A darkly funny, shockingly absurd and endlessly surprising vision of a world in transition by MacArthur genius Taylor Mac. Somewhere in the suburbs, Isaac has returned from Afghanistan with a dishonorable discharge, only to discover a household in revolt. The insurgent: his mom. Liberated from an oppressive marriage to Isaac’s father by his debilitating stroke, and with Max, Isaac's newly out transgender sibling, as her ally, Paige is on a crusade to dismantle the patriarchy. “Top Ten Best Theater of 2015… Perhaps no play this year inspired a greater sense of awe than Taylor Mac’s audacious dive into the dysfunctional-family playpen of American theater.” — The New York Times. Jan. 19 – March 17: Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. with 3 additional weeknight performances on Thurs., Jan 31; Wed., Feb. 20; and Wed., March 6, all at 8 p.m. Odyssey Theatre, 2055 S. Sepulveda Blvd., West Los Angeles, 90025; For reservations and information, call (310) 477-2055 or go to OdysseyTheatre.com.
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Sleep, awakeness, psychosis, enlightenment, coma. How thin is the veil that separates them? Odyssey Theatre Ensemble artistic director Ron Sossi explores some of the many states of human awareness with an evening of short “mind excursions” by Harold Pinter with Robert Coover and Hermann Hesse. Collectively titled Wakings!, the metaphysical adventure begins Saturday, April 30, with performances continuing through June 5.
The ability to totally transform yourself into the physical, emotional and intellectual persona of another person so believably that audience members will see the character and not the actor is one of the most fascinating elements of live theatre to me. This is especially true for actors I follow, seeing them in several productions and always being surprised at the new person presented in front of me, often having nothing in common with the real personality of the actor. One such actor is Ron Bottitta, an English-born actor who has called the USA his home since 1980, who I spoke with about his characters in WAKINGS! at the Odyssey Theatre,
Sleep, awakeness, psychosis, enlightenment, coma. How thin is the veil that separates them? Odyssey Theatre Ensemble artistic director Ron Sossi explores some of the many states of human awareness with an evening of short “mind excursions” by Harold Pinter with Robert Coover and Hermann Hesse. Collectively titled Wakings!, the metaphysical adventure begins Saturday, April 23, with performances continuing through June 5.
What is our responsibility to the future? What legacy do we want to leave? The Los Angeles premiere of The Children, written by Lucy Kirkwood and directed by Simon Levy, asks those questions and more in its Los Angeles premiere at the Fountain Theatre.
Odyssey Theatre Ensemble kicks off its "Circa '69" season of significant and adventurous plays that premiered around the time of the Odyssey's 1969 inception with Joe Orton's darkly comic masterpiece Loot. Bart DeLorenzodirects this tour de force of corrosive wit, dizzying intrigue and classic farce for aJune 8 opening, with performances continuing through Aug. 10.
Is Fantastic Francis Hardy a miracle worker - or a showman in search of a dollar? Odyssey Theatre Ensemble continues its 50th anniversary season with Faith Healer, Brian Friel's mysterious, humorous and unforgettable work about an itinerant Irish healer. Odyssey artistic director Ron Sossi directs for a March 23 opening, with performances continuing through May 12.
Even though, we are just coming to the end of January, I can already nominate a prominent candidate for Most Horrid Theatrical Character of 2019 - Paige Connor, the matriarch in Taylor Mac's HIR. Paige condescends to her husband Arnold (long since stricken by a stroke) and orders him around like a slave (or an untrained chimpanzee). Paige has eliminated doing any everyday household chores (like cooking, dusting, or laundry) in retaliation to the orderliness Arnold used to demand. She 'nurtures' or 'empowers' her transgender teenager Max by encouraging Max to follow mom's ways of thinking - an unrealistic utopian view of the future, with the avoidance of any financial responsibilities, while all the while belittling and torturing Arnold. But it's during the final minutes of the second act that Paige tops all of her previous horridness.
"We are the new. Beyond gender. Beyond possessions. Beyond the past." Odyssey Theatre Ensemble opens its 50th anniversary season with the Los Angeles premiere of Hir, a darkly funny, shockingly absurd and endlessly surprising vision of a world in transition by MacArthur genius Taylor Mac. Bart DeLorenzo directs for a Jan. 19 opening at the Odyssey Theatre in West L.A., with performances continuing through March 17.
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