Rose-Marie - 1945 - Los Angeles Articles Page 8

The team behind 2016's acclaimed production of Tennessee Williams' rarely-seen Kingdom of Earth, is back - this time, with Williams' Pulitzer Prize-winning masterpiece, A Streetcar Named Desire. Jack Heller directs Susan Priver (down-on-her-luck showgirl Myrtle in Kingdom of Earth, LA Weekly award-winning The Lover by Harold Pinter) as Blanche DuBois and Max E. Williams (Agents of S.H.I.E.L.D., numerous productions with Elephant Theatre Company) as Stanley Kowalski in a visiting production at the Odyssey Theatre presented by Dance On Productions in association with Linda Toliver and Gary Guidinger. Passions flare and cultures collide in the sultry streets of New Orleans beginning May 25, with performances continuing though July 7.

HERE welcomes composer and singer Gelsey Bell, OBIE and Doris Duke award-winning playwright Julia Jarcho, and NAACP-nominated theatre-maker Nia O. Witherspoon as new members of the HERE Artist Residency Program (HARP).

With the critically-acclaimed Equus and The Funeral Director currently touring the UK, English Touring Theatre today announces the full tour dates for its Autumn 2019 Season. The company, in a co-production with Royal & Derngate, present the revival of August Wilson's Two Trains Running directed by the 2018 winner of the RTST Sir Peter Hall Director Award, Nancy Medina. Then, in a co-production with Sheffield Theatres, they present the world premiere stage adaptation of Matt Haig's Reasons to Stay Alive.

Fences, August Wilson's towering, Pulitzer Prize-winning drama about an embittered black man denied his dream and the soul-searing wounds he inflicts on his family, opens at Palm Beach Dramaworks on Friday, March 29 (8pm) at the Don & Ann Brown Theatre. Performances continue through April 21, with specially priced previews on March 27 and 28.

It's become second-nature for many in the dance world to refer to Jerome Robbins as a second rate choreographer these days. Or should I say even 40 years ago?

Fences, August Wilson's towering, Pulitzer Prize-winning drama about an embittered black man denied his dream and the soul-searing wounds he inflicts on his family, opens at Palm Beach Dramaworks on Friday, March 29 (8pm) at the Don & Ann Brown Theatre. Performances continue through April 21, with specially priced previews on March 27 and 28.

Celebrating the life and work of Ethyl Eichelberger with panelists, live performances and archival materials. The event, curated by Michal Gamily, is moderated by Miss Joan Marie Moossy; with panelists, Brian Belovitch, Joe E Jeffreys, John Kelly, Lori E Seid, Black-Eyed Susan, and Mark Russell; live performances by Black-Eyed Susan, Jennifer Miller, and Jeremy Halpern with Auntie Belle; and archival material from the La MaMa Archives.

Good morning, BroadwayWorld! Happy Monday! Kick off a brand new week by catching up on the latest Broadway news!

Cincinnati Shakespeare Company continues its 25th Anniversary Season at The Otto M. Budig Theater with August Wilson's "Fences", directed by Christopher V. Edwards and features "ranney" [sic] as Troy Maxson, Torie Wiggins as Rose and Crystian Wilshire as Cory. This production is generously sponsored by Frost Brown Todd, BB&T, and Johnson Investment Council.

The Town Hall presents Broadway By The Year©: Broadway Musicals of 1928 and 1935 on Monday, February 25 at 8pm. Created, written, hosted and directed by Scott Siegel for The Town Hall, the evening marks the beginning of Broadway By The Year©'s 19th season at The Town Hall (123 W. 43rd Street).  

A Modest Little Man tells us something of the man and his achievements, Clement Attlee surrounded by egos and rivals (talented though) in this gem of a political comedy.

Cincinnati Shakespeare Company continues its 25th Anniversary Season at The Otto M. Budig Theater with August Wilson's "Fences", directed by Christopher V. Edwards and features "ranney" [sic] as Troy Maxson, Torie Wiggins as Rose and Crystian Wilshire as Cory. This production is generously sponsored by Frost Brown Todd, BB&T, and Johnson Investment Council.

