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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
1984 (HUDSON) |
$212,626 | $212,626 | $63 $249 |
3,378 | 3,880 | 4 | 87.10% |
|
A BRONX TALE THE MUSICAL (LONGACRE) |
$813,280 | $813,280 | $105 $275 |
7,776 | 8,352 | 8 | 93.10% |
|
A DOLL'S HOUSE, PART 2 (GOLDEN) |
$325,010 | $325,010 | $64 $273 |
5,107 | 5,425 | 7 | 94.10% |
|
ALADDIN (NEW AMSTERDAM) |
$1,452,664 | $1,452,664 | $107 $228 |
13,542 | 13,816 | 8 | 98.00% |
|
AMÉLIE (WALTER KERR) |
$490,268 | $490,268 | $72 $273 |
6,785 | 7,416 | 8 | 91.50% |
|
ANASTASIA (BROADHURST) |
$1,120,135 | $1,120,135 | $121 $350 |
9,265 | 9,144 | 8 | 101.30% |
|
BANDSTAND (JACOBS) |
$618,912 | $618,912 | $89 $227 |
6,945 | 8,264 | 8 | 84.00% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$962,923 | $962,923 | $121 $249 |
7,974 | 8,208 | 8 | 97.10% |
|
CATS (NEIL SIMON) |
$733,234 | $733,234 | $86 $197 |
8,513 | 11,000 | 8 | 77.40% |
|
CHARLIE AND THE CHOCOLATE FACTORY (LUNT-FONTANNE) |
$1,148,781 | $1,148,781 | $98 $233 |
11,729 | 11,968 | 8 | 98.00% |
|
CHICAGO (AMBASSADOR) |
$627,138 | $627,138 | $84 $187 |
7,495 | 8,640 | 8 | 86.70% |
|
COME FROM AWAY (SCHOENFELD) |
$1,104,795 | $1,104,795 | $130 $297 |
8,527 | 8,368 | 8 | 101.90% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,250,852 | $1,250,852 | $156 $397 |
7,993 | 7,872 | 8 | 101.50% |
|
GROUNDHOG DAY (AUGUST WILSON) |
$906,693 | $906,693 | $102 $375 |
8,858 | 9,824 | 8 | 90.20% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HAMILTON (RICHARD RODGERS) |
$3,133,555 | $3,133,555 | $291 $849 |
10,755 | 10,568 | 8 | 101.80% |
|
HELLO, DOLLY! (SHUBERT) |
$1,933,853 | $1,933,853 | $188 $748 |
10,273 | 10,122 | 7 | 101.50% |
|
INDECENT (CORT) |
$291,234 | $291,234 | $55 $197 |
5,268 | 8,584 | 8 | 61.40% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$796,424 | $796,424 | $92 $249 |
8,625 | 11,392 | 8 | 75.70% |
|
MISS SAIGON (BROADWAY) |
$915,009 | $915,009 | $89 $248 |
10,272 | 13,896 | 8 | 73.90% |
|
NATASHA, PIERRE & THE GREAT COMET OF 1812 (IMPERIAL) |
$1,200,043 | $1,200,043 | $132 $267 |
9,080 | 9,104 | 8 | 99.70% |
|
ON YOUR FEET! (MARQUIS) |
$739,890 | $739,890 | $85 $199 |
8,672 | 13,008 | 8 | 66.70% |
|
OSLO (VIVIAN BEAUMONT) |
$667,486 | $667,486 | $91 $223 |
7,340 | 8,376 | 8 | 87.60% |
|
PRESENT LAUGHTER (ST. JAMES) |
$832,206 | $832,206 | $98 $350 |
8,492 | 11,176 | 8 | 76.00% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$819,211 | $819,211 | $90 $248 |
9,103 | 12,184 | 8 | 74.70% |
|
SIX DEGREES OF SEPARATION (ETHEL BARRYMORE) |
$341,437 | $341,437 | $77 $197 |
4,406 | 8,416 | 8 | 52.40% |
|
SUNSET BOULEVARD (PALACE) |
$1,193,891 | $1,193,891 | $121 $297 |
9,900 | 11,753 | 7 | 84.20% |
|
SWEAT (STUDIO 54) |
$301,575 | $301,575 | $72 $199 |
4,202 | 5,272 | 8 | 79.70% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,289,629 | $1,289,629 | $148 $477 |
8,713 | 8,528 | 8 | 102.20% |
|
THE GLASS MENAGERIE (BELASCO) |
$335,674 | $335,674 | $53 $273 |
6,321 | 7,944 | 8 | 79.60% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$1,976,301 | $1,976,301 | $146 $225 |
13,522 | 13,568 | 8 | 99.70% |
|
THE LITTLE FOXES (FRIEDMAN) |
$487,063 | $487,063 | $95 $179 |
5,111 | 5,200 | 8 | 98.30% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,066,119 | $1,066,119 | $87 $203 |
12,231 | 12,840 | 8 | 95.30% |
|
THE PLAY THAT GOES WRONG (LYCEUM) |
$394,495 | $394,495 | $74 $197 |
5,318 | 6,832 | 8 | 77.80% |
|
WAITRESS (BROOKS ATKINSON) |
$1,319,560 | $1,319,560 | $156 $270 |
8,443 | 8,360 | 8 | 101.00% |
|
WAR PAINT (NEDERLANDER) |
$971,231 | $971,231 | $113 $248 |
8,617 | 9,344 | 8 | 92.20% |
|
WICKED (GERSHWIN) |
$1,730,401 | $1,730,401 | $117 $240 |
14,737 | 14,936 | 8 | 98.70% |
| TOTAL | $34,503,598 | $958,433 | $113.77 $288.68 |
303,288 | 343,580 | 281 | 88.27% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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