In 2017 Gary Young (Director) delivered a reimagined production of MAMMA MIA!. In 2023, this production has been revived with a new cast and a more compelling expression of the underlying coming of age love stories to the delight of audiences, many of which are familiar with the franchise that extended from Phylida Lloyd’s original stage production that premiered on the West End in 1999 and transitioned to film in 2008.
Orlando was a deeply engaging, intriguing and thought-provoking exploration whose pondering, messages, striking soundscapes and visuals reverberated and lingered long after the curtain had closed. It is a highly ambitious undertaking but Neuwirth and her colleagues were up for the challenge. What is most exciting is what has now been established for a venue such as The Wiener Straatsoper as we move into a new decade of uncertain times when it is vital that radical expressions of art and activism combined are given such a grand stage with which to proclaim their truths.
It won Best Unique Theatrical Experience and 2017 MAC Award Show of the Year. 'Hamilton?' No, 'Spamilton: An American Parody,' which is now starting its North American tour at the Hanna Theatre in CLE's Playhouse Square.
Samuel Beckett (1906-1989) is widely recognized as one of the greatest dramatists of the 20th century. He was awarded the Nobel Prize for Literature in 1969, and is best known for his play Waiting for Godot which launched his career in theater. He then went on to write numerous successful full-length plays including Endgame in 1957, Krapp's Last Tape in 1958 and Happy Days in 1960, as well as several short, one-act plays. While his plays may not be for everyone, Beckett's works capture the pathos and ironies of modern life, yet still maintain his faith in man's capacity for compassion and survival no matter how absurd his environment may have become.
The KOAN Unitkicks off the new year with Beckett5, a quintet of darkly humorous, seldom-seen short plays by Samuel Beckett opening January 21 at the Odyssey Theatre.
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