Review: 'Driving Miss Daisy'
Encore Entertainment's loving revival of Alfred Uhry's Pulitzer Prize winner 'Driving Miss Daisy' proves a crowd-pleaser with Toronto audiences.
The latest reviews and critic recommendations from Toronto.
Encore Entertainment's loving revival of Alfred Uhry's Pulitzer Prize winner 'Driving Miss Daisy' proves a crowd-pleaser with Toronto audiences.
Hart House Theatre's production accentuates the laughs and touches only lightly on the play's social commentary, which is perhaps the best approach for this piece.
Stage Centre Productions offers a fast, furious and funny production of the 1998 Tony Award winner.
Roundabout Theatre Company's touring edition of their acclaimed 2004 Broadway revival is a potent ensemble drama not to be missed.
The tour of Whistle Down The Wind makes a brief stop in Toronto.
Soulpepper Theatre has chosen to wrap up their 2007 season with an effervescent production of Noel Coward's comedy Blithe Spirit.
The national company of Sweeney Todd arrived in Toronto in fine form.
The problems of middle-age could hardly be considered substantial enough for a musical revue, but in this day and age of recycled movies and recycled pop-song catalogues attention must be paid any show that offers an original score and some entertainingly clever lyrics.
The The Drowsy Chaperone tour opened in Toronto this week to rave reviews.
Martin McDonagh's disturbing play is given a frighteningly intense production by Canadian Stage Company.
The Village players offer a fine production of Terrence Rattigan's 1936 play.
Office politics, Industrial shows, TV Reality shows and corporate team building exercises are just some of the targets in Funny Business, a new musical that attracted great acclaim earlier this summer at The Fringe Festival.
Toronto's Civic Light opera Company offers Canadian premiere of Irving Berlin & Moss Hart's depression era revue.
Timing a bit off: Mississauga Players offer sextet of one-act comedies.
Class Dismissed: Disney's 'High School Musical'
The Shaw Festival offers the Canadian premiere of the troubled Jerry Herman-Michael Stewart musical.
Soulpepper's Dora award winning production is remounted for a most welcome extended run.
Great cast and energetic production make this return engagment a hit.
CAMELOT SHOWING ITS AGE Theatre Review by Mark Andrew Lawrence * * 1/2 (OUT OF 5)
Vivid characterizations coupled with an effective minimalist staging cuts right to the heart of Daniel MacIvor's funny, touching play, Marion Bridge.
What can be said about a play that is both hauntingly audacious and boringly pretentious all at once? Nightwood theatre's enigmatic production of Sarah Kane's play Crave is the sort of production that will alienate some and fascinate others, but it achieves one of the main objectives of good art: i
Stage Centre Productons finsihes their 30th anniversary season with beautifully staged AMADEUS.
Toronto's Encore Entertainment presents a minimalist staging of Willy Russell's popular musical.
Bright and bubbly, sly and smart, this Toronto Operetta Theatre production is loaded with heart! * * * * 1/2 (OUT OF 5)
When the show rocks, it really rocks.
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