BWW Review: ANOTHER BRICK IN THE WALL is an Opera That's Forgotten its Rock and Roll Roots
ANOTHER BRICK IN THE WALL's title alone brings a melody to mind, and if you don't hear it in the bratty voices of the kids featured on the album a?' then you'll probably have a different opinion on the opera than fans of Pink Floyd might. While this production leans into the emotional undertones of ...
BWW Review: Community and Unity Overtake Oppression in THE 9TH!
ProArteDanza's latest work, choreographed by Roberto Campanella and Robert Glumbeck, is the impressive result of over a decade of collaboration between its renowned creators. The piece is set to Beethoven's beloved 9th Symphony, and in line with the music, the story unfolds in four movements. Explor...
BWW Review: GISELLE is a Masterpiece of Romantic-Era Storytelling and Dance
Set in a pastoral German village, GISELLE has all the components of a quintessential romantic work. The titular character is a beautiful young woman living with her strict-yet-loving mother (Lorna Geddes). Although a local forester (Piotr Stanczyk) wants to marry her, Giselle has fallen for another ...
BWW Review: Iconic Music and Powerhouse Artists put Stevie Wonder and Prince Center Stage in UNCOVERED
When it comes to covering popular music, navigating the space between individual interpretation while still respecting the original artist's work could be a daunting task. And when the artists whose music is being covered are household names and legends in every way, there's also the need to ensure ...
BWW Review: LET'S RUN AWAY is a Moving Look at Life and Legacy
LET'S RUN AWAY is a deeply personal look into the life of a man through what his late birth mother wrote about him in her memoir; the premise is simple enough, but it's the layers and puzzles scattered throughout the interactions between mother and son that make the story so intriguing....
BWW Review: DON GIOVANNI Gets a Topically Modern and Classically Lavish Production
In this revival of Opera Atelier's 2011 DON GIOVANNI, questions of morality combat comedy in perfect harmony. Under director Marshall Pynkoski, this retelling of the tale of the Don examines his lifestyle as a full-time seducer and contrasts it against the ideals of the women he's loved and left (an...
BWW Review: DEAD PARENTS SOCIETY finds laughter in grief at Buddies in Bad Times
DEAD PARENTS SOCIETY is a sketch comedy revue about mourning. Each skit addresses the death of a parent, the mourning process, going back to work or dating after loss. The premises are grim. The pain is real: each of the performers has lost a parent. The mood is anguished. And the show is hilarious....
BWW Review: TROUT STANLEY Dupes and Shines at Factory Theatre
TROUT STANLEY brims with confusion and delight, like a birthday cake when it's nobody's birthday. Set somewhere in rural BC, it follows a pair of lugubrious but charming sisters, Grace and Sugar, as they cross paths with a mysterious man, Mr Trout Stanely, who's wandered in off the street. Neither t...
BWW Review: CONNECTION Is Brain-Bending Mentalism With A Lot Of Heart
For a different kind of night out, look no further than Beyond Mental Borders and their collection of mental tests. Comprised of Toronto-based mentalists Armand Antony and Alexandra Brynn, CONNECTION takes the traditional approach to magic and modifies it for a modern audience. Over the course of th...
BWW Review: GHOST QUARTET Transcends Theatre In This Hauntingly Evocative Production
It's a circular story that's both deeply complex and utterly simple. It's a puzzle that reveals itself, side by side and track by track, slowly and then all at once. There are moments of chaos, dissonance, and fury which battle with the quiet, solemn, tranquil ones. It's laden with feeling and will ...
BWW Review: THE PARTICULARS burns slow at The Theatre Centre
If we're going by technical categorisation, THE PARTICULARS, on now at the Theatre Centre, is an experimental piece of drama that incorporates elements of dance and movement; if we're going by my own personal descriptor, THE PARTICULARS is a Fringe show with wings. ...
BWW Review: CATACLYSM's Outdoor Staging Makes For a Spooky Evening Out
Classic horror movie tropes meet an inclusive, immersive experience in Aberrant Theatre's second annual Ghost Light Anthology production, CATACLYSM. The story follows a group of former campers and their counsellor as they return to their old haunt after a tragic incident. As they're reunited, old te...
BWW Review: Profound Beauty in ALMIGHTY VOICE AND HIS WIFE at Soulpepper
ALMIGHTY VOICE IS AND HIS WIFE is an enormous play, spanning an incredible breadth of theatrical technique and exploring, in depth, some of the most challenging questions of Canadian cultural memory....
