This is the first time in a while that I didn't get a season subscription -- nothing piqued my interest.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
I saw it at the Oregon Shakespeare Festival and thought it was just ok. I read the novel and found it amazing. A week before going to the OSF, I watched a BBC version which I liked. This probably influenced my reaction to the play.
I didn't care for the two leads, but they aren't in the ART production. The creative team is the same.
First year in a while that I, also did not get a subscription. We ended up buying tickets last minute for last night. Agreed it was just OK. I was able to get the $30 seats ($25 +tax/fees). At that price, it was an entertaining evening, coupled with the always wonderful, diner at Toscano a block away.. Impressive scenic production, lots of twists and turns. in the plot that kept me interested, but was sometimes hard to follow. I thought the leads were good and it moved along quickly, though somewhat confusing. Audience appreciated the humorous lines. Only a few people stood at the end, where in my experience, most shows get a full standing ovation at ART.
For this season at ART, Arrabal is the only show that piqued my interest. Hope 2017/2018 offerings are more interesting. We really do love seeing productions at the ART and have been spoiled by some wonderful shows.
I just got back from this and thought it was a wonderful production. Definitely one of the best designed and most technically impressive shows I've seen on a Boston stage in a long time, and the two leads both gave incredibly passionate performances.
It was definitely interesting seeing this after reading the book, but overall I'm glad I read it first since there were a few things that I'm not sure I would have been able to follow without it. Still, I've got to commend Alexa Junge for adapting such a long book into a pretty concise play that's much more fast-paced than its source.