That's a Pretty Thing

Officially released yesterday, Tovah Feldshuh's memoir LILYVILLE: MOTHER, DAUGHTER, AND OTHER ROLES I'VE PLAYED is the book that already has everyone talking.

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

So, I saw this show when it was premiered in movie theaters and it had an incredible impact on me. How has this show affected you?

Georgia Ensemble Theatre (GET), the professional North Fulton theatre company, is pleased to announce a new commission with Atlanta theatre artists Chase Peacock and Jessica De Maria to produce an original musical, The Pretty Pants Bandit, for the late fall of GET's 2020-21 Season.

There's an unmistakeable sound of thunder emanating from the Ogunquit Playhouse these days, commencing with the rhythmic pounding of nearly two dozen pairs of feet, and ending in a crescendo of audience applause. It is not fulsome praise to give DirectorChoreographer Randy Skinner multiple huzzahs and many pats on the back for this fresh and exciting production of 42ND STREET the iconic show-biz musical about a small town girl who pursues her dream and takes Broadway by storm. From the grownups to the kids in the chorus, Tony Award-nominee Skinner seamlessly blends stage veterans and non-Equity performers into one sparkling, magical troupe that really knows how to put on a show.

42nd Street, the iconic Broadway masterpiece and winner of the Tony Award for Best Musical in 1980, is tap-dancing its way onto the Charleston Coliseum & Convention Center's Little Theater stage in Charleston, WV from April 26th, 2019 through May 11th, 2019 courtesy of the talented performers and crew of the Charleston Light Opera Guild.

Come and meet the star of 42nd Street! I had the privilege of chatting with the very talented Matthew J. Taylor, who plays Julian Marsh in this exciting production. We talk about life on the road, beloved timeless musicals, preserving vocal health and New Jersey's outstanding Westminster Choir College.

Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.

So far as I can tell, the best way to handle the situation - on Monday night, March 28, five of Nashville's most talented young divas aka Cori Laemmel, Erin Parker, Laura Matula, Megan Murphy Chambers and Melodie Madden Adams will be performing a cabaret entitled FIVE - is to send five other young divas (I'd suggest sequestering Laura Thomas Sonn, Heather Trabucco, Stacie Riggs, Jennifer Richmond and Erica Haines Cantrell, just off the top of my head) to an undisclosed location - there's got to be a bunker around here somewhere, what with Oak Ridge so close by - just in case someone drops a bomb on Street Theatre Company