Ubu - 1999 - London Fringe Articles Page 3

Cutting Ball Theater closes its 15th season with the American Premiere of COMMUNIQUE N°10 by French playwright Samuel Gallet, in a translation by Cutting Ball Artistic director Rob Melrose, who also helms this new work. Featuring Damien Seperi, Ponder Goddard, Maura Halloran, Wiley Naman Strasser, Paris Hunter Paul, Hugo Cabajal, and Aaron Malberg, COMMUNIQUE N°10 plays tonight, April 25 through May 25 (Press opening: May 1) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco.

Arrow Media and Seabright Productions present OLIVER REED: WILD THING, a new play by Mike Davis and Rob Crouch, directed by Kate Bannister and performed by Rob Crouch, at The Ambassadors Theatre. The show will run Tuesdays 1 & 8 April 2014 at 8pm.

Cutting Ball Theater presents the fourth installment of this season's Hidden Classics Reading Series, VENUS AND ADONIS by William Shakespeare.

Actor/director Tony Torn and Julie Atlas Muz star in Ubu Sings Ubu, an immersive theatrical mash up of Alfred Jarry's Ubu Roi and the songs of experimental cult band Pere Ubu. Adapted from a version of the original French text, and run through the Google Translateengine, Torn and company are fueled by the giddy, angular new wave rock of Pere Ubu, the cult band whose name and style were inspired by the play. Torn, who co-directs with Dan Safer of Witness Relocation, plays Pere Ubu while Muz is Mere Ubu, in a bizarre parody of Shakespeare's Macbeth, set in Poland instead of Scotland.

Cutting Ball Theater closes its 15th season with the American Premiere of COMMUNIQUE N°10 by French playwright Samuel Gallet, in a translation by Cutting Ball Artistic director Rob Melrose, who also helms this new work. Featuring Damien Seperi, Ponder Goddard, Maura Halloran, Wiley Naman Strasser, Paris Hunter Paul, Hugo Cabajal, and Aaron Malberg, COMMUNIQUE N°10 plays April 25 through May 25 (Press opening: May 1) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco.

Arrow Media and Seabright Productions present OLIVER REED: WILD THING, a new play by Mike Davis and Rob Crouch, directed by Kate Bannister and performed by Rob Crouch, at The Ambassadors Theatre. The show will run Tuesdays 1 & 8 April 2014 at 8pm.

The John F. Kennedy Center for the Performing Arts will host 22 theatrical offerings from 20 different countries during WORLD STAGES: International Theater Festival 2014 that will run for three weeks March 10-30, 2014 throughout the Center. The international festival features contemporary theater works offering 13 fully staged productions, 4 theater-focused installations, 3 readings of new works, and 2 forums. From Olivier and Tony Award-winning puppetry to innovative perspectives on old classics, a diverse showcase of theatrical expression will be represented by countries spanning the globe including Australia, Brazil, Canada, Chile, China, England, France, Iceland, Iraq, Israel, Japan, Kuwait, Mexico, Pakistan, Palestine, Scotland, South Africa, Sudan, Syria, and the United States.

Cutting Ball Theater announces that it will add an additional eight performances of its current hit production of Alfred Jarry's UBU ROI in a new translation by Rob Melrose. Russian director Yury Urnov (Woolly Mammoth Theatre Company) helms this irreverent take on world leaders, featuring David Sinaiko, Ponder Goddard, Marilet Martinez, Bill Boynton, Nathaniel Justiniano, and Andrew Quick. UBU ROI plays now through March 9 (added performances: Thursday, Feb 27, 7:30pm; Friday, Feb 28, 8pm; Saturday, March 1, 8pm; Sunday, March 2, 5pm; Thursday, March 6, 7:30pm; Friday, March 7, 8pm; Saturday, March 8, 8pm; Sunday, March 9, 5pm) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($10-50) and more information, the public may visit cuttingball.com or call 415-525-1205.

