Pat Cerasaro - Page 192

With only one day to go before the big day on CBS at 8 PM tomorrow, today we are shining a spotlight on a currently-running Broadway musical that has recently become the longest-running American musical in Broadway history - beating even the champ, A CHORUS LINE - John Kander, Fred Ebb and Bob Fosse's landmark 1920s vaudeville satire CHICAGO.

Today BroadwayWorld's 2012 Tony Awards Clip Countdown continues by highlighting one of the most innovative and unforgettable musicals ever composed - the Leonard Bernstein/Stephen Sondheim/Arthur Laurents/Jerome Robbins masterpiece WEST SIDE STORY.

Today we are shining a light on one of the most respected and revered stage and screen stars of the last several decades who is known the world over for not only his stirring and commanding dramatic performances and touching and rib-tickling comedies on film, but also for his iconic roles on the stage playing Shakespeare, and, perhaps most of all, for his essaying of Captain Von Trapp in the celebrated Robert Wise film adaptation of Rodgers & Hammerstein's Tony Award-winning THE SOUND OF MUSIC - the elegant, graceful and eminently gifted Christopher Plummer. Looking back at a career spanning nearly seven decades, today we will focus on Plummer's most important and most fondly remembered roles to date - ranging from Sidney Lumet's STAGE STRUCK in 1958 to his Shakespeare stage work, THE SOUND OF MUSIC, THE RETURN OF THE PINK PANTHER, TV's THE THORN BIRDS, and, of course, his Academy Award-winning turn in last year's BEGINNERS - with a look ahead to the exceptionally enticing new Fathom in-cinema presentation of Des McAnuff's Stratford Shakespeare Festival production of THE TEMPEST starring Plummer as Prospero, in movie theaters nationwide on June 14 - what the 83-year-old actor has promised will be his final Shakespeare performance onstage. So, if there were ever a time to take a look back at one of the most remarkable Broadway/Hollywood crossover stars of the last century or the current one as he reaches yet another peek in a career populated with many highs, now is certainly the time! After all, as the oldest Oscar-winner to date, a midsummer night's dream has evidently quite quickly turned to a winter's tale - but with sound and fury signifying much, as we will see.

Today we are talking to the noted director of one of the most successful stage-to-screen adaptations of the new century, HAIRSPRAY, about his brand new feature film adaptation of Broadway's currently running 80s stadium rock smash hit ROCK OF AGES - the eminently talented Adam Shankman. Discussing the starry cast of ROCK OF AGES - Tom Cruise, Catherine Zeta-Jones, Alec Baldwin, Russell Brand and Mary J. Blige included - as well as the expanded songstack of the reconceived film version - which now includes Joan Jett's 'I Love Rock N Roll' and Def Leppard's 'Pour Some Sugar On me', among others - Shankman imparts his infectious enthusiasm for the movie musical format and expresses his relishing of the exciting possibilities afforded by the heavy metal jukebox property. Additionally, Shankman reminisces on his experiences filming HAIRSPRAY and confirms his future re-teaming with HAIRSPRAY and HIGH SCHOOL MUSICAL superstar Zac Efron on an upcoming film comedy which begins shooting next month, titled THIS IS WHERE I LEAVE YOU, co-starring Jason Bateman and Goldie Hawn. Plus, memories of choreographing Paul Thomas Anderson's BOOGIE NIGHTS, directing two episodes of GLEE, working with Carrie Ann Inaba on ROCKULA more than twenty years ago (his film debut), anecdotes about SMASH - and much, much more!

Today we continue the 2012 Tony Awards Clip Countdown with a match-up of epic proportions that seemed to signify more than merely friendly competition for theatre's top honors being awarded that night - THE LION KING versus RAGTIME.

Today we are talking to the Tony Award-nominated Best Featured Actor In A Musical who has set Broadway ablaze with his much-talked-about portrayal of Judas in Des McAnuff's spectacular revival of Andrew Lloyd Webber and Tim Rice's seminal rock opera, JESUS CHRIST SUPERSTAR - the electric and charismatic Josh Young. Tracing his journey with the Biblically-themed musical from the hallowed grounds of the Stratford Shakespeare Festival in Canada - where he first made his mark on the theatre world with his acting of another iconic Lloyd Webber/Rice anti-hero, Che in EVITA; as well as THE GRAPES OF WRATH - all the way to La Jolla in California, and, now, to eight performances a week on the Great White Way, Young shares his overflowing enthusiasm for the theatrical form and details his life as a performer; a veritable dream come true for the self-proclaimed Broadway baby. In addition to all about his perspective on Judas and his thoughts on the daring and innovative SUPERSTAR, Young also describes working with Tony-winning director Des McAnuff and how his training at the Royal Shakespeare Festival has prepared him for the rigors of a Broadway hit. Plus, Young looks back on past performances and his favorite roles to date as well as shines a light on some of the parts he would consider taking on in the future, both near and far. Plus, Young reacts to his Tony Award nomination, fills us in on genesis of the many new lyrics for the heavenly SUPERSTAR revival, shares thoughts on GLEE, SMASH and much, much more!

