BWW Review: DAMN YANKEES is a Winner at Shaw Festival
by Michael Rabice - May 23, 2022
Americana and the Golden Age of the Broadway musical has happily landed at the Shaw Festival in their knock it out of the park production of DAMN YANKEES. After years without a staged musical at the Festival Theatre and repeated cancellations of it's production of GYPSY (thanks Covid!), the magic of the American musical comedy can be seen once again.
All Broadway Theatres Will Dim Lights for Carol Channing Jan. 16
by Julie Musbach - Jan 15, 2019
The Broadway community mourns the loss of Carol Channing, a Tony Award winner and theatrical legend, who passed away on Tuesday, January 15 at age 97. To commemorate her life and work, the Committee of Theatre Owners will dim the lights of Broadway theatres in New York for one minute on Wednesday, January 16 at exactly 7:45pm.
30 New Shows at Wolverhampton Grand Theatre Now on Sale
by Tyler Peterson - Jun 15, 2016
?30 new shows form a new season of entertainment at Wolverhampton Grand Theatre featuring Sir Roger Moore, Lesley Garrett, Brendan Cole, the return of The Fizzogs, Meera Syal's new production of ANITA & ME, David Walliams' acclaimed GANGSTA GRANNY and the West End celebration of Michael Jackson - THRILLER LIVE.
BWW Reviews: Drayton Entertainment's 'DAMN YANKEES'
by Mary Alderson - Jul 10, 2014
Huron Country Playhouse has a heart-warming home run hit with Damn Yankees, now on the main stage. This little-known Broadway musical dates back to 1955, and while you might not be familiar with the show, you will certainly recognize some of the tunes. Based on the Faustian legend about a German scholar who makes a pact with the Devil in exchange for great knowledge and wisdom, this show is reminiscent of the great Canadian curling play, The Black Bonspiel of Wullie MacCrimmon, written by W. O. Mitchell in 1951.
Review Roundup: CAT ON A HOT TIN ROOF, Starring Scarlett Johansson and Benjamin Walker, Opens on Broadway - All the Reviews!
by Review Roundups - Jan 17, 2013
Tennessee Williams' Cat on a Hot Tin Roof, starring Scarlett Johansson as Maggie, Ciarán Hinds as Big Daddy, Benjamin Walker as Brick and Debra Monk as Big Mama, directed by Rob Ashford, will begin tonight, January 17, and will play a limited engagement through March 30, 2013 at the Richard Rodgers Theatre (226 West 46th Street). Let's see what the critics had to say...
BWW Reviews: DAMN YANKEES...An Enjoyable Evening of Escapist Theatre at Porthouse
by Roy Berko - Jun 18, 2012
Probably the golden age of musical theatre in the US was from 1950 to 1960. Great scripts like King and I, My Fair Lady, and West Side Story were staged. Also produced were such flops as Salad Days, Zuleika, Ankles Away, The Vamp, ShaNgri-La, Shinbone Alley, and Free As Air. Most shows were of the neither great nor flop variety. These included the likes of Call Me Madam, Guys and Dolls, Paint Your Wagon, Can-Can, Wonderful Town, Fanny, and The Pajama Game. Also included in the list was DAMN YANKEES, now on stage at Porthouse Theatre.
STAGE TUBE: Carol Channing Visits 'The View'!
by Nicolas Coburn - Jul 21, 2010
Today, July 21, Broadway legend Carol Channing appeared on 'The View' to discuss art in school. Don't miss her musical performance at the end of the video! BroadwayWorld brings you this special appearance below.
Review - Damn Yankees & East 14th
by Kristin Salaky - Jul 14, 2008
Perched above the stage in their private bleacher section, just beyond an outfield fence graffitied with the musical's title, conductor Rob Berman and his 25 piece Encores! Summer Stars orchestra might be mistaken for the conservatory cousins of Brooklyn's legendary Dodger Sym-Phony. But instead of serenading umpires from the Ebbet's Field grandstands with double forte arrangements of 'Three Blind Mice,' the musicians of director John Rando's cracker-jack production of Damn Yankees - a 1955 musical that opened in the early weeks of the baseball season that saw Brooklyn beat the Yankees for the borough's only World Series championship - treats 21st Century audiences to that thrilling sound of a Broadway Golden Age orchestra. The detailed movements and textures contained within Don Walker's orchestrations, whether giving comic accents to the pepper-upper 'Heart,' setting a satirical mood for the pseudo-vamp 'Whatever Lola Wants' or lifting a slow ballad like 'A Man Doesn't Know' with phrases that search the mind of the singing character, help bring majestic touches of artistry to this rousing vaudeville disguised as a book musical.