Cutting Ball Theater continues its 15th season with Alfred Jarry's UBU ROI in a new translation by Rob Melrose. When UBU ROI premiered in Paris on December 10, 1896, the audience broke into a riot at the utterance of its first word. Jarry's parody of Shakespeare's Macbeth defies theatrical tradition through its scatological language and disregard for audience expectations, replacing Shakespeare's tragic hero with a greedy, sadistic, obscene ogre who becomes the king of Poland by force and through the debasement of his people. UBU ROI retains its relevance and may bring to mind the fall from grace of many a contemporary political leader corrupted by power, from Elliot Spitzer to Dominque Strauss-Kahn.

Cutting Ball Theater continues its 15th season with Alfred Jarry's UBU ROI in a new translation by Rob Melrose. When UBU ROI premiered in Paris on December 10, 1896, the audience broke into a riot at the utterance of its first word. Jarry's parody of Shakespeare's Macbeth defies theatrical tradition through its scatological language and disregard for audience expectations, replacing Shakespeare's tragic hero with a greedy, sadistic, obscene ogre who becomes the king of Poland by force and through the debasement of his people. UBU ROI retains its relevance and may bring to mind the fall from grace of many a contemporary political leader corrupted by power, from Elliot Spitzer to Dominque Strauss-Kahn.

The Civilians, the award-winning New York-based theatre company, announces the members of its 2013-14 R & D Group. The group's emerging and established artists were selected from over one hundred applicants. The R & D Group is comprised of artists from multiple theatrical disciplines. Each artist or creative team will develop an original work over the season. The artists and projects were selected to represent a range of different strategies for making new work from creative inquiry and research. This diversity of approach helps feed a culture of innovation in the group, making the R & D Group an effective lab of experimentation for the field of investigative theater.

Cutting Ball Theater opens its 15th season with the World Premiere of SIDEWINDERS by Basil Kreimendahl. M. Graham Smith makes his main stage directing debut at Cutting Ball with SIDEWINDERS, featuring DavEnd, Sara Moore,Donald Currie, and Norman Muñoz. SIDEWINDERS plays October 18 through November 17 at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($10-50) and more information, the public may visitcuttingball.com or call 415-525-1205.

San Francisco's cutting-edge Cutting Ball Theater is pleased to announce that the American Theatre Wing, best known as the creator of the Antoinette Perry "Tony" Awards, is awarding the company with one of the 2013 National Theatre Company grants. Created by American Theatre Wing to recognize and support the most promising emerging theater companies from around the country, the National Theatre Company grant honors 10 theaters annually. Companies chosen to receive the $10,000 grant have articulated a distinctive mission, cultivated an audience, and nurtured a community of artists in ways that strengthen and demonstrate the quality, diversity, and dynamism of American theater. More information about the National Theatre Company grants can be found at http://americantheatrewing.org/grants/.

Bay Street Theatre presents THE MYSTERY OF IRMA VEP, written by Charles Ludlam and directed by Kenneth Elliott, as the second production in its 2013 summer Mainstage season following the hysterical comedy, LEND ME A TENOR playing through June 23. THE MYSTERY OF IRMA VEP runs today, July 2 - 28 and stars Tom Aulino and 5 time Obie Award winning actor David Greenspan.

Bay Street Theatre presents THE MYSTERY OF IRMA VEP, written by Charles Ludlam and directed by Kenneth Elliott, as the second production in its 2013 summer Mainstage season following the hysterical comedy, LEND ME A TENOR playing through June 23. THE MYSTERY OF IRMA VEP runs July 2 - 28 and stars Tom Aulino and 5 time Obie Award winning actor David Greenspan. Tickets are $59.50 and $69.50 with subscriptions to all 3 Mainstage productions starting at $138. For more information call the Box Office at 631-725-9500 or buy online at www.baystreet.org. July 2 will be a "Pay What You Can" performance with a limited number of tickets available on that date after 2 pm at the Bay Street Theatre Box Office. Please note that due to the fireworks display in Sag Harbor, the July 6 performance will be at 7 pm.