As our yearly Tony Awards Clip Countdown continues on in 2012 as we quickly approach the night we have all been waiting for - the Tony Awards on June 10 - today we are paying tribute to a concept musical that changed the game and heralded the arrival of Stephen Sondheim and Hal Prince as the true theatrical titans of the 1970s (along with Michael Bennett in a choreography capacity) - COMPANY.

Today we are continuing the 2012 Tony Awards Clip Countdown with another pairing sure to instigate ample amounts of approbation and opprobrium - now, just as it did twenty-five years ago - the famous Tony Awards battle of THE PHANTOM OF THE OPERA versus INTO THE WOODS.

Today we are continuing our analysis of the best Tony Awards clips of all time with an entertainment behemoth that defied the odds - and defied critics and even gravity in the process - to become the biggest hit of the new millennium: the Oz-ian meta-musical by Winnie Holzman and Stephen Schwartz, WICKED.

Today we are talking to one of the entertainment industry's most celebrated Broadway/Hollywood crossover stars, who has gone from memorable cameo childhood roles on the big screen in hit properties such as NATIONAL LAMPOON'S VACATION and FATAL ATTRACTION to big Broadway success with her stints in STARLIGHT EXPRESS and GRAND HOTEL later that decade, to small screen success with ALLY MCBEAL in the 90s all the way to Tony-winning and Olivier-winning glory with the sensational revival of NINE in 2003 on Broadway, directed by David Leveaux, and GUYS & DOLLS in the West End, directed by Michael Grandage - as well as three Emmy nominations for her seven-year stint on NBC's richly awarded and highly celebrated Tina Fey comedy 30 ROCK - the precocious, alluring and arousing Jane Krawkowski. Sharing the details about her upcoming concert performance at Town Hall on June 8, Krakowski opens up about the many lauded composers and creators she has collaborated with over the years - Andrew Lloyd Webber, Stephen Sondheim, Marc Shaiman, Scott Wittman, Maury Yeston, Tommy Tune, Steven Spielberg and many more - and what we can expect from her brassy and bawdy solo show, in addition to shedding some light on her Broadway days; whether on roller skates in STARLIGHT EXPRESS and the workshop of XANADU or treading the boards in workshops and productions for master director Tommy Tune. Also, Krakowski clues us in on where her classic 30 ROCK character Jenna Maroney will end up in the final, seventh season of the show that begins shooting in August and reveals her affection for her 30 ROCK and DAMN YANKEES co-star Cheyenne Jackson and their experiences filming the recent live episode (and singing the theme song). Plus, potential future stage roles she would like to essay someday - KISS OF THR SPIDER WOMAN, perhaps? Or, maybe, a reprise of her Adelaide in GUYS & DOLLS? Dot in SUNDAY IN THE PARK WITH GEORGE, even? - as well as Milliken Breakfast Show memories from the 1970s and much, much more!

The final ten! Our extensive countdown of the greatest Tony Awards moments of all time - culminating in this year's ceremony, June 10 on CBS - continues today with a surefire must-see clip featuring one of the most glamorous, and, well, grand musicals of the 1980s or 1990s - GRAND HOTEL.

Today we are talking to a two-time Tony Award winning lyricist and book writer who was responsible for the 2010 Best Musical winner, MEMPHIS, and who has since written the libretto of the Gershwin revue NICE WORK IF YOU CAN GET and received a well-earned Tony nomination for his efforts; one of the show's ten nods - Joe DiPietro. In this concluding portion of our conversation, DiPietro and I break down the process of creating NICE WORK IF YOU CAN GET IT and he comments on the starry cast - including Matthew Broderick, Kelli O'Hara, Judy Kaye and Estelle Parsons - and the process of collaboration in bringing the 2012 Tony Awards top nominee to the Broadway stage. Additionally, DiPietro fills us in on the future for THE TOXIC AVENGER and its tentative Broadway plans, as well as the upcoming West End mountings of MEMPHIS and, hopefully, NICE WORK - and, a look ahead to his next David Bryan collaboration, CHASING THE SONG, as well. Plus, a glance back at his work on I LOVE YOU, YOU'RE PERFECT NOW CHANGE, F*CKING MEN and ALLEGRO and his favorite current pop acts.

