IN YOUR ARMS **Updated** Equity Male Principal Dancers - New York Stage and Film Auditions

Posted April 21, 2014
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IN YOUR ARMS **Updated** - New York Stage and Film


IN YOUR ARMS - Equity MALE Principal Dancers New York Stage and Film | Poughkeepsie, NY

Date of Audition:
4/25/2014


Call Type
Equity Chorus

Time(s)
Equity MALE Principal Dancers

Friday, April 25, 2014

10 AM - Equity Male Principal Dancers
.
Due to the nature of an EPDA, chorus procedures will be used*

Contract
SPT
Category 7, $462/week

Location
Ripley-Grier 520 (Everyone must show
government photo ID to enter building.
)
520 8th Ave. (36th/37th)
New York, NY
Studio 17B


Seeking
Equity Male Principal Dancers

update 4/21: See breakdown for more detailed info - different from original posting.

Preparation
Be prepared to dance with character shoes, jazz shoes, sneakers, etc.
Bring a picture/resume stapled together.

Note: No singing, no spoken dialogue required for ANY of the dancers.

Casting: Telsey + Company / Abbie Brady-Dalton
Composer: Stephen Flaherty
Title Song Lyricist: Lynn Ahrens

Other Dates
1st reh: (in NYC): Approx. 6/3/14
1st reh/tech (at Vassar): 7/1/14
Performs: 7/5 – 7/13/14

Auditions for AEA Female Principal Dancers will be on Thur 4/24 at 2pm. (see sep. notice)

Other
*ECC procedures will be used. Sign up sheets go up Fri 4/18 at 9:30 and come down on Thu 4/24 at 5pm. Monitor reads the list 1/2 prior to the start of the audition.

Personnel
Dir/Choreog: Christopher Gattelli

Writers: Douglas Carter Beane, Nilo Cruz, Christopher Durang, Carrie Fisher, David Henry Hwang, Rajiv Joseph, Terrence McNally, Lynn Nottage, and Alfred Uhry

  • A monitor will be provided.

Performers of all ethnic and racial background are encouraged to attend.

Always bring your Equity Membership Card to auditions.


Breakdown

No singing, no spoken dialogue required for ANY of the dancers.
In Your Arms is comprised of ten short vignettes about a pair of lovers, told solely through dance, each sequence set in a different time and place


Male 1:
Late 30s- 40s. A guy just past his prime with an optimistic quality. Must be strong dancer and strong actor.

Male 2:
40s-50s, must be incredibly strong ballet dancer and a strong actor.

Male 3:
Late 20s/30s, must be incredibly charismatic. Strong dancer with partnering skills, and also a strong actor. Experience with Tango would be a plus.

Male 4:
Late 20s- early 40s, must be incredibly strong Flamenco dancer and strong actor.

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