Pat Cerasaro - Page 189

Last week I had the distinct pleasure of speaking to Tony Award-winning SPRING AWAKENING songwriter Duncan Sheik all about his staggering spate of upcoming stage projects - the musical stage adaptation of the controversial Bret Easton Ellis bestseller AMERICAN PSYCHO, as well as his Steven Sater collaborations on THE NIGHTENGALE, WHISPER HOUSE, MR. CHESS and ALICE included - in addition to all about his upcoming concert appearance on November 23 at the Gramercy Theatre. Additionally, the Grammy-nominated singer-songwriter also expounded upon his career thus far and we took a look back at some of his favorite scores and composers, as well as the individuals to have the most impact on him and how that has played out in both his theatre and recording career. Plus, Sheik shares exciting exclusive news on the development of the forthcoming film adaptation of SPRING AWAKENING, directed by McG, to potentially begin filming next summer if all goes as planned, as well as opens up with his feelings on GLEE's recent homage to his hit 90s single "Barely Breathing" and his original SPRING AWAKENING leads Lea Michele and Jonathan Groff, as well as news about his upcoming solo album and the many, many stage projects he currently has in development. All of that and much, much more!

On Friday afternoon I had the distinct pleasure of speaking to Tony Award-winning SPRING AWAKENING songwriter Duncan Sheik all about his staggering spate of upcoming stage projects - AMERICAN PSYCHO, THE NIGHTENGALE, WHISPER HOUSE, MR. CHESS and ALICE included - as well as all about his upcoming concert appearance on November 23 at the Gramercy Theatre, but, before that InDepth InterView appears next week, here is some exciting exclusive news on the development of the forthcoming film adaptation of SPRING AWAKENING, directed by McG, to potentially begin filming next summer if all goes as planned.

"No contact, not even in song." And, with those words, the epic romance of Rachel (Lea Michele) and Finn (Cory Monteith) - Finchel, familiarly, to fans of the show; gleeks - on Fox's hit musical dramedy series GLEE came to a horrific car crash of a coda - and all-too-appropriately so given the automatic, systematic, ultimatic GLEE GREASE tribute oh-so-amusingly billed as "Glease". The Robert Aguirre-Sarcasa-written, Michael Uppendahl-directed ep gave us a generous dose of GREASE justified by the glee club's take on the classic 50s tuner while also offering us some hair-raising dramatic and thematic developments, as well - Mr. Shue (Matt Morrison)'s sabbatical; the permanent ceasing of not one, not two, but three central romances of seasons' past; as well as the nefarious interception of Cassandra July (Kate Hudson) into the entanglements of the NYC-set storyline of the all-new, revamped GLEE S4.

Today we are thrilled to be talking to a nine-time Tony Award-winning performer/director/choreographer all about his illustrious career onstage and behind the scenes working on classic musicals such as THE BEST LITTLE WHOREHOUSE IN TEXAS, NINE, GRAND HOTEL, THE WILL ROGERS FOLLIES and many more as well as all about his new solo piece premiering at Feinstein's At Loews Regency this weekend - the one and only Tommy Tune. Taking a look back at his near-peerless legacy as the top director of the 1980s and 1990s on Broadway, Tune imparts his candid insights about show business and reflects upon many aspects of the aforementioned hit shows - from their inception and creation to their critical and public reception and their ultimate legacy - as well as shares stories about his time as a performer, both then and now, with the star-studded tales cumulatively involving such legendary luminaries as Gene Kelly, Barbra Streisand, Michael Bennett, Hal Prince, Maury Yeston, Ken Russell, Jane Krakowski, Sutton Foster and many more. Plus, Tune gives us an enticing glimpse of his new Feintein's At The Regency showcase, TAPS, TUNES AND TALL TALES, playing November 18-26, and casts his sights on the future, near and far, and discusses the types of projects he would like to tackle next - including, first up, finding the perfect NYC location for his environmental new theatre piece, 54. All of that, tons of taps, top hats and tails and much, much more!

The results are in! And, last night, after a month-long hiatus, GLEE came speeding back to the small screen with the spiffy and spunky new episode, "The Role You Were Born To Play" - a Michael Hitchcock-written, Brad Falchuk-directed entry to Fox's hit musical series centering on the auditions for this year's McKinley High musical - none other than the campy 50s musical comedy GREASE! And, indeed, GREASE is the word - and, furthermore, the musical GLEE was born to do.

Today BroadwayWorld is particularly proud to present an exceptionally exciting exclusive byway of this career-spanning chat with two-time Tony Award-winning Broadway legend Bernadette Peters. In this all-encompassing conversation we discuss many aspects of her storied career, with a special focus on her upcoming feature film, COMING UP ROSES, which opens this Friday in NYC - a gritty and uncompromising independent feature offering Peters a searing central role as a struggling actress with a teenage daughter (Rachel Brosnahan) and their shared experiences cohabitating in 1980s era New York City. In what very well could be her finest dramatic performance of the new millennium, Peters does it all in COMING UP ROSES; she even gets to sing in it - the soundtrack features a familiar FIDDLER ON THE ROOF tune, a Kander & Ebb gem and even a stirring original song. Additionally, Miss Peters also sheds some light on her role in Season 2 of NBC's hit musical drama series SMASH. Over the course of the discussion we also look back at her exceptional career on stages and screens large and small, touching upon her theatre work with Stephen Sondheim and Andrew Lloyd Webber and what roles of theirs she would consider in the future, as well as her experiences sharing the small screen with stars like Megan Hilty, Anjelica Huston and Carol Burnett and acting on the big screen for Woody Allen in ALICE. Plus, Bernadette gives us a tantalizing glimpse of what we can expect from her role in an upcoming animated feature film co-starring SMASH's Hilty and GLEE's Lea Michele, the highly anticipated DOROTHY OF OZ, and shares her satisfaction with her original, Bryan Adams-penned musical material for the forthcoming film. Yes, indeed, everything is definitely coming up roses today on BroadwayWorld and it's all thanks to the one and only Bernadette!

While the scariness of the season may be all too real and in-your-face to East Coast BroadwayWorld readers due to Hurricane Sandy, late October is indeed the most frightening time of the year, so let's take a look at some of the top picks for Halloween 2012 - whether you are looking to pass some time in the storm, boiling up a cauldron of witch's brew for trick or treaters or donning devilish duds yourself.

Today BroadwayWorld is thrilled to present not one, but two world premiere exclusives from the upcoming GLEE tribute to GREASE - oh-so amusingly titled "Glease" - both the risque and rollicking "Look At Me, I'm Sandra Dee", performed by Becca Tobin (Kitty) and gleek girls, as well as the mournful, balladic "Look At Me, I'm Sandra Dee (Reprise)" passionately performed by Melissa Benoist (Marley).

Today BroadwayWorld is thrilled to present not one, but two world premiere exclusives from the upcoming GLEE tribute to GREASE - oh-so amusingly titled "Glease" - both the risque and rollicking "Look At Me, I'm Sandra Dee", performed by Becca Tobin (Kitty) and gleek girls, as well as the mournful, balladic "Look At Me, I'm Sandra Dee (Reprise)" passionately performed by Melissa Benoist (Marley).

Today we are continuing BroadwayWorld's extensive coverage of the forthcoming Fathom cinema presentation of the epic brand new arena production Andrew Lloyd Webber and Tim Rice's JESUS CHRIST SUPERSTAR by highlighting the show's sole female voice, Mary Magdalene, as portrayed in this fresh, ultra hi-tech, extravagantly sensorial production by Spice Girl and West End notable Melanie C..

Today we are continuing BroadwayWorld's extensive coverage of the forthcoming Fathom cinema presentation of the epic brand new arena production of Andrew Lloyd Webber and Tim Rice's JESUS CHRIST SUPERSTAR by highlighting the show's central, eponymous figure, Jesus Christ, as portrayed in this fresh, ultra hi-tech, extravagantly sensorial production by SUPERSTAR UK TV reality show winner Ben Forster.

