The Dance of Death - 1936 - Broadway Articles Page 11

Two-time Tony Award winners NATHAN LANE (The Producers, A Funny Thing Happened on the Way to the Forum) and BEBE NEUWIRTH (Chicago, Sweet Charity) will star as Gomez and Morticia in THE ADDAMS FAMILY, a new musical based on the bizarre and beloved family of characters created by legendary cartoonist Charles Addams. Produced by Stuart Oken, Roy Furman, Michael Leavitt and Five Cent Productions, by special arrangement with Elephant Eye Theatrical, THE ADDAMS FAMILY will open on Broadway Thursday, April 8, 2010 at a Nederlander theatre to be announced. Previews will begin Thursday, March 4, 2010 following a pre-Broadway engagement at the Ford Center for the Performing Arts, Oriental Theatre in Chicago that begins November 13.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Back in Pictures celebrates the songs that were originally written for the masterpieces of the Golden Age of Hollywood, featuring music from Casablanca, Easter Parade, A Star Is Born, Pennies From Heaven, Disney, Meet Me In St. Louis, Gentlemen Prefer Blonds, The Wizard of Oz and many more. Back in Pictures is showing at the Reprise Room, 245 West 54th Street, between Broadway and 8th Avenue, New York, from April 7, 2008 through January 5, 2009.

The producers of the upcoming Broadway revival of Noel Coward's Blithe Spirit are pleased to welcome Tony-nominated actress Deborah Rush in the role of Mrs. Bradman, reuniting her with her Noises Off! director, two-time Tony Award winner Michael Blakemore.

Back in Pictures celebrates the songs that were originally written for the masterpieces of the Golden Age of Hollywood, featuring music from Casablanca, Easter Parade, A Star Is Born, Pennies From Heaven, Disney, Meet Me In St. Louis, Gentlemen Prefer Blonds, The Wizard of Oz and many more. Back in Pictures is showing at the Reprise Room, 245 West 54th Street, between Broadway and 8th Avenue, New York, from April 7, 2008 through January 5, 2009.

With a majestic, flamenco-inspired score by Michael John LaChiusa, dynamic dance-infused direction by Graciela Daniele and a powerful, anguished performance by Phylicia Rashad in the title role, Bernarda Alba is a captivating ninety minutes of intense and inspired musical drama

MCC THEATER (Robert LuPone, Bernard Telsey, Artistic Directors; William Cantler, Associate Artistic Director, John G. Schultz, Executive Director), is proud to announce its third production of the 2004-2005 season: WHAT OF THE NIGHT, an American premiere based on the writings of Djuna Barnes, created for the stage by Jane Alexander, Noreen Tomassi, Birgitta Trommler, directed and choreographed by Ms. Trommler, and starring Ms. Alexander (The Great White Hope; Kramer vs. Kramer; Testament; The Sisters Rosenzweig). The production marks Trommler's New York directorial debut.