Financial Times (UK) is early again and gives it Two out of Five Stars:
"Jim Dale, recognisable to millions for his voicing of Harry Potter audiobooks, adds a very un-Brechtian aspect to the current revival of The Threepenny Opera: redemption. As Mr Peachum, beggar king and father to Macheath’s young bride Polly, Dale injects a rather anaemic evening with desperately needed life. In his second-act solo, “The Song of Inadequacy of Human Striving”, he uses his body with an elasticity Pilates instructors half his age might envy, all while retaining the cynicism towards respectability that makes this 1928 Brecht- Weill collaboration as biting as ever.
Only one other moment in this Roundabout Theatre production matches Dale for excitement: when Cyndi Lauper, as prostitute Jenny, sings “Solomon Song”. Centre-stage, and attired in a fluff-collared ensemble that is a welcome break from Isaac Mizrahi’s other, more S&M-meets-post-punk costumes, Lauper brings her character’s hollowed-out determination into focus. _______________________________________________________________
Mac, played rather well by Alan Cumming, presides over a coked-up underworld, where bisexuality is evident and pornography is an unremarked part of the decor. Nellie McKay plays his bride, Polly, promisingly in the first act, wanly later.
If there is nothing shocking about the production’s overall concept, chosen by the director Scott Elliott, there is nothing especially illuminating either. The new translation, by Wallace Shawn, may startle those familiar with the recording featuring Marc Blitzstein’s too-sanitised lyrics, but Shawn’s plethora of four- letter words ultimately does not cut deep."
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
I met one of Alan Cumming's good friends yesterday in the cancellation line for Grey Gardens. He said that Alan thinks that the critics are going to give negative reviews to Threepenny. Personally, though, I think it is going to be widely raved. I guess we will have to wait till tommorow to see.
"The hallmark of aristocracy is responsibility. Oh brother, that got me, that did me in!"
I saw it Tuesday and I loved everything about it except the majority of the music. But every other aspect(book, lighting, direction, choreography) fit the show perfectly.
I think they are going to be all over the map, with a lot of very negative reviews and some fairly positive ones. The production is simply too controversial with too many bold choices to get a lot of raves.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
I saw it Tuesday and I loved everything about it except the majority of the music. But every other aspect(book, lighting, direction, choreography) fit the show perfectly.
So the music just didn't "fit"? Well, perhaps it is the other aspects that are not right, then.
Actually, I would have been interested in BA reviews if I knew there were positive reviews to look foward to. But that's another thread and more anger. Updated On: 4/20/06 at 04:12 PM
Well, the show actually isn't an "opera" (the title is a takeoff of John Gay's "Beggar's Opera" from the 18th century -- which also wasn't an opera, but instead consisted of the folk music of the period) or even a work of "musical theatre" as we've come to understand the term today. It's more a play with music or a "songspiel" which uses songs to fill out and comment on the satire and social commentary in the play. It's about two-thirds play and one third music and the music is much more important lyrically than melodically to it's creators -- though Weill's melodies are classics.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Yep. I love Falco, but thank goodness that her Sopranos schedule conflicted. Lauper is absolutely brilliant.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
I'm so very curious to see Threepenny reviews - particularly in regards to what they have to say about Cyndi Lauper, whose performance was one of my favorite things about the show. She was fantastic, not to mention unafraid to call out someone for not turning off their cellphone when I was there, which got her another point from me.
drg - check all the news reports that say Edie dropped out from playing JENNY.
Color and Light - did you see the show on April Fool's Day?
"I always believed the composers said one thing and wrote another." - Well, it IS Brecht...::share in pretentious chuckle::
Updated On: 4/20/06 at 04:30 PM
It's not at all an opera, and I'm not saying any of the music was terrible. Alot of it just wasn't my kind of music. I thought the opening was amzing, but the rest of the first act went downhill. During intermission i thought it was terrible But Act 2 was so much better in every way that when I left the theater I loved it. Updated On: 4/20/06 at 04:31 PM
Oh no one said it's not challenging. There's tons of non-operatic music that's incredibly difficult so sing -- Sondheim, Bernstein and yes, Weill. Being able to deliver a first rate "Pirate Jenny" is as hard as singing anything else. But, it just doesn't fit into the narrow parameters of what would be described as operatic singing.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney