The Breaks 1928

Opened: April 16, 1928

The Breaks - 1928 - Broadway History , Info & More

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THE FRONT PAGE Comes to the New Theatre Next Month
by Stephi Wild - Mar 25, 2024


The Front Page will come to the New Theatre next month. Performances run 23 April - 18 May 2024.

Hit Pop Musical FANTASTICALLY GREAT WOMEN WHO CHANGED THE WORLD Has Landed In Greater Manchester For Christmas
by A.A. Cristi - Dec 13, 2023


HIT POP MUSICAL Fantastic Great Women Who Changed the World has arrived in Greater Manchester for Christmas. The cast visited Hazel Reeves' award-winning statue 'Rise Up, Women' before performing at The Lowry. The show runs until January 7th, 2024, marking the anniversary of the Representation of the People Act.

SWEENEY TODD, A History- Part 2: The Demon Barber Slashes His Way From Page To Stage And Beyond
by A.A. Cristi - Aug 26, 2023


Learn how Sondheim made Sweeney sing and how Mr. Todd made his mark on mass media in Part 2 of SWEENEY TODD, A History.

ARC Ensemble Uncovers HIDDEN TREASURE: THE MUSIC OF ALBERTO HEMSI This Month
by A.A. Cristi - Oct 6, 2022


It is indeed ironic that composer Alberto Hemsi, who spent much of his life rescuing music that faced extinction, should have his own brilliantly original works threatened with a similar fate.

Danielle De Niese to Star in LA VOIX HUMAINE
by Marissa Tomeo - Apr 1, 2022


Actor, singer and television personality Danielle de Niese will star as ‘Elle’ in a new film of LA VOIX HUMAINE, Jean Cocteau’s one-woman drama set to music by Francis Poulenc, shot on location in London and Paris. Directed by James Kent (Aftermath, Testament of Youth), with Cinematography from Laurie Rose (High Rise, Rebecca) and designed by Peter Francis (The Father, The Children Act) the film will have its UK premiere on BBC Two in the spring.

BWW Review: COLE PORTER IN PARIS at Théâtre Du Châtelet
by Patrick Honoré - Dec 30, 2021


Cole Porter, the most Francophile of the big five American composers of the American songbook, with Irving Berlin, Jerome Kern, George Gershwin, and Richard Rodgers, spent almost a decade in Paris just after World War I immersing himself French language and culture and developing his craft as a composer and lyricist of sophisticated and semi-autographical ditties full of double entendre, trying them out as a dilettante pianist in the party scenes of the roaring 20s not only in Paris but also in Venice, before taking on Broadway by storm the following decade.

New York City Ballet Announces 2021 Digital Season
by Chloe Rabinowitz - Feb 4, 2021


New York City Ballet announced today that the Company is planning to create several new works and special programs, many of which will be specially filmed onstage at the Koch Theater, for online release from February through May 2021.  

BWW Exclusive: The 101 GREATEST PLAYS of the Past 100 Years (1920-2020)
by Peter Nason - Apr 7, 2020


BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

COME FROM AWAY Breaks Highest Weekly Box Office Record In The Comedy Theatre's 92 Year History
by A.A. Cristi - Jan 23, 2020


In yet another spectacular triumph, global hit COME FROM AWAY has smashed the highest weekly gross income for the week ending 19 January, surpassing the weekly box office records of all other productions staged at the theatre since it opened in 1928. 

BWW Review: ORLANDO: A Revolutionary, Radical New Opera Blends Art With Activism at Vienna State Opera
by Cindy Sibilsky - Dec 31, 2019


Orlando was a deeply engaging, intriguing and thought-provoking exploration whose pondering, messages, striking soundscapes and visuals reverberated and lingered long after the curtain had closed. It is a highly ambitious undertaking but Neuwirth and her colleagues were up for the challenge. What is most exciting is what has now been established for a venue such as The Wiener Straatsoper as we move into a new decade of uncertain times when it is vital that radical expressions of art and activism combined are given such a grand stage with which to proclaim their truths.

BWW Review: THE NATIONAL BALLET OF CANADA TRIPLE BILL at Ottawa's National Arts Centre - Southam Hall
by Courtney Castelino - Feb 2, 2019


The National Ballet, under the guidance of its artistic director, the legendary Karen Kain, brought Ottawa a treat this week. Three short ballets, each with a vastly different feel, graced the stage of Southam Hall.

BWW Review: Seattle Opera Celebrates New Civic Home
by Erica Miner - Dec 21, 2018


The brand-new, state-of-the-art rehearsal, storage and administrative building is now ready for use by the opera company

Appaloosa Library Exhibits Photos Taken 'Under Stress'
by Julie Musbach - Dec 12, 2018


The subject matter varies, but a common theme among the works found in the new exhibition "Harrison Hurwitz: Photographer, Working" is a theme of photos made under stressful conditions. The exhibition opens Jan. 8 at the Appaloosa Library, 7377 E. Silverstone Drive, Scottsdale, and runs through Feb. 28.