San Francisco's cutting-edge Cutting Ball Theater proudly announces the lineup for its 15th season. The season opens in October with the World Premiere of SIDEWINDERS by Basil Kreimendahl, directed by M. Graham Smith, followed by Alfred Jarry's UBU ROI in January, directed by Yury Urnov, in a new translation by Cutting Ball Artistic Director Rob Melrose. RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL returns in February with five new works, including two new plays from resident playwright Andrew Saito, in staged readings that push the boundaries of what theater can be. Rounding out the season in April is the American Premiere of Samuel Galett's COMMUNIQUE N°10 in a World Premiere translation, and directed, by Rob Melrose. In addition to the main stage season, Cutting Ball Theater continues its Hidden Classics Reading Series with six new installments. The entire 2013-14 season will be staged in San Francisco at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street at Ellis). Season memberships on sale May 13; single tickets on sale September 1. For tickets and information, the public may visit cuttingball.com or call 415-525-1205.

San Francisco's cutting-edge Cutting Ball Theater has announced the lineup for its 15th season. The season opens in October with the World Premiere of SIDEWINDERS by Basil Kreimendahl, directed by M. Graham Smith, followed by Alfred Jarry's UBU ROI in January, directed by Yury Urnov, in a new translation by Cutting Ball Artistic Director Rob Melrose. RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL returns in February with five new works, including two new plays from resident playwright Andrew Saito, in staged readings that push the boundaries of what theater can be. Rounding out the season in April is the American Premiere of Samuel Galett's COMMUNIQUE N°10 in a World Premiere translation, and directed, by Rob Melrose. In addition to the main stage season, Cutting Ball Theater continues its Hidden Classics Reading Series with six new installments. The entire 2013-14 season will be staged in San Francisco at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street at Ellis). Season memberships on sale May 13; single tickets on sale September 1. For tickets and information, the public may visit cuttingball.com or call 415-525-1205.

Cutting Ball Theater concludes its 14th season with the World Premiere of KRISPY KRITTERS IN THE SCARLETT NIGHT, San Francisco playwright Andrew Saito's poetic portrayal of the heart of the city in the spirit of Alan Ginsburg's Howl, William S. Burroughs, and the plays of Suzan-Lori Parks. Cutting Ball Artistic Director Rob Melrose directs KRISPY KRITTERS IN THE SCARLETT NIGHT, featuring Felicia Benefield, Wiley Namen Strasser, David Sinaiko, Marjorie Crump-Shears, Mimu Tsuimara, Maura Halloran, Caleb Caberera, and Drew Wolfe, May 17 through June 16 (Press opening: May 23) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($10-50) and more information, the public may visit cuttingball.com or call 415-525-1205.

Cutting Ball Theater continues its 14th season with Eugene Ionesco's THE CHAIRS, in a new translation by Rob Melrose. This tragic farce, in the tradition of Cutting Ball's hit productions of Ionesco's The Bald Soprano (2010) and Victims of Duty (2008), is as comedic as it is heartbreaking. Annie Elias (Tenderloin) directs THE CHAIRS, featuring David Sinaiko, Tamar Cohn, and Derek Fischer, March 1 through 31 (Press opening: March 7) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($10-50) and more information, the public may visit cuttingball.com or call 415-525-1205.

Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.

San Francisco's cutting-edge Cutting Ball Theater announces that the company has been awarded a grant for $166,000 from The Andrew W. Mellon Foundation to fund a three-year residency for resident playwright Andrew Saito. The grant will give Saito a full time salary and health benefits at Cutting Ball for the entire three years, with options to receive additional developmental funds. The grant is Cutting Ball's largest grant to date.

San Francisco's cutting-edge Cutting Ball Theater announces that the company has been awarded a grant for $166,000 from The Andrew W. Mellon Foundation to fund a three-year residency for resident playwright Andrew Saito. The grant will give Saito a full time salary and health benefits at Cutting Ball for the entire three years, with options to receive additional developmental funds. The grant is Cutting Ball's largest grant to date.

Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.

Internationally acclaimed Companhia de Danca Deborah Colker return to the Barbican with Tatyana, a new piece inspired by Alexander Pushkin's masterpiece Eugene Onegin.

Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.