Junk

Following the opening of the Company's first permanent home, Target Margin Theater has announced that 13 diverse artists, via three distinct programs, will be supported in 2018. The Company's new home, located in the Sunset Park section of Brooklyn, enables Target Margin Theater to deepen their support of the next generation of theater makers through its annual incubator LAB festival, it's five-year-old fellowship program, and its new artist-in-residency program.

The Film Society of Lincoln Center announces two Sound + Vision Presents summer programs, exploring the connections between music and film through a series of intimate concerts paired with rare screenings.

The Frist Center for the Visual Arts' 2013 exhibition schedule offers a wide variety of exhibitions in the Center's Ingram Gallery.

The Alloy Orchestra takes the Englert Theatre stage at 8 p.m. on Friday, September 30 for what film critic Roger Ebert calls 'the film event of the year.'

The Alloy Orchestra takes the Englert Theatre stage at 8 p.m. on Friday, September 30 for what film critic Roger Ebert calls 'the film event of the year.'

Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.

Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.

David Zwirner will present Edward Kienholz's (1927-1994) renowned installation Roxys, 1960-61. First exhibited at Los Angeles's Ferus Gallery in 1962, this significant large-scale assemblage represents the first of the artist's environmental installations, or 'tableaux' as he called them, and has been credited as being one of the earliest examples of what is now ubiquitously referred to as 'installation art.'

David Zwirner will present Edward Kienholz's (1927-1994) renowned installation Roxys, 1960-61. First exhibited at Los Angeles's Ferus Gallery in 1962, this significant large-scale assemblage represents the first of the artist's environmental installations, or 'tableaux' as he called them, and has been credited as being one of the earliest examples of what is now ubiquitously referred to as 'installation art.'