Laguna Playhouse will present RED, John Logan's Tony Award-winning two-character drama about painter Mark Rothko, directed by J. Scott Lapp, starring Rob Nagle and James Hayden Rodriguez to close its 2025-2026 season.
Fake Escape will present SAVING BRITNEY at Edinburgh Fringe, a solo show by Shereen Roushbaiani exploring celebrity obsession, the #FreeBritney movement, and sexual identity through one millennial's parallel journey with Britney Spears.
Shakespeare's Globe will present A MIDSUMMER NIGHT'S DREAM from April 23 to August 29, 2026, directed by Emily Lim with a diverse cast including Audrey Brisson and Enyi Okoronkwo.
Lucas Hnath's play The Thin PLACE premiered at the Humana Festival of New American plays in 2019. The play, involving parapsychology, revolves around the character Hilda, a psychic medium who claims to have a special connection to the spirit world.
Production photos have been released for God of Carnage. The production is currently playing at the Lyric Hammersmith Theatre until 30 September 2023. Check out the photos here!
4th Wall Theatre's production of the Pulitzer Prize-winning masterpiece, FAIRVIEW runs through June 17, 2023. FAIRVIEW, which ran at Theatre for a New Audience in NYC to SOLD OUT audiences and with multiple extensions can FINALLY be seen right here in Houston, TX at the home for 'Extraordinary performance, up close,' 4th Wall Theatre Company. Check out production photos here!
What did our critic think of WHAT WE LOOK LIKE at DOBAMA?
Alisa Dupuy of The Ladies of History Historical Productions is a woman of a thousand faces (and voices) and keeps audiences enthralled with her one-woman enactments.
Winter in New York City is not known for being particularly steamy (though the unseasonably mild weather this year gives one reason to pause), but there is always Complexions Contemporary Ballet's season at the Joyce Theater to turn up the heat to a feverish, sweltering boiling point! For the 26th season, the company revived recent seminal works -- Bach 25 and Woke -- alongside favorites spanning from 1994 to a brand new solo in Essential Parts, which acted as a 'Greatest Hits' compilation for the ever-evolving, always revolutionary dance troupe. This year also marked the World Premiere of their latest exploration of the full canon of a particular musician's oeuvre -- Love Rocks featuring the music of the iconic Grammy-winning rockstar, Lenny Kravitz. For patrons unable to attend all programs, FOMO (fear of missing out) syndrome is understandable, but for those who are highly familiar with the group's work or only getting their first taste, Program C -- which featured the latter two mentioned -- was the most delectable sampling of Complexions offerings old and new. The fascinating thing about such juxtapositions is that, in seeing the latest creations from 2020 side-by-side with choreography premiered in the early 1990s, it is remarkable to note how the level of innovation, depth of emotion and current relevance remains the same. It's a reminder that timeliness and timelessness can coexist, given the right mediums and masters. The genius of legendary Co-Founders, Co-Artistic Directors Desmond Richard and Dwight Rhoden (also the Principal Choreographer) cannot be underestimated. Indeed, it has not. They have both achieved phenomenal success and longevity, been lauded as trailblazers and received numerous accolades from peers, critics and audiences alike since they burst on the dance scene. It's no wonder that they have utilized the music of David Bowie, Stevie Wonder, Kendrick Lamar and Lenny Kravitz to tell their stories through bodies in motion -- they are rockstars themselves!
Sex, politics, and religion – nothing is sacred – in Westport Country Playhouse's world premiere translation and adaption of Molière's comedy, “Don Juan,” by Brendan Pelsue, directed by Playhouse associate artistic director David Kennedy, from November 5 – 23.
It wasn't the comedy of broadcasters who have absolutely no information to share but share it anyway that stayed with me, nor was it watching each of these characters disintegrate into their lowest common denominators as they desperately cling to order. It was instead in their attempts, on the last night of the world, to stay connected. They hold on to their microphones (quite literally) and to each other and their unseen audiences to their last coherent moment, 'speaking to keep loneliness at bay'.
Chance Theater, Anaheim's official resident theater company, is delighted to announce that we've added two performances of the West Coast Premiere of Hamish Linklater's The Vandal. Directed by Kari Hayter, The Vandal will add performances on Saturday, October 5th at 3pm and Sunday, October 13th at 7pm. The production run will still closing on October 20th. All performances are on the Fyda-Mar Stage at the Bette Aitken theater arts Center.
Go see THIS IS OUR YOUTH. Don't miss some great theatre by one of our newest companies!
It's a fun-house mirror of Americana arcana, reminding us that the reason blood is thicker than water is because it's larded with toxic sentiment
The actual outcomes from self-care retreats comes into focus as six strangers struggle to connect when they aren't allowed to use their voices in Bess Wohl's SMALL MOUTH SOUNDS.
The movie that helped make disco mainstream is given a 21st century musical theatre makeover with Karen Johnson Mortimer's Australian adaptation of Stephane Jarny's original French adaptation of SATURDAY NIGHT FEVER.
Based in truth, APPLETON LADIES POTATO RACE is a delightful little slice of modern day Australian whilst highlighting how far we still need to go in achieving gender equality in the 21st century.
The 29th Annual LA STAGE Alliance Ovation Awards, celebrating theatrical excellence and achievement throughout Los Angeles, were presented on Monday, January 28, at the Theatre at Ace Hotel in downtown LA.
The Drama League (Executive Artistic Director Gabriel Stelian-Shanks) presents DirectorFest 2019: The 35th Annual Directors Festival, the only festival in the United States exploring the art of contemporary stage directing, adds to the festival a Bulgarian production of This is NOT Hamlet, conceived and directed by Boyan Kracholov at LaGuardia Performing Arts Center (31-10 Thompson Street, Long Island City). Festival programming, tickets and additional details are available at www.directorfest.org, or by calling (212) 244-9494.
Richard Rogers and Oscar Hammerstein II, the fathers of the modern American musical, were advocates of social responsibility. In OKLAHOMA, they stressed the building of community. In SOUTH PACIFIC they pegged prejudice. In THE KING AND I, the duo examined intercultural understandings.
Primary Stages presents Downstairs by Theresa Rebeck ("Smash," Bernhardt/Hamlet, Poor Behavior at Primary Stages), directed by Adrienne Campbell-Holt (What We're Up Against). Performances began at the Cherry Lane Theatre (38 Commerce St, New York, NY, 10014) on November 7, 2018, opened last night, November 18, and runs through December 22, 2018. The cast includes Tony and Emmy Award winner Tyne Daly (Gypsy, "Cagney and Lacey") as "Irene," Emmy Award nominee Tim Daly ("Wings," "Madam Secretary") as "Teddy," and John Procaccino (Our Lady of 121st Street, Our Mother's Brief Affair) as "Gerry."
