STUDIO THEATRE 2017-18 SEASON Equity Principal Audition - Studio Theatre Auditions

Posted March 25, 2017
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STUDIO THEATRE 2017-18 SEASON - Studio Theatre

Studio Theatre 2017-18 Season - DC EPA

Studio Theatre


AUDITION DATE

Apr 07, 2017

10:00 am - 6:00 pm (EDT)

Lunch 1:30 to 2:30

Apr 11, 2017

10:00 am - 6:00 pm (EDT)

Lunch 1:30 to 2:30

APPOINTMENTS

No appointments. Actors will be seen on a first come, first seen basis.

CONTRACT

SPTCategory 8 and 10. See breakdown for weekly salary for each show

SEEKING

Actors for the 2017-2018 productions of Skeleton Crew, The Wolves, The Remains, and Viegone.

PREPARATION

Please prepare a 2 minute contemporary monologue. Please bring a photo and resume stapled back to back.
Please bring your Equity Membership Card to auditions.

LOCATION

Studio Theatre

1501 14th St NW

Washington, DC 20005-3706

PERSONNEL

Associate Artistic Director: Matt Torney
Casting Assistant: Victoria Gruenberg
Production Associate: Chelsea Cranshaw

OTHER

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions

BREAKDOWN

SKELETON CREW
by Dominique Morriseau

First Rehearsal: Tuesday, August 1, 2017
Opening Night: Sunday, September 3, 2017
Closing Night: Sunday, October 8, 2017
Possible Extension until: Sunday, November 5, 2017

Contract:
SPT 10
Minimum $687 Weekly

Setting:
Detroit, Michigan. Industrial Plant. Approximately 2008, wintertime.

Seeking:

FAYE
Female, mid/late 50’s, African-American. A salt-of-the-earth type. Resilient. Deep down, empathetic and charitable. A product of her experiences, most of which have been rough.

DEZ
Male, mid/late 20s, African-American. Blue-collar. Lives the hustler life, very street-savvy and fresh. Youthful but not naïve. Impressionable.

SHANITA
Female, mid/late 20s, African-American. Wage-earner. Pregnant. A competent worker, she cares about what she does. Follows rules. Good-looking, but it doesn't really matter to her. Optimistic and creative.

REGGIE
Male, late 30s, African-American. White collar, but not disengaged. As the Foreman, he is responsible and compassionate. Strong internal drive and spark.

____________

THE WOLVES
by Sarah DeLappe
Directed by Marti Lyons

First Rehearsal: Tuesday, December 12, 2017
Opening Night: Sunday, January 14, 2018
Closing Night: Sunday, March 4, 2018
Possible Extension until: Sunday, March 4, 2018

Contract:
SPT 10
Minimum $687 Weekly

Setting:
An indoor soccer field somewhere in suburban America. Winter. Saturdays.

Seeking:

#11
Female, 18(+) to play 17, open ethnicity. Position: Midfield. Attends East High. A know-it-all who doesn't shirk from showing her smarts, which can make her unpopular at times. Intellectual and deliberate. Writes for the school newspaper and watches documentaries.

#25
Female, 18(+) to play 17, open ethnicity. Position: Captain. Attends East High. The spirit and soul of the team, she keeps morale high and her teammates in line. A leader and a hard-worker. Compartmentalizes her feelings, especially when she makes an unexpected discovery about herself.

#13
Female, 18(+) to play 16, open ethnicity. Position: Midfield. Attends East High. Aloof and at times inappropriate, she is the class clown and resident jock of the team. Classic tomboy. Funny, but sometimes at the expense of others. Marches to the beat of her own drum.

#46
Female, 18(+) to play 16, open ethnicity. Position: Bench. Attends East High. New girl. Not used to social situations due to her homeschooling as a child, and it shows in her awkward style of relating to her peers. Lives a little in her own world. Different. MUST have the ability to perform an extremely difficult soccer move, such as juggling the ball for a minute.

#2
Female, 18(+) to play 16, open ethnicity. Position: Defense. Attends East High. Honest, pure. Has lived a sheltered life. Is a member of her Church's youth group, serves as caregiver to her younger siblings. Unlucky, but kind. Has an eating disorder.