BWW Review: OLIVER! at QUINTESSENCE THEATRE GROUP Will Have You Saying 'Please Sir, I Want Some More'
by Amber Kusching - Dec 6, 2018


After a hard day's labor in a parish workhouse for children, a nine-year-old orphan named Oliver asks for a second serving of gruel. The workhouse master, annoyed by Oliver's impertinence, sells him into an apprenticeship with a drunken undertaker and his abusive wife. Fearing for his life, the boy escapes to London, where he falls in with the Artful Dodger and a band of juvenile pickpockets led by the criminal Fagin. Oliver discovers heroes and villains in all manner of strange places as he learns how to survive and thrive on the streets of the city. Including such favorite songs as "Food, Glorious Food," "Consider Yourself," and "You've Got to Pick a Pocket or Two," Lionel Bart's adaptation of Charles Dickens' social satire of 19th-century London remains a cherished musical for all ages.

A Template For Understanding Big Debt Crises
by Robert Diamond - Aug 22, 2018


BWW Interview: Ogunquit's AMERICAN IN PARIS: A Musical and Choreographic Conversation
by Carla Maria Verdino-Süllwold - Jul 22, 2018


'This is a period in history where art is rejuvenating the people. From a musical standpoint, An American in Paris depicts an interesting time in the European-American cultural exchange. The many colors of French, German, British music were being influenced by American sounds to create a new, singular musical aesthetic, and this, in turn, influenced American musicians who emulated these aspects. It became a snowball of invention.' Music Director David Lamoureux is talking about the exciting period of cultural cross contexts and artistic innovation that was Post War Paris. He is joined by two of his collaborators on the production, directed and choreographed by Jeffry Denman, which opened at the Ogunquit Playhouse on July 13: Assistant Music Director Patrick Fanning and Assistant Choreographer Ashley Marinelli. The trio waxes eloquent about the fertile, innovative artistic world of the play and its time period and the opportunity to bring this milieu and story to life at the famed playhouse which celebrates its 86th season.

BWW REVIEW: BLACKIE BLACKIE BROWN: THE TRADITIONAL OWNER OF DEATH Is New Superhero Ready To Right The Wrongs Of The Past
by Jade Kops - May 22, 2018


Nakkiah Lui latest offering BLACKIE BLACKIE BROWN: THE TRADITIONAL OWNER OF DEATH is a hilarious superhero story all of Australia needs to see.

BWW Review: BECOMING DR. RUTH at GableStage
by Roger Martin - Dec 1, 2017


Playwright Mark St. Germain's 'Becoming Dr Ruth' is a tender ode to an unusual woman with an unusual life.

Remembering FIDDLER and SHE LOVES ME Composer, Jerry Bock
by A.A. Cristi - Nov 3, 2017


BroadwayWorld.com has learned that FIDDLER ON THE ROOF composer Jerry Bock passed away last night, at the age of 81. This comes just one week after the passing of FIDDLER bookwriter Joseph Stein.

BWW Review: THE DROWSY CHAPERONE at Desert Theatreworks is Rip-Roaringly Funny
by Audrey Liebross - Mar 16, 2017


Desert Theatreworks (DTW) is currently presenting a howlingly funny, expert production of the musical farce THE DROWSY CHAPERONE, featuring brilliant performances and direction, and nonstop lunacy.

2017 St. Louis Arts Awards Honorees Announced
by BWW News Desk - Jul 1, 2016


The Arts and Education Council of Greater St. Louis (A&E) has announced the 2017 St. Louis Arts Awards honorees.

Top Stories You Missed on BWW This Weekend - 4/30-5/1/2016
by - May 1, 2016


Hottest Articles on BroadwayWorld.com from this weekend Sunday, May 1, 2016 - Sunday, May 1, 2016.

BWW Review: Nashville Rep's Jazz-Age Triumph CHICAGO
by Jeffrey Ellis - Mar 20, 2016


Chicago is one of my favorite cities on the planet, so it goes that Chicago, the Tony Award- and Oscar-winning musical by John Kander and Fred Ebb, is also one of my favorite stage musicals. Brash, sassy, laugh-out-loud funny at one moment, and heart-tuggingly and sweetly sentimental at the next - with a musical score that's memorable and pitch-perfect in the skillful way it tells the story of wannabe vaudeville superstars Roxie Hart and Velma Kelly - Chicago has been a part of the musical theater vernacular for almost 40 years.

Review Roundup: HUGHIE Opens on Broadway - All the Reviews!
by Review Roundups - Feb 25, 2016


The highly anticipated Broadway revival of Eugene O'Neill's HUGHIE starring Academy Award winner, Golden Globe Award winner & BAFTA winner Forest Whitaker (The Last King of Scotland, The Butler, Southpaw) and Tony Award winner Frank Wood (Side Man, Angels In America, Clybourne Park), officially opens tonight, February 25, 2016, at Broadway's Booth Theatre (222 West 45 Street). Let's see what the critics had to say...

2016 Philip K. Dick Science Fiction Film Festival Returns to NYC Today
by TV News Desk - Jan 14, 2016


Returning for its fourth annual event from January 14-17, 2016 at the historic Village East Cinema the festival will mark its four-day gathering with divinely crafted films, special appearances and countless fans eager to witness the very pulse of the heart and soul of Science fiction.

The Breaks FREQUENTLY ASKED QUESTIONS

What productions of The Breaks have there been?
The Breaks has had 1 productions including Broadway which opened in 1928.

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