Stephen Daldry ('The Crown,' Billy Elliot, The Inheritance) directs his National Theatre of Great Britain's landmark production of J.B. Priestley's classic thriller An Inspector Calls, hailed as the theatrical event of its generation and winner of an unprecedented number of awards, including three Olivier's, four Tony's and seven Drama Desk Awards, with an exclusive West Coast engagement at the Wallis Annenberg Center for the Performing Arts from Tuesday, January 22 to Sunday, February 10, 2019.

The Australian theater and concert star Trevor Ashley will make his long-awaited New York debut with Liza's Back! (Is Broken) - following smash seasons in London, and across Australia, including a sell-out run at the Sydney Opera House - at Sony Hall on Monday, February 4, 2019.

A 1930s comedy for Christmas, Jeannie by rediscovered female playwright Aimee Stuart will open at the Finborough Theatre for a four-week limited season on Tuesday, 27 November 2018 (Press Nights: Thursday, 29 November and Friday, 30 November 2018 at 7.30pm).

Steve Martin's and Edie Brickell's Bright Star played Broadway in 2016. The show fared somewhat well, but did not seem to be an overall critics' choice. On the minus side, it is an all too familiar story about a backwoods pregnant girl and parental abuse in the 1920s, with far-fetched resolutions and a sweet, but for many, saccharine ending. In spite of this, I was delighted with the bluegrass music by Martin and Brickell.

BroadwayWorld has a first look at Barrington Stage Company's The Glass Menagerie, which is currently on stage through October 21 on the Boyd-Quinson Mainstage (30 Union Street). Check out photos of the cast in action below!

BroadwayWorld has a first look at Barrington Stage Company's The Glass Menagerie, which is currently on stage through October 21 on the Boyd-Quinson Mainstage (30 Union Street). Check out photos of the cast in action below!

The American Veterans Center's annual broadcast special in honor of Veterans Day, American Valor: A Salute to Our Heroes, will once again return to television this year. Emmy Award nominated actor/comedian veteran of the United States Marine Corps, Rob Riggle, pays tribute to our service men and women spanning from World War II to the present day. Noted celebrities who will lend their voices to tell the stories of service and valor, including  John Krasinski, Matthew McConaughey, Harrison Ford, Scarlett Johansson, Robin Roberts and Gary Sinise.  

Barrington Stage Company (BSC), the award-winning theatre in the Berkshires under the leadership of Artistic Director Julianne Boyd, presents Tennessee Williams' The Glass Menagerie. Previews for The Glass Menagerie begin October 3, with an official opening on October 7 and performances through October 21 on the Boyd-Quinson Mainstage (30 Union Street).

The National Philharmonic begins its 2018-2019 season at The Music Center at Strathmore on Saturday, Sept. 29, at 8 p.m., with a Washington D.C. premier of Marlon Brando's On the Waterfront celebrating iconic American composer Leonard Bernstein's 100th birthday.

Barrington Stage Company (BSC), the award-winning theatre in the Berkshires under the leadership of Artistic Director Julianne Boyd, presents Tennessee Williams' The Glass Menagerie. Previews for The Glass Menagerie begin October 3, with an official opening on October 7 and performances through October 21 on the Boyd-Quinson Mainstage (30 Union Street).

The fourth annual GI Film Festival San Diego is getting ready to roll from Tuesday, Sept. 25 through Sunday, Sept. 30, 2018. Organizers have once again curated a film lineup to feature the untold and underrepresented stories of America's military through film. The six-day San Diego military film festival features 34 films, including nine world premieres and five West Coast premieres, as well as several screenings, filmmaker appearances, and panel discussions. GI Film Festival San Diego attendees have opportunities to watch the films, meet filmmakers and film subjects, and have conversations to tackle topics that are usually unspoken.

'What matters is not whether a play is light-hearted or serious, but--be it comedic or otherwise--whether it speaks to people about their problems, how it speaks to them, what impact it has on them. . . We wish only to put on plays that meet certain standards of urgency, that are intellectually penetrating, complex, challenging, and powerful.'