#7
Female, 18 (+) to play 16, open ethnicity. Position: Striker. Attends St. Albans, an all-girls Catholic school. Thinks she's mature enough to have a college-aged boyfriend, but still wears thick eyeliner to show how edgy she is. Parents went through a bad divorce. Acerbic and derisive.

#14
Female, 18(+) to play 16, half Armenian. Position: Midfield. Attends St. Albans, an all-girls Catholic school. Just wants to be liked, attaches herself to the cool kids. Insecure, bit of a follower. Daughter of Soccer Mom, who is very much a helicopter parent.

#8
Female, 18(+) to play 16, open ethnicity. Position: Defense. Attends East High. Airy, precious, giggly. Easily excitable. Living in a state of dreaming by the force of sheer will. Mother died when she was 10; never talks about it.

#00
Female, 18(+) to play 17, open ethnicity. Position: Goalie. Attends East High. Type-A. Constantly jittery and scared, she has a near perfect GPA but performance and social anxiety. Editor in Chief of the school paper, accomplished cello player, vomits before every game. A wreck disguised as a triumph.

SOCCER MOM
Female, 40s-50s, open ethnicity. Deals with the death of her daughter by not dealing with it at all. Thoughtful and unselfish, she'd rather help those around her cope. Affectionate, but grief has put her in a frenzy. Exists on another level from those around her. Has never missed one of her daughter's games.

___________

THE REMAINS
by Ken Urban
Directed by David Muse

First Rehearsal: Tuesday, April 17, 2018
Opening Night: Sunday, May 21, 2018
Closing Night: Sunday, June 24, 2018
Possible Extension until: Sunday, July 22, 2018

Contract:
SPT 10
Minimum $687 Weekly

Setting:
A renovated apartment in Boston's South End. Spring 2014.

Seeking:

THEO
Gay male, early 40s. A lawyer with the heart and sensitivity of a humanities major. He is meek at times but also has the capacity to inflict harm. Incapable of accepting fault.

KEVIN
Gay male, POC, late 30s. A writer/professor who makes his own rules and doesn't accept others straying from them. Smart, but with an inferiority complex brought on by rejection and a difficult childhood.

TRISH
Female, 60s. A sentimental older woman with barely hidden strength. She has a sparkle in her eye and manages to tread the line between innocence and immodesty.

LEN
Male, 60s. A professor at Harvard. He is intellectual and sharp, but is likely past his prime. Slightly scatter-brained, he either misses the point completely or provides insight.

ANDREA
Female, early 40s. High-strung with a dark sense of humor yet achingly sincere. She is protective of her brother without being overbearing, at least in her eyes. Tries her best to overcome a rough start to life and isn't always successful.

_____________

VIETGONE
by Qui Nguyen
Directed by Natsu Onada Power

First Rehearsal: Tuesday, March 13, 2018
Opening Night: Sunday, April 15, 2018
Closing Night: Sunday, May 20, 2018
Possible Extension until: Sunday, June 17, 2018

Contract:
SPT 8
Minimum $518 Weekly

Seeking:

QUANG
Male, 20s-30s, Asian. Strong, handsome leading Vietnamese man. Has a keen sense of humor, and isn't afraid of a fight. Hides from his pain for the loss of his country and family with these traits. Requires an ability to rap.

TONG
Female, 25-35, Asian. A beautiful, intelligent woman who isn't afraid to tell you what she thinks. Uses similar coping mechanisms as Quang for dealing with loss of country and family. Just trying to find her way in a new place amongst strangers. Requires an ability to rap, as well as good comic chops.

HUONG / FLOWER GIRL / THU / AMERICA GIRL / TRANSLATOR / FLOWER GIRL
Female, 40-50, Asian. All roles require the ability to be both serious and humorous, as well as still.

NHAN / KHUE / ASIAN GUY / AMERICAN GUY
Male, 20s, Asian. Plays multiple parts, including an American Guy, Nhan (Quang's best friend and travel companion), and Khue (Tong's brother). Somewhat naïve. Good comedic energy.

PLAYWRIGHT / GIAI / BOBBY / CAPTAIN CHAMBERS / BIKER / HIPPIE DUDE
Male, 30s, Asian. Plays multiple parts, ranging from Bobby (who speaks stereotypical American) to a Hippie Dude; from a redneck Biker to Giai (who's madly in love with Tong). Like other parts in the play, must have strong abilities with comedy.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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