by Donna Marie Nowak
- Jun 24, 2024
Radio show whodunnit blends murder mystery parlor game and old-time radio for old-fashioned family fun.
by Valerie-Jean Miller
- May 28, 2024
VJM: Thank you both for giving of your time to answer my questions. I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of. How did that come about for both of you?
Ellenore Scott: Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival.
Ayodele Casel: I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in. Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.
by Valerie-Jean Miller
- Apr 4, 2022
The 'American' in American Ballet Theatre is more evident than ever before. The pristine presentation consisted of three different and unique pieces using music from America's most distinguished contemporary Composers. Leonard Bernstein, the varied well-known composers and lyricists of songs Tony Bennett sings, and noted jazz pianist Jason Moran; with contemporary, audacious, well-known Choreographers Alexei Ratmansky (ABT's Artist in Residence) the legendary Alonzo King (his first piece for ABT), and the whimsical, all-out entertaining Jessica Lang.
by Team BWW
- Nov 8, 2021
Live theatre is officially back and Concord Theatricals is celebrating! 'There's No Business Like Show Business' is a digital celebration that launched just last month, marking the return of live theater and all of the incredible people who help to make it happen. The celebration coincides with the 75th anniversary of Irving Berlin's Annie Get Your Gun and its iconic showstopper 'There's No Business Like Show Business,' a song that has more resonance than ever this year.
by Richard Ridge
- Nov 13, 2019
On Monday night, Over Here! The Big Band Musical was back in New York at The Triad Theatre for the first time since its original 1974 Broadway production and the joint was jumpin'. Veteran's Day proved to be the perfect time to revive this beloved celebration of the American spirit and optimism that defined the 1940's. To make it even more worthwhile, a portion of the proceeds from the evening was donated to Vietnam Veterans of America. Over Here! is one of this journalist's favorite musicals, so I was thrilled to have it back on the boards. Under the razor-sharp direction of Will Nunziata, who is quickly becoming a go-to director, this feel-good show sparkled and shined like a freshly polished diamond. It featured a stellar cast of 19, plus an 11-piece swing band, under musical director extraordinaire Blake Allen. Choreographer Andrew Black used every inch of space to give us one eye-popping musical number after another.
by Joanna Barouch
- Sep 26, 2019
Opening Night at the Metropolitan Opera! The very words tingle with palpable electricity and anticipation. Whether you attend in person, or go to the Times Square simulcast, or whether you listen on the radio or on the Met website, you are participating in one of the most thrilling events of the New York City musical year.
by Scott Rawson
- May 23, 2019
by Christine Swerczek
- Jul 10, 2018
I have never been to the Pinewood Bowl in Lincoln, Nebraska. Lincoln, our neighbor to the west, is a short 40 minute drive from Omaha on a good day. When the Huskers are playing, that is another story.
by Cindy Sibilsky
- Jun 22, 2018
by Donna Marie Nowak
- Aug 18, 2016
Philadelphia chanteuse Julie Charnet brings her blend of jazz and swing to the Ethical Society of Philadelphia and other venues.
by Sally Henry Fuller
- Sep 13, 2014
Southampton African American Museum will present 'Raise Your Voice', the 9th Annual African-American Film Festival for four days October 2 to 5. The celebration of the artistry of African-American filmmakers, actors, personalities, musicians and performers will feature a powerful line-up of critically acclaimed, thought- provoking feature films, documentaries, shorts, jazz and spoken word.
by Gabrielle Sierra
- Nov 2, 2009
Set in French Guiana, a region where on Christmas Eve the temperature has graciously dropped to 104 degrees, three amiable convicts are employed as roofers above the Ducotel's general store. The roof winds up being the least of the family's troubles.