Call Type Equity Chorus
Date of Audition 3/2/2011
Location Fern Adair Conservatory for the Arts 3265 East Patrick Lane Las Vegas, NV
Time(s) Wednesday, March 2nd 12pm Sign-in at 11:30am
· Chorus rules are in effect.
· A monitor will be provided.
Appointments Please bring a picture & resume, stapled together.
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Contract Casino $1,500/wk
Seeking We need strong classical dancers. We are not looking for tap dancers, jazz dancers, or 'hoofers.' Please see breakdown.
Preparation Please be dressed, warmed up & ready to dance. If asked to stay & sing, choose music from the musical theatre repertoire that best shows off your voice and range. Bring sheet music in your key. Accompanist will be provided.
Other Dates Thursday, March 3, 2011 – EPA Friday, March 4, 2011 – Singer ECC
Other This 90 minute version is currently playing at the Venetian Hotel in Las Vegas. (6 day week - 8 performances)
Personnel Dale Brown, Tara Rubin Casting Denny Berry, Dance Supervisor Jack Gaughan, Musical Director
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Breakdown
All female dancers must be under 5’4, have a degree of innocence about them and look very young (18-25). We need experienced, classically trained dancers. Most of the audition will be on POINTE. Please have pointe shoes and flat ballet shoes with you. All male dancers must be 6’ or taller and must be classical/ballet dancers. They should have solid classical technique with a musical theatre flair. They must be well built and muscular. Men should wear ballet shoes. Non-Union dancers will be seen, time permitting. All must be US citizens or have a valid Green Card. No Exceptions. In addition, there is the principal role of ‘Meg’ who is a member of the Corps de Ballet. She should appear to be between 16 and 18 years old. The range is mezzo-soprano to G. We will also be looking for girls for this role at this dance call. Casting for The Phantom of the Opera is interracial. Dancers of all ethnic backgrounds and races are encouraged to attend. There is no solo singing for the dancers (except ‘Meg’), but they will have to carry some vocal responsibility in the ensemble numbers.
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