In the Amazon Warehouse Parking Lot

Closing: November 17, 2024

In the Amazon Warehouse Parking Lot - 2024 Off-Broadway History , Info & More

Cast Creative History Photos More to Do

Playwrights Horizons

416 West 42nd St.(between 9th & 10th Aves) New York, NY 10036

Run Type Limited Run

Market Off-Broadway

Previews October 10, 2024

As the oceans rise, a band of queer warehouse workers travel from job to job, running from the encroaching coastline. An unlikely love story, and a startling new work of speculative fiction, In the Amazon Warehouse Parking Lot is a quietly revolutionary tale of queer aging, chosen family, and the search for home in a volatile world.

In the Amazon Warehouse Parking Lot - 2024 - Off-Broadway Cast

Donnetta Lavinia Grays

Deirdre Lovejoy

Pooya Mohseni

View More of The Cast

FEATURED REVIEWS FOR In the Amazon Warehouse Parking Lot

theater review Oct. 28, 2024 Theater of the Apocalypse: In the Amazon Warehouse Parking Lot and HOTHOUSE

From: Vulture By: Sara Holdren Date: 2024-10-29

5 / 10

Genre fiction is harder than people want to give it credit for, partly because 90 percent of it is world-building. Watching In the Amazon Warehouse Parking Lot, my brain kept jumping to Severance, a TV dystopia that’s got its t’s crossed and its i’s painstakingly dotted. (Just look at how much time that show spends explaining why a character can’t sneak a written message out of the office, even if she swallows it.) By contrast, Mantell’s characters are surrounded by unaddressed blips in internal logic — if the show were a Dungeons & Dragons game, the players would be endlessly riding the DM about loose ends and loopholes.

Review: In the Amazon Warehouse Parking Lot at Playwrights Horizons

From: Exeunt By: Loren Noveck Date: 2024-10-29

8 / 10

There’s so much that’s dark in this vision of America, and it’s pretty hard in this week where an election is about to determine whether we have any hope of slowing climate apocalypse, in this season where mountain North Carolina is “the coast now,” that it’s remarkable that Mantell and Battat are able to inject the piece with some hope: hope in the power of collective action, hope that the individual bonds between people might yet be saved. The play ends with an improbably whimsical moment of optimism, a thread followed out of the play in a single outbound box, picked out by a spotlight as it traverses the ceiling-height conveyors. Maybe there is a way out after all.