BWW Reviews: ENDURING SONG, Southwark Playhouse, June 13 2014
Gary Naylor sees a play overly determined by its length and its extreme loudness, a victim of the ambition of a young company that will come back stronger and wiser for the experience.
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Gary Naylor sees a play overly determined by its length and its extreme loudness, a victim of the ambition of a young company that will come back stronger and wiser for the experience.
Gary Naylor sees a delightful resurrection of one of English comedy's founding fathers - the coarse, warm, funny Tristram Shandy, the creation of Irish clergyman Laurence Sterne.
Gary Naylor sees a terrifyingly uncompromising play about women held away from their hopes, their dreams, their desires, distinguished by some brilliant acting and fine use of the venue's tiny, oppressive, space.
Every Day theatre company's The Love Project, which has recently completed its tour across the UK, is an hour-long one-act production that explores different attitudes to love.
Gary Naylor sees a Lear who walks among us as her (yes, this Lear is a woman) mind comes and goes and her daughters squabble over the prizes she so foolishly has allocated.
Gary Naylor sees a new play, with lots of music, dancing and singing, set in a traditional Lancashire village as love blossoms, war looms and everyone pays a price.
Gary Naylor sees a production of a play about what the United Kingdom means to its peoples, the first London production for 37 years, but timely in 2014 when such questions arise again, albeit in a completely different context.
Gary Naylor sees a timely revival of Bradley Rand Smith's adaptation of Dalton Trumbo's cri-de-coeur novel centred on a soldier left with just a mind and a torso by a shell on the battlefield of 1918.
Eclipse Theatre Company's production of the Tony Award-winning Sizwe Banzi is Dead is currently on a brief national tour after its Young Vic run.
Catch 22 by Joseph Heller has been dubbed one of the greatest literary works of the 20th Century.
It makes a change for a farce to take centre stage at the Crucible, but Sheffield Theatres are celebrating this summer with their take on Boeing Boeing, Marc Camoletti's classic comedy about a man trying to keep up three relationships with air hostesses
Buddy - The Buddy Holly Story - has been seen by over 22 million people worldwide and has since been dubbed 'the world's most successful rock'n'roll musical'.
The National Theatre's production of One Man, Two Guvnors is currently on an extensive tour of the country.
Possibly today's coolest show in London, Lin Manuel-Miranda and Quiara Alegria Hudes's stunning rap musical inpires a generation to learn rumba break dancing.
Gary Naylor sees one of Shakespeare's greatest plays told from the perspective of the women and finds that they are rather different when talking amongst themselves than when they speak to their menfolk.
Aletia Upstairs presents MATA HARI.
30 years since the miners' strikes, this touring production of Brassed Off offers the audience much to laugh at, much to ponder and a good dollop of brass band music.
Gary Naylor sees one of Sir Noel Coward's less performed works staged in exactly the right venue for its mix of light comedy, gentle suspense and tremendously witty songs.
Gary Naylor sees a German play that provokes thought, disgust and a certain admiration, but proves very hard work with such an uncompromising script and such committed performances.
Gary Naylor sees a play about thinkers thinking about sex and finds that it fails to reach a climax.
Gary Naylor sees a rarely performed version of Hamlet and finds it set four or five years in the future and not 450 years in the past
I have spent a lot of time at the Bristol Hippodrome in the last couple of years and have seen a range of productions there, but never one on ice.
A play within a play is already a difficult concept - but a play within a play that goes wrong (in this case catastrophically so!) is ridiculously difficult to get your head around - but only from massive admiration for the actors who have to deliver such material.
Gary Naylor enjoys the multi-award winning show from the co-creator of The Book of Mormon set on a New York street populated by people (and puppets).
Gary Naylor sees a show with a troubled history hit some high points but also fail to live up to its full potential.
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