Today we are talking to one of Broadway's biggest homegrown stars who has appeared in the original New York productions of many memorable modern-day classics, among them THE WHO'S TOMMY, AIDA, THE LAST FIVE YEARS and DIRTY ROTTEN SCOUNDRELS, in additions to highly-regarded turns in the first replacement cast of RENT, the Tommy Tune/Jeff Calhoun revival of GREASE, the Off-Broadway curiosity DEBBIE DOES DALLAS, the first (and only) LA mounting of Randy Newman's FAUST, as well as her starring role in the recent Lincoln Center Theater's production of WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, and, of course, her own rapturously-received, award-winning solo showpiece, EVERYDAY RAPTURE - the convivially mesmerizing, one-of-a-kind Sherie Rene Scott. Discussing the major transitions in her life, including her transformation from ingenue to leading lady to solo performer, Scott illustrates a unique and varied career as well as opens up about the themes, songs, stories, experiences and encounters that formed the basis for her new solo piece premiering at 54 Below this week, PIECE OF MEAT. Additionally, Scott touches upon her work as the co-owner of the revolutionary Sh-K-Boom Records with her husband, Kurt Deutsch, as well as her own album work over the years, in addition to stories related to the recording of many of their most celebrated titles and the composers whose work is prominently featured on their releases - Tom Kitt, Lin-Manuel Miranda, Michael John LaChiusa and many more included. All of that, plus Mennonites, music and meat - and much, much more!

Today we are talking to a breathtakingly gifted vocalist who premiered the first single from his brand new solo album COMFORTABLE right here in this very column on BroadwayWorld earlier this week - the one and only Tituss Burgess. In this career-spanning conversation, Burgess and I touch upon many of the Broadway entities which he has played a part in over the last decade or so - THE LITTLE MERMAID, JERSEY BOYS and GOOD VIBRATIONS included - as well as sharing some onset stories involving his stints on NBC's hit comedy 30 ROCK. Most of all, Burgess and I dissect the finer points of his sophomore solo album, COMFORTABLE, and he explains his songwriter process and progress, as well as the many influences and inspirations that have infused this passion project over the course of its years in writing, recording, and, now, finally, releasing. Plus, Burgess looks ahead to the future and clues us in on his late-night concert at New World Stages on Sunday night. All of that and much, much more!

Anything Barbra Streisand-related is well worth attending (are you kidding?!), and on Friday, October 5, there was an invited dress rehearsal on the Temple University campus in the Liacouras Center as Barbra Streisand: BACK TO BROOKLYN got its feet wet for the first time in front of about a thousand people.

This week on Week Four of THE X FACTOR, the first round of contestants to make it into the competition for the $5 million recording contract were let go at boot camp - and, on GLEE, romantic walking papers were issued willy-nilly as four long-standing relationships between central characters came to a conclusion (at least for now).

Today we are talking to a charismatic leading man who has made quite a mark on Broadway over the last few seasons, having participated in the original Broadways casts of Kander & Ebb's THE SCOTTSBORO BOYS (for which he received a Tony nomination for Best Actor), Green Day's AMERICAN IDIOT (as Favorite Son) and, most recently, the rapturously-received revival of THE GERSHWINS' PORGY & BESS (as Jake), which won the 2012 Tony Award for Best Revival - the multi-talented Joshua Henry. Discussing the creation, casting, rehearsal and reception of each of the aforementioned musicals, as well as working with his collaborators on said projects - John Kander, Susan Stroman, Billie Joe Armstrong, Tom Kitt, Michael Mayer, Audra McDonald, Norm Lewis, Diane Paulus and more included - Henry illustrates the process of bringing the three wildly different entities to the stage and how he shaped his disparate characters within them. Additionally, Henry also discusses his role in the original production of Lin-Manuel Miranda's IN THE HEIGHTS and that Tony-winning Best Musical's inception and legacy. Plus, Henry expounds on his new self-composed family-friendly musical, AMIGO DUENDE, directed by Luis Salgado, which begins performances October 5 at El Musio Del Barrio and also shares the inspiration behind it. All of that, first news on his starring role in COTTON CLUB PARADE at City Center (co-starring GLEE's Amber Riley), sharing the screen with Oscar-winner Jennifer Hudson and the Fab Four in SEX & THE CITY: THE MOVIE, his role in the recent MOTOWN workshop (as Marvin Gaye), future plans and much, much more!

