I Hate Hamlet - Broadway Creative Team

More than 100 Broadway/Off-Broadway credits including: Present Laughter, A View From the Bridge, Waiting for Godot, Thurgood, Cat on a Hot Tin Roof, Trumpery, Heartbreak House, Who's Afraid of Virginia Woolf?, On Golden Pond, A Moon for the Misbegotten, The Scarlet Pimpernel, Master Class, The Sisters Rosensweig. Metropolitan Opera: revival of Adriana Lecouvreur (2009), Dialogue of the Carmelites, The Great Gatsby; Chicago Lyric Opera: Nabucco and Rigoletto; SF Opera: La Favorita. Film: Arthur, Can't Stop the Music, Glengarry Glen Ross. Awards: Irene Sharaff Life Time Achievement Award, Theatre Hall of Fame, 15 Tony Award nominations. Professor, Yale School of Drama. London-born Paul Huntley has worked hundreds of Broadway shows, most memorably the original productions of Amadeus, Cats, Evita, Sweeney Todd, The Producers and Hairspray. A recipient of the Drama Desk and Tony awards, he has also worked with the some of the most legendary leading ladies of the cinema, ranging from Bette Davis and Vivien Leigh to Jane Fonda and Faye Dunaway. Current shows include Anything Goes, War Horse, Other Desert Cities and Leap of Faith. Lehrer's recent credits New York include Carousel; Hello, Dolly!; Illyria; The Front Page; The Gabriels; Shuffle Along…; Fiddler on the Roof; Dames at Sea; The King and I (also London); Living on Love; Honeymoon in Vegas; Edward Albee’s A Delicate Balance; Love Letters; A Raisin in the Sun; Betrayal; Lucky Guy; South Pacific (first Tony Award for Sound Design); Death of a Salesman; The Apple Family Plays: Scenes from Life in the Country; and over 60 City Center Encores! productions including Chicago. Recordings include An American in Paris (Grammy Award nomination), Loudon Wainwright’s High Wide and Handsome (Grammy Award), and ... read more Lion is best known for her role in producing Hairspray. Originally, Lion worked in politics, but after spending three years at the University of Iowa's Playwrights Workshop where her former husband, Ted Nemeth, was a graduate student, Lion's focus turned from education to her earlier interest in theater. Lion's cousin, MacArthur Award recipient and director/choreographer Martha Clarke, introduced Lion to Lyn Austin from whom she learned the ropes with Austin's not-for-profit company, Music-Theater Group/Lenox Arts Center. The first musical Lion produced on Broadway was Jelly's Last Jam, based on Jelly Roll Morton and the origins of jazz. Other notable Broadway credits include Angels in ... read more Broadway: Evita, How To Succeed; Promises, Promises; Steady Rain; 33 Variations; ...Millie; Sexaholix...; Kiss Me Kate; Kat and the Kings; Freak; Beauty and the Beast; Angels in America; I Hate Hamlet; Eastern Standard. Roundabout, NYSF, MTC, Altar Boyz, MTC.