Click below to access all the grosses from all the shows for the week ending 7/5/2015 in BroadwayWorld.com's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
Gosh, only five shows had an increase. OTT's struggles are not letting up.
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
wolf hall did not recoup. If you look at the numbers assuming the lowest possible weekly nut, the capitalization would have to be less than Hand to God's to have recouped. And we know it wasn't.
OTT is on the cusp of going from being a joke to being a sick joke.
Agree with the holiday being on Saturday making things not so great for most shows. I was able to get a ticket through Hiptix for On the Twentieth Century a week in advance. I really thought that was a lost cause by now with it closing in a couple of weeks.
"I don't want the pretty lights to come and get me."-Homecoming 2005
"You can't pray away the gay."-Callie Torres on Grey's Anatomy.
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Pity about Wolf Hall, it really was an outstanding and thrilling day of theatre. Glad I had the chance to see it
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
"A big fat woof for Gents Guide, Amazing Grace and OTT. The difference between the three is that Gents Guide doesn't have to worry like AG and OTT should be. "
I think Gents Guide should be worrying. They haven't broken even or barely have the last 11 weeks. I think they may pack it up by the end of the summer if these numbers continue.
Poor Wolf Hall. I'm glad I saw it though I don't think I'd call it a great piece of theatre. Part 1 was an enjoyable few hours and Part 2 made it a very unique experience. I'd be interested to see separate numbers for both parts as the general consensus seemed to be that Part 1 was stronger than Part 2.
I've posted this similar before, but how could FOLLIES cost 600-650k to run in the Marquis theatre with that cast and that orchestra, and Gentlemen's guide also cost $600,000? Now, I suppose FOLLIES was 4 years ago but still. Are prices increasing exponentially?
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
For a show this small, Gentleman's Guide's weekly costs are by no means low at $600K. With a cast of 14 (including swings) and an orchestra of 11 musicians, their costs might have been considerably lower. It would be interesting to know how much both Hartford Stage and The Old Globe are getting for their pre-Broadway productions, as these kind of enhanced productions can be a considerable financial burden.
One must also remember that weekly operating costs oftentimes increase post recoupment, as creatives and others negotiate post-recoupment increases to their fees and royalties.
Regardless, Gentleman's Guide was quite brilliantly produced by Mr. Parnes.
gents guides last profitable week was 4/12. remeber that the published grosses are the gross gross not the net gross.
re "often costs less" you are reading too much into it. That just means that it is right at 600k; the weekly variation is de minimis.
the nonprofits get whatever revenue they get as producers, not as part of the weekly nut.
despite the desire to imagine it otherwise, the show is currently losing money and seems to have run out of steam. It can and should be proud of what it accomplished and I am sure an exit strategy is being developed or has been.
In a way, I really love shows like Amazing Grace, Scandalous, Atomic, etc.
By that, I mean vanity shows created by less-than-able amateurs, who then give all their money to professional actors, managers, designers, etc., in a usually-futile attempt to try to turn the silly property into something remotely acceptable.
These shows are excoriated by reviewers and ignored by ticket-buyers; after an ignominious closing, the creators claim (to the few who have any interest in listening) that the result was exactly what they hoped for, and that someday their art will be understood.
And the self-envisioned "kind-hearted" posters on this and similar sites vilify anyone who finds comedy in this situation, accusing them of "stepping on dreams" and other such clichés.
It's a kind of entertainment, not so very different from train-wreck reality TV.
Anyone know if the current Les Miserables recouped? I googled this and did not find any information. Does the fact this this was the touring production that essentially set up on Bway make a difference when it comes to recouping?
"The price of love is loss, but still we pay; We love anyway."