Review: THE REVEL PUCK CIRCUS: A GLIMMER DAZE GAMBIT, Artsdepot At The Big Top
by Christiana Rose - May 19, 2026
A Glimmer Daze Gambit by Revel Puck Circus is a dazzling celebration of hope, community and the joy found in imperfection. Attending the final performance of its two week run, the atmosphere was already one of success with a sold out Big Top filled with anticipation and excitement. What followed was...
Review: THE GUY WHO DIDN’T LIKE MUSICALS, Apollo Theatre
by Clementine Scott - May 15, 2026
It’s clear before the curtain rises – before you’ve even set foot in the theatre – that The Guy Who Didn’t Like Musicals is about more than the sum of its parts. Several audience members are in costume, and need to be reminded via the pre-show voiceover not to sing along, even if they know...
Review: THE BOY WHO HARNESSED THE WIND, @sohoplace
by Clementine Scott - May 14, 2026
In many ways, @sohoplace is the perfect venue for The Boy Who Harnessed The Wind: the intimate thrust staging is perfect for elaborate ensemble choreography and carousing the audience. This new musical, based on the memoir and film of the same name, is at its heart a story about community, and it wo...
Review: THE KEY OF DREAMS- THE SHADOWS LENGTHEN, Treowen, Wales
by Aliya Al-Hassan - May 19, 2026
It is now a few days since I left Treowen, a gorgeous 17th Manor House set in the even-more-gorgeous Welsh countryside and I am still processing the experience. To call Lemon Difficult's The Key of Dreams simply an 'immersive experience' is to sell it very short. Where else can you spend 24 hours w...
Review: STAGE KISS, Hampstead Theatre
by Cindy Marcolina - May 15, 2026
Art imitates life, and life imitates art in Sarah Ruhl’s 2014 play Stage Kiss. When two ex-lovers are cast in the same show, their on-stage relationship bleeds into their off-stage one, and vice versa. The weight of their baggage threatens to ruin their relationships, but Ruhl is excessively compa...
Review: TULSA BALLET - MADE IN AMERICA, Royal Ballet and Opera
by Matthew Paluch - May 14, 2026
Tulsa Ballet made its Linbury Theatre debut last night, and the dancers of the company made a strong impression. Seeing a company for the first time one never truly knows what to expect, but these dancers could hold their own on any global opera house stage.
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Review: SAMSON ET DALILA, Royal Ballet And Opera
by Michael Higgs - May 14, 2026
This revival of Richard Jones’s 2022 production of Samson et Dalila excels on a musical level with spectacular performances by Aigul Akhmetshina as Dalila and SeokJong Baek as Samson....