The Father - 1928 - Broadway Articles Page 13

Playhouse Jr., Point Park University's professional quality youth theatre company, closes its 62nd season with a new adaptation of The Diary of Anne Frank by Frances Goodrich and Albert Hackett, newly adapted by Wendy Kesselman, and directed by Shirley Tannenbaum.

Playhouse Jr., Point Park University's professional quality youth theatre company, closes its 62nd season with a new adaptation of The Diary of Anne Frank by Frances Goodrich and Albert Hackett, newly adapted by Wendy Kesselman, and directed by Shirley Tannenbaum.

The Araca Group announces the return of AracaWorks, a week-long series of play readings celebrating new work for the theatre.

The Araca Group announces the return of AracaWorks, a week-long series of play readings celebrating new work for the theatre.

The CAPA Summer Movie Series, the longest-running classic film series in America, celebrates its 41st anniversary in 2011 with an impressive assembly of classics, cult favorites, and much beloved films.

Executive Producer Lou Spisto today announced that The Old Globe will produce the World Premieres of four new plays and musicals in its 2011-12 Winter Season. The season will feature the World Premiere musicals Some Lovers by music legend Burt Bacharach and Tony Award winner Steven Sater and Nobody Loves You by Gaby Alter and Itamar Moses, as well as the West Coast Premiere of John Kander and Fred Ebb's The Scottsboro Boys, recently nominated for 12 Tony Awards including Best Musical, directed and choreographed by five-time Tony Award winner Susan Stroman. The two plays receiving World Premiere productions are Somewhere by Globe Playwright-in-Residence Matthew Lopez and The Recommendation by Jonathan Caren. The new season also includes revivals of Richard O'Brien's The Rocky Horror Show and the Eugene O'Neill classic Anna Christie directed by Pulitzer Prize and Tony Award winner David Auburn. Special events include the World Premiere of Odyssey by Todd Almond, a music theater event conceived and directed by Lear deBessonet celebrating the Globe's 75th Anniversary, The Old Globe/University of San Diego Graduate Theatre Program production of Twelfth Night and Dr. Seuss' How the Grinch Stole Christmas!, which returns for its 14th consecutive year.

The Araca Group announces the return of AracaWorks, a week-long series of play readings celebrating new work for the theatre.

In celebration of its 50 year anniversary, the critically-acclaimed Steppenwolf Theatre Company production of Edward Albee's Who's Afraid of Virginia Woolf? will open on Broadway Saturday, October 13, 2012-exactly 50 years to the date after the play's original Broadway opening on Saturday, October 13, 1962. Directed by Pam MacKinnon, the Broadway production will feature the original Steppenwolf cast: ensemble members Tracy Letts and Amy Morton with Carrie Coon and Madison Dirks and will open at a Shubert Theatre TBA.

The Yale Glee Club celebrates its 150th anniversary with a gala Carnegie Hall concert on Friday, April 8 under the direction of Jeffrey Douma and joined by the Yale Symphony Orchestra.

In collaboration with Cinema St. Louis, the Sheldon Art Galleries presents the exhibition Vincentennial: The Legacy of Vincent Price from April 22 - August 6, 2011. A free opening reception at the Sheldon Art Galleries will be held on Friday, April 22, from 6 - 8 p.m. Cinema St. Louis will hold a Vincentennial film festival from May 19 - May 28, 2011. More information on the film festival is available at www.vincentennial.com.

Quintessence Theatre Group presents Molière's DON JUAN, in the professional American premiere of a new translation by Neil Bartlett, to be directed by Alexander Burns. The production will close Sunday, March 13.

The Yale Glee Club celebrates its 150th anniversary with a gala Carnegie Hall concert on Friday, April 8 under the direction of Jeffrey Douma and joined by the Yale Symphony Orchestra.

International Celebrity Images celebrated the 20th Annual Production of THE REEL AWARDS, a spoof on the Academy Awards on Thursday afternoon, February 24, 2011 in the Showroom of the Golden Nugget Hotel & Casino in Las Vegas, NV. Replete with 70 Celebrity Impersonators as Awards Show Co-Hosts, Nominees, Presenters, Entertainers and Event Attendees, hailing from 25 states throughout the United States, and five countries, including: Australia, Canada, Germany, Ireland and Spain, THE REEL AWARDS were presented in 16 categories for excellence in the field of impersonation. Concurrently with THE REEL AWARDS, International Celebrity Images presented the 11th Annual Celebrity Impersonators Convention and 2nd Annual Vegas Tribute Idol competition, also at the Golden Nugget Hotel & Casino, from February 21, 25, 2011.

Quintessence Theatre Group presents Molière's DON JUAN, in the professional American premiere of a new translation by Neil Bartlett, to be directed by Alexander Burns. The production will start previews on Wednesday, February 16 at 7pm and open on Saturday, February 19 at 8pm.

