I've always been a fan of the MSM and Gloria Estefan, but not sure how interested I'd be in dropping dime for a ticket to see their story. I guess maybe I've read so much about them and do know a lot of their story that it just doesn't grab me at this point.
I do like upbeat shows though with good music and dance, so I'll wait to see how it fares in reviews.
They are just about to start previews in Chicago next Tuesday, so expect more press soon. They do have a YouTube series documenting the process as well.
Let's see... A recently hatched $17MM vanity jukebox musical with predictable plot and monosyllabic songbook; two vastly inexperienced leading actors; and a principal demographic that is not known for its support of the theatre. Sounds like a winning formula.
I know there have been a lot of shows made about the lives of other people, but how often does someone say 'I'm going to write a Broadway musical about my (our) life'? Not necessarily talking about musical/revue type shows like "The Dancer's Life" with Chita. Or the Bea Arthur one. But non-Broadway people.
ABBA was behind the production, but it wasn't a story of their life right? I saw it a long time ago and don't really remember much about it except it took place in Greece.
Count me in as being excited to see it. I grew up in Miami, so I am probably not the typical audience that you would expect on Broadway that would see it.
That said, I am concerned about how long of a run this will enjoy. I could see this being a smash hit, or become a major disappointment.
Certainly, I would put this in the same class as Beautiful and Jersey Boys. However, the success of the show will depend on the popularity of the music and if fans of the music will be strong enough to support a Broadway musical.
I wouldn't have thought that the life of Carol King would have been dramatically interesting, either - famous, successful, and rich before the age of 20, with the only conflict being a cheating husband and transition from writer to writer/performer. But there you have it - a big hit.
What I know of Estefan's life seems equally drama-free; her father was a bodyguard to brutal dictator Batista; I would imagine that the show, if it deals with Batista at all, will whitewash him as a benevolent democrat. She has been married to the same man since she was 20, with no reported issues. She was injured badly in 1990, but recovered within a year, even without an addiction to pain killers that would have been dramatically noteworthy.
So who knows? Maybe this mild story of almost non-stop great success will also please the crowds.
How are you defining "dramatic?" It may not be the same way I am. In this context, I would define it as "displaying theatrical storytelling elements of interest, with character, conflict, development of both, and perhaps a beginning, middle, and end."
I would think that more people seek that in their commercial theatre experience than don't. But maybe not.
If it's all down to the popularity of the music, I do like ABBA and the Four Seasons considerably more than Gloria Estefan. But then if all you needed was popular music, Motown should have run much longer.
"If it's all down to the popularity of the music, I do like ABBA and the Four Seasons considerably more than Gloria Estefan. But then if all you needed was popular music, Motown should have run much longer. "
I think Motown is a perfect example of a show with a lot of promise, but was poorly done. Just because a show has good music, it still needs to have a good story behind it and be well done. Beautiful and Jersey Boys are well done, and have great music. I loved both, and could see them over and over again. Interesting enough both lead actor/actress won best Actor/Actress for their role in those shows, along with the shows receiving other Tony Awards. Motown didn't do so well with the Tonys.
I had high hopes for Motown, but was disappointed with the show. Not sure I liked anything about the show. You couldn't pay me to see it again.
I saw a video of them rehearsing and it looked like they were in New York, but aren't they doing the show in Chicago? Why can't they find a rehearsal space here?
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
"I saw a video of them rehearsing and it looked like they were in New York, but aren't they doing the show in Chicago? Why can't they find a rehearsal space here? "
Isn't it common to rehearse in NYC then just go out of town for the run? At least when plans are firmly set for a New York opening later.