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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A STREETCAR NAMED DESIRE (BROADHURST) |
$299,657 | $299,657 | $61 $198 |
4,900 | 9,344 | 8 | 52.40% |
|
ANYTHING GOES (STEPHEN SONDHEIM) |
$417,358 | $417,358 | $66 $250 |
6,304 | 8,208 | 8 | 76.80% |
|
CHICAGO (AMBASSADOR) |
$497,826 | $497,826 | $79 $185 |
6,297 | 8,640 | 8 | 72.90% |
|
CLYBOURNE PARK (WALTER KERR) |
$402,653 | $402,653 | $71 $199 |
5,656 | 7,608 | 8 | 74.30% |
|
DEATH OF A SALESMAN (ETHEL BARRYMORE) |
$1,066,582 | $1,066,582 | $147 $475 |
7,234 | 7,252 | 7 | 99.80% |
|
DON'T DRESS FOR DINNER (AMERICAN AIRLINES) |
$189,832 | $189,832 | $51 $117 |
3,702 | 5,824 | 8 | 63.60% |
|
END OF THE RAINBOW (BELASCO) |
$321,977 | $321,977 | $77 $198 |
4,188 | 7,920 | 8 | 52.90% |
|
EVITA (MARQUIS) |
$1,360,168 | $1,360,168 | $123 $275 |
11,069 | 12,896 | 8 | 85.80% |
|
GHOST (LUNT-FONTANNE) |
$544,943 | $544,943 | $77 $200 |
7,112 | 12,040 | 8 | 59.10% |
|
GODSPELL (CIRCLE IN THE SQUARE) |
$168,049 | $168,049 | $55 $199 |
3,031 | 5,880 | 8 | 51.50% |
|
GORE VIDAL'S THE BEST MAN (SCHOENFELD) |
$603,681 | $603,681 | $103 $225 |
5,867 | 8,504 | 8 | 69.00% |
|
HARVEY (STUDIO 54) |
$491,643 | $491,643 | $67 $122 |
7,366 | 8,032 | 8 | 91.70% |
|
JERSEY BOYS (AUGUST WILSON) |
$865,602 | $865,602 | $102 $237 |
8,453 | 9,824 | 8 | 86.00% |
|
JESUS CHRIST SUPERSTAR (NEIL SIMON) |
$454,745 | $454,745 | $78 $215 |
5,822 | 11,392 | 8 | 51.10% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MAMMA MIA! (WINTER GARDEN) |
$670,373 | $670,373 | $80 $200 |
8,402 | 11,984 | 8 | 70.10% |
|
MARY POPPINS (NEW AMSTERDAM) |
$724,463 | $724,463 | $72 $177 |
10,087 | 14,376 | 8 | 70.20% |
|
MEMPHIS (SHUBERT) |
$491,602 | $491,602 | $66 $250 |
7,480 | 11,760 | 8 | 63.60% |
|
NEWSIES (NEDERLANDER) |
$974,540 | $974,540 | $101 $199 |
9,669 | 9,560 | 8 | 101.10% |
|
NICE WORK IF YOU CAN GET IT (IMPERIAL) |
$846,027 | $846,027 | $103 $249 |
8,244 | 11,512 | 8 | 71.60% |
|
ONCE (JACOBS) |
$827,501 | $827,501 | $100 $225 |
8,284 | 8,464 | 8 | 97.90% |
|
ONE MAN, TWO GUVNORS (MUSIC BOX) |
$501,008 | $501,008 | $95 $250 |
5,296 | 7,800 | 8 | 67.90% |
|
OTHER DESERT CITIES (BOOTH) |
$260,834 | $260,834 | $70 $125 |
3,727 | 6,088 | 8 | 61.20% |
|
PETER AND THE STARCATCHER (BROOKS ATKINSON) |
$424,628 | $424,628 | $76 $198 |
5,601 | 8,512 | 8 | 65.80% |
|
PORGY AND BESS (RICHARD RODGERS) |
$514,894 | $514,894 | $79 $225 |
6,499 | 10,680 | 8 | 60.90% |
|
PRISCILLA QUEEN OF THE DESERT (PALACE) |
$520,550 | $520,550 | $75 $200 |
6,962 | 13,512 | 8 | 51.50% |
|
ROCK OF AGES (HELEN HAYES) |
$431,991 | $431,991 | $98 $248 |
4,386 | 4,664 | 8 | 94.00% |
|
SISTER ACT (BROADWAY) |
$600,976 | $600,976 | $71 $200 |
8,487 | 14,040 | 8 | 60.40% |
|
SPIDER-MAN TURN OFF THE DARK (FOXWOODS) |
$1,242,960 | $1,242,960 | $107 $247 |
11,607 | 15,440 | 8 | 75.20% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,604,455 | $1,604,455 | $183 $477 |
8,752 | 8,528 | 8 | 102.60% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE COLUMNIST (FRIEDMAN) |
$277,403 | $277,403 | $64 $121 |
4,306 | 5,200 | 8 | 82.80% |
|
THE LION KING (MINSKOFF) |
$1,781,682 | $1,781,682 | $133 $198 |
13,420 | 13,416 | 8 | 100.00% |
|
THE LYONS (CORT) |
$207,654 | $207,654 | $55 $198 |
3,786 | 8,632 | 8 | 43.90% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$887,413 | $887,413 | $76 $200 |
11,662 | 12,840 | 8 | 90.80% |
|
VENUS IN FUR (LYCEUM) |
$305,997 | $305,997 | $79 $200 |
3,851 | 7,248 | 8 | 53.10% |
|
WAR HORSE (VIVIAN BEAUMONT) |
$573,435 | $573,435 | $100 $135 |
5,728 | 8,552 | 8 | 67.00% |
|
WICKED (GERSHWIN) |
$1,802,133 | $1,802,133 | $126 $300 |
14,258 | 14,472 | 8 | 98.50% |
| TOTAL | $24,157,235 | $671,034 | $93.82 $219.88 |
257,495 | 350,644 | 287 | 73.43% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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