Today we have a super-special SOUND OFF exclusive taken from the sensational forthcoming sophomore solo album from Broadway notable and 30 ROCK standout Tituss Burgess, "I'll Be Alright".

Today we are talking to a busy and very recognizable actress who has appeared in over 100 TV and film properties since her debut in the 1970s and just this year played arcs on both the freshly-minted 2012 Emmy-winning Best Drama HOMELAND, as well as HBO's hit nighttime vampire series TRUE BLOOD - the accomplished and arresting Linda Purl. Discussing her roles on the hit HBO and Showtime series she has appeared on this year as well as her recent multi-episode stint on NBC's THE OFFICE, Purl sheds some light on her long and rich career and also shares stories from the sets of some of her most famous forays - HAPPY DAYS, VISITING HOURS and more included. Additionally, we shed some light on her upcoming two-night-stand at Feinstein's At Loews Regency, MIDNIGHT CARAVAN… TRAVELS THROUGH THE GREAT NEW YORK NIGHTCLUBS, with special guest Desi Arnaz, Jr., and she sets the stage for what we can expect from the noir-inspired cabaret piece featuring songs of the 1940s and 50s. Furthermore, Purl opens up about her theatrical roots - starring in plays and musicals like OLIVER, THE KING & I and THE MIRACLE WORKER growing up overseas, as well as observing no less than Tennessee Williams, a friend of her parents, as he oversaw a Tokyo production of IN THE BAR OF A TOKYO HOTEL and resided with the clan; and, later starring on Broadway in THE ADVENTURES OF TOM SAWYER,GETTING AND SPENDING and in regional revivals, such as six seasons at Williamstown and A STREETCAR NAMED DESIRE at LA's Rubicon. Additionally, she gives insight into many notable friends and collaborators - Edith Head, Angela Lansbury, Lucille Ball, Desi Arnaz, Laurence Olivier, Kim Hunter, Robby Benson and others. Plus, first news on the forthcoming studio album of MIDNIGHT CARAVAN - and much, much more!

This week marked the third X FACTOR/GLEE combo Thursday on Fox and both shows continued to deliver the chill-inducing trills and riff-tastic runs we have come to expect from the entertainment extravaganzas showing off TV's top vocalists, performers, celebrities, hottest songs and guest stars. Evidently, Sarah Jessica Parker and Britney Spears sure can spice up and heat up a cooling late-September autumnal soup!

Today we are talking to a busy and very recognizable actress who has appeared in over 100 TV and film properties since her debut in the 1970s and just this year played arcs on both the freshly-minted 2012 Emmy-winning Best Drama HOMELAND, as well as HBO's hit nighttime vampire series TRUE BLOOD - the accomplished and arresting Linda Purl. Discussing her roles on the hit HBO and Showtime series she has appeared on this year as well as her recent multi-episode stint on NBC's THE OFFICE, Purl sheds some light on her long and rich career and also shares stories from the sets of some of her most famous forays - HAPPY DAYS, VISITING HOURS and more included. Additionally, we shed some light on her upcoming two-night-stand at Feinstein's At Loews Regency, MIDNIGHT CARAVAN… TRAVELS THROUGH THE GREAT NEW YORK NIGHTCLUBS, with special guest Desi Arnaz, Jr., and she sets the stage for what we can expect from the noir-inspired cabaret piece featuring songs of the 1940s and 50s. Furthermore, Purl opens up about her theatrical roots - starring in plays and musicals like OLIVER, THE KING & I and THE MIRACLE WORKER growing up overseas, as well as observing no less than Tennessee Williams, a friend of her parents, as he oversaw a Tokyo production of IN THE BAR OF A TOKYO HOTEL and resided with the clan; and, later starring on Broadway in THE ADVENTURES OF TOM SAWYER,GETTING AND SPENDING and in regional revivals, such as six seasons at Williamstown and A STREETCAR NAMED DESIRE at LA's Rubicon. Additionally, she gives insight into many notable friends and collaborators - Edith Head, Angela Lansbury, Lucille Ball, Desi Arnaz, Laurence Olivier, Kim Hunter, Robby Benson and others. Plus, first news on the forthcoming studio album of MIDNIGHT CARAVAN - and much, much more!