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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$824,186 | $824,186 | $124 $323 |
6,626 | 8,208 | 8 | 80.70% |
|
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (BROADHURST) |
$757,872 | $757,872 | $151 $348 |
5,033 | 9,224 | 8 | 54.60% |
|
ALADDIN (NEW AMSTERDAM) |
$1,134,221 | $1,134,221 | $87 $216 |
13,015 | 13,816 | 8 | 94.20% |
|
AN ENEMY OF THE PEOPLE (CIRCLE IN THE SQUARE) |
$1,048,286 | $1,048,286 | $153 $480 |
6,836 | 6,624 | 8 | 103.20% |
|
APPROPRIATE (BELASCO) |
$659,263 | $659,263 | $115 $297 |
5,740 | 6,504 | 8 | 88.30% |
|
BACK TO THE FUTURE: THE MUSICAL (WINTER GARDEN) |
$845,823 | $845,823 | $90 $267 |
9,347 | 11,824 | 8 | 79.10% |
|
CABARET AT THE KIT KAT CLUB (AUGUST WILSON) |
$1,920,289 | $1,920,289 | $224 $599 |
8,564 | 8,560 | 8 | 100.00% |
|
CHICAGO (AMBASSADOR) |
$639,705 | $639,705 | $100 $237 |
6,419 | 8,640 | 8 | 74.30% |
|
HADESTOWN (WALTER KERR) |
$734,271 | $734,271 | $106 $299 |
6,904 | 7,344 | 8 | 94.00% |
|
HAMILTON (RICHARD RODGERS) |
$1,732,853 | $1,732,853 | $172 $399 |
10,062 | 10,592 | 8 | 95.00% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,025,731 | $1,025,731 | $96 $299 |
10,654 | 12,976 | 8 | 82.10% |
|
HELL'S KITCHEN (SHUBERT) |
$1,270,519 | $1,270,519 | $110 $323 |
11,505 | 11,544 | 8 | 99.70% |
|
ILLINOISE (ST. JAMES) |
$684,393 | $684,393 | $80 $0 |
8,561 | 9,359 | 7 | 91.50% |
|
LEMPICKA (LONGACRE) |
$275,049 | $275,049 | $39 $248 |
6,994 | 8,376 | 8 | 83.50% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MARY JANE (FRIEDMAN) |
$467,047 | $467,047 | $93 $299 |
5,012 | 5,144 | 8 | 97.40% |
|
MERRILY WE ROLL ALONG (HUDSON) |
$1,435,572 | $1,435,572 | $186 $649 |
7,728 | 7,728 | 8 | 100.00% |
|
MJ THE MUSICAL (NEIL SIMON) |
$1,456,595 | $1,456,595 | $143 $329 |
10,183 | 11,096 | 8 | 91.80% |
|
MOTHER PLAY (HAYES) |
$551,925 | $551,925 | $124 $297 |
4,434 | 4,648 | 8 | 95.40% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,405,859 | $1,405,859 | $136 $439 |
10,311 | 10,400 | 8 | 99.10% |
|
PATRIOTS (ETHEL BARRYMORE) |
$416,372 | $416,372 | $75 $273 |
5,587 | 8,280 | 8 | 67.50% |
|
SIX (LENA HORNE) |
$765,809 | $765,809 | $107 $249 |
7,164 | 8,248 | 8 | 86.90% |
|
STEREOPHONIC (GOLDEN) |
$591,519 | $591,519 | $97 $297 |
6,106 | 6,224 | 8 | 98.10% |
|
SUFFS (MUSIC BOX) |
$630,781 | $630,781 | $100 $278 |
6,283 | 7,784 | 8 | 80.70% |
|
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (LUNT-FONTANNE) |
$1,762,444 | $1,762,444 | $168 $329 |
10,496 | 10,486 | 7 | 100.10% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$817,574 | $817,574 | $106 $252 |
7,690 | 8,528 | 8 | 90.20% |
|
THE GREAT GATSBY (BROADWAY) |
$1,049,784 | $1,049,784 | $106 $277 |
9,925 | 11,880 | 8 | 83.50% |
|
THE HEART OF ROCK AND ROLL (JAMES EARL JONES) |
$287,056 | $287,056 | $47 $267 |
6,044 | 8,568 | 8 | 70.50% |
|
THE LION KING (MINSKOFF) |
$2,035,958 | $2,035,958 | $161 $277 |
12,679 | 13,568 | 8 | 93.40% |
|
THE NOTEBOOK (SCHOENFELD) |
$673,430 | $673,430 | $100 $323 |
6,729 | 8,136 | 8 | 82.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE OUTSIDERS (JACOBS) |
$894,176 | $894,176 | $111 $278 |
8,054 | 8,184 | 8 | 98.40% |
|
THE WHO'S TOMMY (NEDERLANDER) |
$910,354 | $910,354 | $124 $299 |
7,333 | 9,400 | 8 | 78.00% |
|
THE WIZ (MARQUIS) |
$1,458,478 | $1,458,478 | $120 $399 |
12,124 | 12,800 | 8 | 94.70% |
|
UNCLE VANYA (VIVIAN BEAUMONT) |
$998,040 | $998,040 | $129 $299 |
7,741 | 8,376 | 8 | 92.40% |
|
WATER FOR ELEPHANTS (IMPERIAL) |
$1,010,054 | $1,010,054 | $110 $278 |
9,172 | 11,080 | 8 | 82.80% |
|
WICKED (GERSHWIN) |
$1,586,005 | $1,586,005 | $123 $275 |
12,892 | 14,456 | 8 | 89.20% |
| TOTAL | $34,757,296 | $993,066 | $119.87 $314.21 |
289,947 | 328,605 | 278 | 88.24% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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