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Call Type
Equity Principal
Time(s)
Equity Principal Auditions by APPOINTMENT
Sunday, September 7, 2014
11 AM to 7 PM
break 3 to 4
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Contract
SPT
Cat. 9 $630/week AEA
Location
Pittsburgh CLO Academy
130 CLO Academy Way
Pittsburgh, PA
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Seeking
Equity actors, men and women, for various roles.
see breakdown.
Note: No housing, transportation or per diem available to out-of-area performers.
Preparation
Auditioners are asked to prepare a one-minute comic monologue.
All auditioners must bring a typed resume, a completed audition application and a headshot. Applications can be downloaded from our website,
www.pittsburghclo.org/pages/clo_auditions or picked up at audition.
Other Dates
Rehearsals begin January 19, 2015
Performances February 5, 2015 –April 26, 2015
Other
AEA members without appointments seen as time permits.
Personnel
By Marc Camoletti
Translated by Beverly Cross and Francis Evans
Director: Van Kaplan
· A monitor will not be provided. The producer will run all aspects of this audition.
Appointments
See Breakdown for instructions on making an appointment
Performers of all ethnic and racial background are encouraged to attend.
Always bring your Equity Membership Card to auditions.
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Breakdown
Instructons For AEA Members to Make an Appointment:
Requests for an audition appointment should be e-mailed to
CabaretAuditions@pittsburghclo.org, and include a preferred time range, which will be honored as sign-ups permit. If e-mail is not available, please call
(412) 281-3973 x 234. E-mail is highly preferred. Equity members without appointments will be seen throughout the audition day as time permits.
ABOUT THE SHOW
Boeing Boeing is a classic farce written by the French playwright Marc Camoletti. The English language adaptation, translated by Beverley Cross, was first staged in London at the Apollo Theatre in 1962 running for a total of seven years. In 1991, the play was listed in the Guinness Book of Records as the most performed French play throughout the world. The most recent revival on Broadway in 2008 won the TONY for best play revival.
It’s the 1960s, and swinging American bachelor Bernard couldn’t be happier: a flat in Paris and three gorgeous Air Hostesses (Stewardesses) all engaged to him without knowing about each other. Bernard manages to juggle his dance card with careful planning and the reluctance of his acid tongued French Housekeeper Berthe. But Bernard’s perfect life gets bumpy when his friend Robert from Wisconsin comes to stay, and a new and speedier Boeing jet is introduced to the airlines which throws off all of his careful planning. Soon all three stewardesses are in town simultaneously, timid Robert is forgetting which lies to tell to whom, and catastrophe looms. A riotous farce that recently enjoyed hit revivals in London and New York.
SEEKING
All actors must possess the ability to play both physical and verbal comedy.
Bernard
30s-40s. Successful American architect, living in Paris. Handsome, well-educated, charming. Engaged to three air hostesses whom he manages to keep in the dark about one-another by managing their visits on a strict timetable. Takes boyish pleasure in the success of his devious doings, until his careful planning starts to fall apart, deflating his confidence.
Berthe
French, 40s-60s. Bernard’s long-time live-in maid and cook. Although devoted to Bernard, she is wearying of keeping up with Bernard’s revolving-door lifestyle, and by play’s end she has been pushed as far as she will go. Dry and fantastically sarcastic; never afraid to say what’s on her mind. French accent.
Robert
30s-40s. Bernard’s schoolmate from back in the States; hasn’t seen Bernard in close to 20 years. Shy, small-town, mid-western and sweet—somewhat a nerd by today’s standards. Views Bernard’s whirlwind juggling act of three fiancés with awe and admiration – until he gets wrapped up in it himself and his anxiety spins out of control.
Gloria
Bernard’s American fiancé, late 20s-30s. Air hostess for TWA. Epitome of a go-getter American woman; has a vigorous appetite for food and love. Completely adorable and supremely confident, but she might punch you if you dared call her “cute”. Southern accent.
Gretchen
Bernard’s German fiancé, late 20s-30s. Air hostess for Lufthansa. Has an intense Teutonic passion that can spin on a dime—one moment she might be soft and cuddly, and the next barking out orders and breaking furniture. Inspires equal amounts of lust and fear in those around her. German accent.
Gabriella
Bernard’s Italian fiancé, late 20s-30s. Air hostess for Alitalia. Sultry and full of fire, she is much smarter and more self-reliant than she first appears. Italian accent.
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