The Concert Operetta Theater will open its 9th season with a concert, Remembering Romberg! honoring the great American composer. Philadelphian Michael Presser, founder of New York City's leading Broadway non-profit organization Inside Broadway will be the guest narrator.

Arena Stage at the Mead Center for American Theater continues its inaugural season this spring with an unparalleled tribute to one of the nation's greatest living playwrights, Edward Albee. The company has mounted a two-month festival featuring 30 events, making nearly every one of his plays available in performance spaces throughout the Mead Center.

Arena Stage at the Mead Center for American Theater continues its inaugural season this spring with an unparalleled tribute to one of the nation's greatest living playwrights, Edward Albee.

The Concert Operetta Theater will open its 9th season with a concert, Remembering Romberg! honoring the great American composer. Philadelphian Michael Presser, founder of New York City's leading Broadway non-profit organization Inside Broadway will be the guest narrator.

Filippino Lippi (1457-1504) is one of the great artists of 15th-century Florence. Among his principal patrons was the wealthy banker Filippo Strozzi (1428-1491), who in 1487 contracted the artist to decorate his funerary chapel in Santa Maria Novella with an outstanding cycle of frescoes. Around the same time, Strozzi also commissioned a Madonna and Child for his villa at Santuccio, west of the city. This work was acquired from the Duveen firm in 1928 by Jules Bache and was bequeathed to the Metropolitan Museum in 1949. In preparation for an exhibition on the artist that will be held in Rome next year, the picture was taken to conservation for examination this fall. A test cleaning revealed that beneath a thick, discolored varnish there was a beautifully preserved, richly colored painting. It emerged that the varnish had been artificially toned to create an almost monochromatic appearance-an amber-colored uniformity that conformed to the idea of how an Old Master should appear. So striking is the transformation that the picture seems a new acquisition.

Quintessence Theatre Group presents Molière's DON JUAN, in the professional American premiere of a new translation by Neil Bartlett, to be directed by Alexander Burns. The production will start previews on Wednesday, February 16 at 7pm and open on Saturday, February 19 at 8pm.

As we welcome in a new year of great theatre in the nation's capital, I thought it would be fun to do one of those “Best of 2010' lists as well as preview what's opening in January on DC area stages. So let's raise our glasses and offer a toast to all those theatre companies who gave us great productions in 2010, and to the upcoming 2011 theatre season!

Music Director Alan Gilbert will conduct the New York Philharmonic in Aaron Jay Kernis's a Voice, a Messenger, a World Premiere-New York Philharmonic Co- Commission with the Big Band Association, featuring Philharmonic Principal Trumpet Philip Smith, and the New York Premiere of Christopher Rouse's Oboe Concerto, with Principal Oboe Liang Wang, Tuesday, December 28, 2010, Wednesday, December 29, and Thursday, December 30, at 7:30 p.m. Also on the program: Vivaldi's Concerto for Four Violins, RV 580, performed by Philharmonic violinists Sheryl Staples, Michelle Kim, Marc Ginsberg, and Lisa Kim; Hindemith's Horn Concerto, played by Principal Horn Philip Myers; and Ravel's Boléro.

Music Director Alan Gilbert will conduct the New York Philharmonic in Aaron Jay Kernis's a Voice, a Messenger, a World Premiere-New York Philharmonic Co- Commission with the Big Band Association, featuring Philharmonic Principal Trumpet Philip Smith, and the New York Premiere of Christopher Rouse's Oboe Concerto, with Principal Oboe Liang Wang, Tuesday, December 28, 2010, Wednesday, December 29, and Thursday, December 30, at 7:30 p.m. Also on the program: Vivaldi's Concerto for Four Violins, RV 580, performed by Philharmonic violinists Sheryl Staples, Michelle Kim, Marc Ginsberg, and Lisa Kim; Hindemith's Horn Concerto, played by Principal Horn Philip Myers; and Ravel's Boléro.

This winter, Arts World Financial Center is taking a trip back in time to 17th Century Italy, the Silent Film Era, mid-20th Century New York City and beyond with an eclectic line-up of music, theater, film, and dance, organizers announced today.

Filippino Lippi (1457-1504) is one of the great artists of 15th-century Florence. Among his principal patrons was the wealthy banker Filippo Strozzi (1428-1491), who in 1487 contracted the artist to decorate his funerary chapel in Santa Maria Novella with an outstanding cycle of frescoes. Around the same time, Strozzi also commissioned a Madonna and Child for his villa at Santuccio, west of the city. This work was acquired from the Duveen firm in 1928 by Jules Bache and was bequeathed to the Metropolitan Museum in 1949. In preparation for an exhibition on the artist that will be held in Rome next year, the picture was taken to conservation for examination this fall. A test cleaning revealed that beneath a thick, discolored varnish there was a beautifully preserved, richly colored painting. It emerged that the varnish had been artificially toned to create an almost monochromatic appearance-an amber-colored uniformity that conformed to the idea of how an Old Master should appear. So striking is the transformation that the picture seems a new acquisition.