I will be there. Very excited. This was one the second show I saw on Broadway during my first trip to New York, so I'm eager to both hear the music again and see this production that I've heard so much about. And what a cast!!!
Seeing this on December 2nd and I couldn't be more excited. Never saw the musical, movie or read the book, so I'm excited to finally see this material.
I will be there as well. Going in with a very open mind. Just thinking back at the other huge production. And to think this one will only be done with a few chairs. Trying to wrap my head around the concept.
my most anticipated show this Fall/Winter. I'm hoping to hear great things about it.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I got a seat row E of the left mezz, first seat on the aisle for $85. I didn't think that was too bad. I've never been in the mezzanine for that theatre but I can't imagine it being a bad seat. Anyone have any input?
Famebroadway2 said: "I REALLY want to see this show, but I can't afford $145.00 a ticket. Even $80 to sit in the last row of the Mezz is pretty extreme.
"
So stand in the rush line in the morning and get the 35 dollar tickets.
I would also guess this show will be sold-out most if not all the time. So I wonder when & if they'll be selling SRO.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Intermission now; the entire cast is absolutely fantastic. Lots of applause from an incredibly receptive audience.
the set looks about the same as the pictures I've seen from the London design, and though I personally think it's beautiful, the women behind me are currently complaining about it being too sparse ("you don't know if they're inside or outside", "the production I saw had neon signs; and here there's no neon signs".
This is obviously not the kind of reinvention SPRING AWAKENING is, but I'm going to put it in the same group of revivals of newish shows that are stronger than the original. The production is strong and focused, and the cast is unreal. Only major complaint is tinny sound.
It's stunning. The three women are wonderful. Hudson is refreshingly restrained and fantastic. Brooks is hilarious and heartbreaking. Erivo is a star. What a performance. Standing O after "I'm Here."
Arden should talk to Doyle. THIS is how you deconstruct and reconstruct a musical. Don't miss it.
Relieved to hear that Hudson is able to handle the Broadway stage. Very excited to see this. Although I was fearing the orchestra would sound tinny like every other Chocolate Factory transfer.