Voices - 1972 - Broadway Articles Page 20

Theatres in Hammersmith and Fulham received a major boost as Arts Council England confirmed that it will invest £7.1million locally to support the Bush Theatre and the Lyric Hammersmith. The two theatres were awarded four-year investment from Arts Council England for 2018 to 2022 following a national review of arts funding in the UK.

92Y's 17-18 season opens on October 5 with internationally renowned cellist Mischa Maisky joining the “amazing precision” (Huffington Post) of the notably conductorless Orpheus Chamber Orchestra, which returns to 92Y for the first time in 15 years, to celebrate the cellist's 70th birthday season. Together, they open 92Y's illustrious concert season with Schubert's beloved “Arpeggione” Sonata, arranged for cello and string orchestra by Dobrinka Tabakova, as well as Arensky's Variations on a Theme by Tchaikovsky, and Tchaikovsky's Serenade for Strings.  Acclaimed for the sheer intensity and vigor of his performances, Maisky has the distinct honor of being the only cellist in the world to have studied under both Gregor Piatigorsky and Mlatislav Rostrapovich.  The Orpheus Chamber Orchestra is renowned as one of the foremost chamber orchestras in the world, with more than 70 albums in its sprawling discography since its founding in 1972.

The story happens in Chicago in 1929 where the musicians Jerry (Nicolas Cabré) and Joe (Federico D'Elia) must escape from the city, forced by threats from the gangsters, and dare to embark on an unusual adventure to Miami with an Orchestra of young ladies where they meet the gorgeous Sugar Kane (Griselda Siciliani).

OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce that seven members have been elected to the organization's Board of Directors. Elections took place during OPERA America's recent Annual Business Meeting, held during Opera Conference 2017 in Dallas.

he Film Society of Lincoln Center presents Talking Pictures: The Cinema of Yvonne Rainer (July 21-27), a comprehensive retrospective of the celebrated dancer/choreographer's film work—the first in New York in over a decade.

Arena Stage at the Mead Center for American Theater will host special post-show conversations with notable guest panelists during the run of John Strand's critically-acclaimed political drama The Originalist, based on the late U.S. Supreme Court Justice Antonin Scalia.

San Diego Repertory Theatre (San Diego REP) and the Lyceum Galleries will host the art exhibit, "World in Solace: The Jewish Works of Boris Malkin," from May 21 to June 19, 2017 as part of the 24th Annual Lipinsky Family San Diego Jewish Arts Festival. The theatre will host an opening reception on June 12 at 6:30 PM before the 16th Annual Klezmer Summit featuring Yale Strom and Hot Pstromi, as well as San Diego's popular brass band, EUPHORIA.

Broadway Across America - Ft. Lauderdale presents the Farewell Tour of the smash hit musical Mamma Mia! at the Broward Center for the Performing Arts. 20 year old Sophie is planning to marry, and wants her father to be present to give her away. Unfortunately, she does not know who her father is. After reading her mother's diary, she concludes he is one of three men, so she invites all of them to her wedding, on the Greek Island on which she lives with her still single mother, in the hopes of sorting it out.

RestorationArt, the 21st century creative complex in Central Brooklyn, reopens the AUDELCO and Obie Award-winning Billie Holiday Theatre that was founded in 1972 by Bedford Stuyvesant Restoration Corporation, after completing its first major renovation in 45 years.

The new Broadway musical Roald Dahl's Charlie and the Chocolate Factory is currently in performances at Broadway's Lunt-Fontanne Theatre (205 West 46th Street) and officially opens tonight, April 23, 2017. Scroll down to get to know the company before tonight's opening bows!

In August 1960, the choreographer Anna Halprin taught an experimental workshop attended by Simone Forti and Yvonne Rainer on her dance deck on the slopes of Mt. Tamalpais, north of San Francisco.

Forged in the kiln of the civil rights movement and birthed in the midst of urban decay, Bedford Stuyvesant Restoration Corporation (Restoration), founded in 1967, celebrates its 50th anniversary in Central Brooklyn, home to the largest Black community in the United States. With a deepened and renewed commitment to supporting revolutionary art makers and protecting sustainable art spaces, Restoration launches the dynamic 21st century creative complex: RestorationArt.  

Chicago's own Jeremy Piven will lead an in-depth discussion with Gene Siskel Film Center Renaissance Award recipient Kevin Spacey at this year's annual benefit 'Kevin Spacey: Renaissance Man,' Saturday, May 13 at The Four Seasons Chicago (120 E. Delaware).

Hailed as “one of the great amateur choruses of our time (New York Today) for its “full-bodied sound and suppleness (The New York Times),” The Dessoff Choirs completes its 92nd season with an unforgettable concert dedicated to utopian visions.

An extra performance of Brodsky/Baryshnikov has been added on 7th May due to high levels of interest. Found somewhere between a play, a poetry recital and a piece of performance art, this UK premiere is being staged at the West End's Apollo Theatre for a limited run.

Tennessee Shakespeare Company (TSC), the Mid-South's professional classical theatre, continues its popular Southern Literary Salon on April 21 with one of the more shocking American voices of the 20th Century - Flannery O'Connor.

Houses on the Moon Theater Company (Emily Joy Weiner, Co-Founder & Artistic Director; Kevin Connor, Managing Director)  will present two world premiere productions in repertory developed through company workshops: The Assignment, a new original play by Camilo Almonacid, directed by Emily Joy Weiner, is a co-production with Rhymes Over Beats (Patrick Blake, Artistic Director; Cate Cammarata, Associate Artistic Director), and will be performed in repertory with gUN COUNTRY, curated by Jeffrey Solomon and Emily Joy Weiner,written, developed and performed by Houses On The Moon company members and directed by Jenna Worsham.

All aboard! The Hartford Stage 2017-18 Season barrels into town this fall with three gloriously colorful and vibrant classic titles, as well as three incisive and authentic looks at the human experience, according to Artistic Director Darko Tresnjak and Managing Director Michael Stotts.

Geva Theatre Center's Artistic Director Mark Cuddy and Executive Director Christopher Mannelli are proud to announce the 11 major productions and events of the much anticipated 2017-2018 Season, the non-profit theatre's 45th year of making professional theatre of a national standard in Rochester.

The San Diego Symphony's long-running summer concert series located on the Embarcadero Marina Park South provides audiences with an unparalleled experience of live concert music in one of the most beautiful settings in America.

Houses on the Moon Theater Company will present two world premiere productions in repertory developed through company workshops: The Assignment, a new original play by Camilo Almonacid, directed by Emily Joy Weiner, is a co-production with Rhymes Over Beats (Patrick Blake, Artistic Director; Cate Cammarata, Associate Artistic Director), and will be performed in repertory with gUN COUNTRY, curated by Jeffery Solomon and Emily Joy Weiner, written, developed and performed by Houses On The Moon company members and directed by Jenna Worsham.

Vancouver International Dance Festival (VIDF) kicks off its 17th year of connecting Vancouver audiences with the power and breadth of contemporary dance in a four-week line-up that showcases world-renowned artists from the United States, Japan, and Denmark alongside seasoned and emerging Canadian artists from Vancouver, Montreal, and Toronto.

Directed by Carla Kingham. Set and Costume Design by Ruta Irbite. Lighting by Kieron Johnson. Sound by Max Pappenheim. Produced by Audrey Thayer. Presented by Marricdale Productions in association with Neil McPherson for the Finborough Theatre. Supported by the B. S. Johnson Estate.