Today we are talking to a two-time Tony Award winning lyricist and book writer who was responsible for the 2010 Best Musical winner, MEMPHIS, and who has since written the libretto of the Gershwin revue NICE WORK IF YOU CAN GET and received a well-earned Tony nomination for his efforts; one of the show's ten nods - Joe DiPietro. Discussing the finer points of his many musicals with a special focus on the two currently running on Broadway - MEMPHIS and NICE WORK - DiPietro eloquently elaborates on the process of creating both shows and the challenges new musicals these days face on their developmental road to Broadway. Additionally, we discuss Montego Glover, Chad Kimball, Matthew Broderick, Kelli O'Hara, Judy Kaye, Adam Pascal and the many other talented individuals onstage and off who have participated in the two hit productions treading the boards eight times a week. Besides the complete 411 on MEMPHIS in Part I and NICE WORK IF YOU CAN GET IT in Part II, DiPietro also opens up about his new musical endeavor with Bon Jovi and MEMPHIS composer David Bryan, THE TOXIC AVENGER, and its star, Constantine Maroulis - and don't miss my exclusive interview with Constantine all about the most recent Alley Theater iteration of the show, available here. Plus, DiPietro shares fond remembrances of shows past - I LOVE YOU, YOU'RE PERFECT, NOW CHANGE, F*CKING MEN and ALLEGRO - and future - CHASING THE DREAM - and expresses his infectious enthusiasm for the theatrical arts in general by revealing his early theatre memories, favorite scores and general love for the art form. All of that and much, much more! In Part I, DiPietro and I analyze MEMPHIS and take a step-by-step look at its creation and the development of the Tony Award-winning Best Musical. Additionally, DiPietro shares his theatrical influences and the shows and scores that meant the most to him growing up. Plus, he shares his thoughts on GLEE, SMASH and the new movie musical era.

The moment Broadway babies have been waiting for has at long, long last finally arrived - the LES MIZ movie trailer just hit the internet in the wee hours of Wednesday morning. As many suspected - and as the leaked, low-quality work print teaser indicated a few weeks back - the song selection showcased was, indeed, Anne Hathaway's impassioned and plaintive "I Dreamed A Dream", and, just as suspected, the trailer absolutely delivered in giving us the decadence, drama, epic imagery and all-consuming emotion we expected.

Today we continue our expansive look at the most memorable moments from the sixty-plus years of the Tony Awards by saluting one of the biggest hit musicals of all time that is about to hit the silver screen in a big budget adaptation starring Hugh Jackman, Russell Crowe and Anne Hathaway - the emotionally devastating and faith-affirming LES MISERABLES.

Continuing our extensive countdown considering many of Broadway's best clips as represented on Tony Awards telecasts recent and distant, today we look to the third and final clip from a Michael Bennett musical on our countdown - and, many would argue, the creme de la creme of them all - the only; the one; A CHORUS LINE. A 5, 6, 7, 8...

Today in the 2012 Tony Awards Clip Countdown we are setting our sights on one of the most notable early examples of mega-star casting on Broadway - that of none other than the iconic Katharine Hepburn - in a brand new musical composed by Andre Previn and staged by a young Michael Bennett: COCO. One of the most celebrated clips in Tony Awards history, the fifteen-minute dialogue scene and ensuing production number is nothing like we have ever seen on the show before or since - this puts the razzle in razzle dazzle, for shizzle.

Yesterday in the 2012 Tony Awards Clip Countdown - a look at the finest moments in theatre history as shown on the Tony Awards telecasts over the last sixty years - we focused on the 1982 Best Musical winner, NINE. While Tommy Tune's Fellini-inspired fever dream won the big prize, Michael Bennett's innovative and visionary R&B pop opera DREAMGIRLS won many of the night's most significant awards and has certainly firmly established itself as a firmament of the history of the modern musical in the intervening years. Among the prizes won by the DREAMGIRLS cast and creative team: Best Actress for Jennifer Holliday, as well as wins in the Featured Actor In A Musical category, Best Book for Tom Eyen and wins in the technical categories for the unprecedented, hi-tech design.

Today we are continuing our 30-day Tony Awards countdown - ending, of course, on the 2012 Tony Awards, June 10 - with a salute to a Tony-winning Best Musical directed and choreographed by the one and only Tommy Tune and composed by Maury Yeston - NINE. Based on Federico Fellini's 8 ½, NINE is a surrealistic concept musical that concerns itself with the mid-life crisis of a glamorous Italian film director and the many, many women in his life - his wife, his mother, his mistress, his muse, his agent and many, many more.

Today we continue our extensive consideration of the best Tony Awards clips of all time, culled from over sixty years worth of shows, as we look ahead to the 2012 ceremony on June 10 by saluting a true triple-threat times two whose Tony-winning Best Musical, THE WILL ROGERS FOLLIES, provided fodder for yesterday's selection - actor/director/choreographer Tommy Tune.