatre (CRT) will stage "Shrek The Musical"  to close out the 2016-2017 season. Margarett Perry will direct. Performances will be held in the Harriet S. Jorgensen Theatre from April 20th through April 30th, 2017. For tickets and information please visit crt.uconn.edu or call (860) 486-2113.

Connecticut Repertory Theatre (CRT) opens its 2016-17 season with William Shakespeare's King Lear. Associate Artistic Director Dale AJ Rose will direct. Performances will be held in the Harriet S. Jorgenson Theatre from October 6ththrough October 16th, 2016. For tickets and information please visit crt.uconn.edu or call (860) 486-2113.

?Connecticut Repertory Theatre will present Jane Austen's Sense and Sensibility by adapted for the stage by Joseph Hanreddy and J.R. Sullivan as the fourth show of its 2015-2016 season. The show is directed by Kristin Wold, a faculty member at UConn and member of Shakespeare & Company in Lenox, MA.  Sense and Sensibility will be held in the Harriet S. Jorgenson Theatre from February 25 through March 6, 2016. For tickets and information please visit crt.uconn.edu or call (860) 486 2113.

Connecticut Repertory Theatre continues the 2015-16 season with a production of William Shakespeare's comedy TWELFTH NIGHT, directed by Victor Maog. It is the second show of the mainstage series and will perform in the Nafe Katter Theatre. CRT brings audiences a TWELFTH NIGHT infused with the music and jollity of the Christmas season. Wrapped in carols and mistletoe Shakespeare's finest comedy is a paean to the restorative power of love and the uproarious joy of the holidays. Performances begin December 3rd and run through December 13th. BroadwayWorld has a first look at the cast in action below!

Connecticut Repertory Theatre continues the 2015-16 season with a production of William Shakespeare's comedy Twelfth Night, directed by Victor Maog.  It is the second show of the mainstage series and will perform in the Nafe Katter Theatre.   CRT brings audiences a Twelfth Night infused with the music and jollity of the Christmas season.  Wrapped in carols and mistletoe Shakespeare's finest comedy is a paean to the restorative power of love and the uproarious joy of the holidays.  Performances begin December 3rd and run through December 13th.  For tickets and information please visit crt.uconn.edu or call (860)-486-2113.

It is safe to say that Monomoy has done a spectacular job staging Austen's work: from the chosen cast, the beautiful period costumes and the way in which it just felt like the novel should feel, there is really nothing bad to say about this production. The set was beautiful, and without moving more than a few chairs around made it both appropriate and very efficient throughout the entire show. The portrayal of the ball, a wonderful scene filled with dancing, merriment and a bit of tenseness, was beautifully staged. It is difficult to transform a stage into something that makes the audience really feel as though it becomes part of the period in which the story takes place, but this was successfully done at this production. And, what would a wonderful production be without the actors who make it all possible? Darren Brown as Mr. Darcy is able to capture the wonderful mix of superiority, insecurity and just the general sense of discomfort that make Mr. Darcy the truly intriguing character he is. There are moments when Brown makes Darcy appear noticeably uncomfortable around others, even when he simultaneously trying to uphold his "mightier-than-thou" appearance, and the transition this character makes (or rather, the revelation, as I don't think Darcy really changes his personality…he just lets its out) from being stern and unapproachable to vulnerable and just plain human is astounding. Brown really does a great job in showing how such a man can change, when given sufficient and acceptable reason and chance to.

Directed by Francesca James, Lend Me a Tenor is beyond brought - it is more like jolted to life in Monomoy's current production of Ken Ludwig's Tony-winning comedy, and to say that it is anything but brilliant this time around is a severe understatement. It is one of the only productions I have seen in a long time where I was actually dreading the end of the first act, not knowing if it ended as it did or if it was to be continued after intermission; thankfully, Act Two did indeed happen and did anything but disappoint. It is also one of those shows which, after the curtain has closed, persuade people to drag their family and friends to see so that they, too, may understand how epic it truly is. It is a shame that there are only a few performances available to see, but if you are free this Friday or Saturday, Monomoy Theater is where you should be spending some time.

Connecticut Repertory Theatre (CRT) will end its 2014-2015 season with the Shakespeare classic A Midsummer Night's Dream at the Harriet S. Jorgensen Theatre between tonight, April 23rd and May 3rd.

Connecticut Repertory Theatre (CRT) will end its 2014-2015 season with the Shakespeare classic A Midsummer Night's Dream at the Harriet S. Jorgensen Theatre between April 23rd and May 3rd. The comedy of mistaken love and magic is sure to delight audiences.

Connecticut Repertory Theatre (CRT) will present the Greek comedy Lysistrata by Aristophanes in the Nafe Katter Theatre on the UConn-Storrs campus from February 26th through March 8th. See how one woman's crusade to end the Peloponnesian War leads to wild laughter, bawdy puns, and both genders begging to make love, not war. For tickets and information, call 860-486-2113 and visit www.crt.uconn.edu.