BWW Reviews: ABIGAIL'S PARTY, Curve Theatre Leicester, October 24 2014
I remember studying Abigail's Party in school and watching the 1977 television Play For Today version, based on the original Hampstead Theatre production.
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I remember studying Abigail's Party in school and watching the 1977 television Play For Today version, based on the original Hampstead Theatre production.
If you are a fan of ska music, there is much to like about the Belgrade Theatre's production of Three Minute Heroes.
Gary Naylor sees a classic of the English Stage delivered with verve and wit - he just hopes that the cast were enjoying it as much as they appeared to do!
Gary Naylor sees a slice of early twentieth century life in which not quite enough happens, but in an interesting and innovative way, beautifully acted and intelligently staged.
Tim Firth's award-winning musical plays in the newly refurbished Lyceum Theatre
Dreamboats and Petticoats has done the UK tour rounds on several occasions as well as having a very successful West End run.
Gary Naylor enjoys a wonderful life-affirming show that paints a grim picture of London yet leaves you with a spring in your step, the world a whole lot brighter for the experience.
Gary Naylor sees another wonderful version of a most famous opera done in a way that is accessible for all yet pleases the aficionados too.
Gary Naylor sees a version of one of Shakespeare's more difficult plays set in the violent world of London's East End of the 1960s, but one with plenty of laughs too.
Gary Naylor sees the first ever drama production to be hosted by the Saatchi Gallery, Proud Haddock's smart Julius Caesar, set in the present day - and powerfully so.
Gary Naylor sees two beautifully written, splendidly acted timeless plays that say as much about England today as they did in the 1980s.
The English Touring Theatre/Sheffield Theatres co-production is a vibrant take on Shakespeare's classic romcom.
Dirty Dancing is iconic.
Gary Naylor sees a play that remains as relevant today as on its Broadway premiere seven years ago: one that scores high on talk but, inevitably, low on solutions.
Gary Naylor enjoys a stage adaptation of a Radio 4 sitcom set in an old record shop in Handsworth, Birmingham, populated by a family falling out and making up the way families do.
For three nights only, a new piece of musical theatre enjoyed its second outing at the Waterloo East Theatre - Out of the Lens, starring Guy Woolf and Andrew Walker.
Gary Naylor sees a remarkable production of a classic musical, one that brings the audience right into Sweeney's shop for a shave almost too close for comfort.
Gary Naylor sees a company brimming with talent and anger deliver a crushing critique of capitalism through dynamic, demanding drama - and plenty of well-placed sweary bits.
Gary Naylor sees a show that makes up for its lack of any real story with energy, spectacle and a real connection with an audience who went off into the London night dreaming of Rio.
Propaganda Swing is a co-production between the Belgrade Theatre and Nottingham Playhouse Theatre Company and is written by Peter Arnott.
Gary Naylor sees a twentieth anniversary production of a play that caused outrage in the mid-90s but feels overly familiar and overtaken by events in the mid-teens.
Gary Naylor sees a bold and ambitious, and demanding, production of Brecht's classic anti-war play set in the unique and spectacular grounds of the Royal Arsenal, Woolwich.
Gary Naylor sees a musical that captures the charm of its inspiration, A Midsummer Night's Dream, but is slightly let down by inconsistent singing.
Gary Naylor sees an old-fashioned crowdpleaser of a musical, stuffed with the clever, catchy songs of all-time Broadway great Irving Berlin.
Gary Naylor sees a musical brimming with ambition and confidence flawed only by a slight weakness in its storytelling, the complexities of the great 19th century novel a little lost in the adaptation.
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