BWW Review: IN THIS HOUSE Is An Honest Take On Millennials And Mental Health
Talk Like You Theatre's IN THIS HOUSE, premiering at the Rendezvous With Madness Festival, explores the lives of four 20-something roommates living downtown. The house is old and owned by the introverted Minka (Ciana Henderson), who received it from her grandparents, but the cost of living leads her...
BWW Review: RUSALKA is a Shining Example of a Dark Fairy-Tale Opera Done Right
The Canadian Opera Company's RUSALKA utilizes Lyric Opera's 2014 production under the direction of Sir David McVicar, making his COC debut. This retelling of Hans Christian Andersen's 'The Little Mermaid' draws on a more sinister angle of the folk tale than what most people might know, utilizing com...
BWW Review: THE FLICK Explores The Anxieties And Issues Of Working-Class Young Adults
Set in one of the last American cinemas with a 35mm projection system, THE FLICK examines the lives of three employees who are struggling with romantic relationships, finances, family, and themselves. It's a bleak look at life that suggests some interesting perspectives, although a lengthy runtime m...
BWW Review: Against the Grain Theatre Champions Accessibility in Their Cozy, Emotional LA BOHÈME
One of the most unique opera experiences in Toronto this year is that of a classic story brought to life in a dive bar. The Tranzac Club's unassuming entry makes it easy to miss if you aren't looking for it, but upon entering the building there's an unshakeable feeling that something special is happ...
BWW Review: See Toronto up close in THE JUNGLE at Tarragon Theatre
THE JUNGLE is a boldly political new play, argumentative and direct and a bit radical. It is also a touchingly honest drama, brimming with humor and pathos. And it is also another category: a Toronto play, a play that is both of and for our beautiful, challenging city. ...
BWW Review: Lush Orchestration and Raunchy Humour Makes for Smooth Sailing in SOMETHING FOR THE BUOYS
Imagine On the Town with a bunch of dick jokes and you'll sort of get a picture of SOMETHING FOR THE BUOYS, a new Canadian musical by Eli Pasic. The show is equal measures charming and raunchy, with a good deal of humour and an excellent - actually, surprisingly, really good - score. Inspired by mus...
BWW Review: IF I COULD #THROWBACK TIME is a Love Letter to the Past and a Stark Reminder of Our Present
It's not unusual for The Second City to take a political angle with their sketch comedy, and their latest revue is no exception. Climate change, racism, sexism and Canada's long history of genocide are all fair gamea?"and in the hands of director Rob Baker and the talented mainstage ensemble, there'...
BWW Review: Carmen Aguirre Breaks Down Her Life Story Through Dance in BROKEN TAILBONE
In Nightswimming's BROKEN TAILBONE, presented by Factory Theatre, playwright and performer Carmen Aguirre does double duty as a dance and history instructor. A traditional seated theatre is swapped for a bare dancefloor, with a handful of chairs against the walls and a bar at the back of the room. P...
BWW Review: GIRL FROM THE NORTH COUNTRY Bursts with Emotion in the Hands of a Stellar Cast
Set in Bob Dylan's hometown of Duluth, Minnesota in 1934, writer and director Conor McPherson's GIRL FROM THE NORTH COUNTRY is equal parts bleak and beautiful. The busy story centers on the Laine family and their guest house; stressed father and husband Nick (Donald Sage MacKay) is busy caring for h...
BWW Review: Inclusivity raises up a roaring production of THE ROCKY HORROR SHOW
THE ROCKY HORROR SHOW, produced by Hart House theatre and directed by Jennifer Walls, takes everything fans love about the cult classic musical and film and brings it to glorious, vulgar life on stage.
The beloved story opens on the recently engaged Brad (William Mackenzie) and Janet (Katie Miller)...
BWW Review: UN POYO ROJO leaps and teases at Canadian Stage
If UN POYO ROJO is about anything, it is about the ambiguities and duplicities of masculinity - a source of both competition and camaraderie, domination and kinship....
BWW Review: A Solid STREETCAR NAMED DESIRE at Soulpepper
Weyni Mengesha's new production of the Tennessee Williams classic is a solid undertaking, a technically precise, error-free interpretation of a story we know well. ...
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